| Videos (see all 3 NEW) |
Directed by | |||
| David Lynch | |||
Writing credits(WGA) | ||
| David Lynch | (written by) & | |
| Robert Engels | (written by) | |
| Mark Frost | (television series Twin Peaks) & | |
| David Lynch | (television series Twin Peaks) | |
Original Music by | |||
| Angelo Badalamenti | (music composed by) | ||
Cinematography by | |||
| Ronald Víctor García | (director of photography) (as Ron Garcia) | ||
Film Editing by | |||
| Mary Sweeney | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Set Decoration by | |||
| Leslie Morales | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Katharina Hirsch-Smith | .... | key makeup artist | |
| Francesca Lacagnina | .... | makeup assistant (as Francesca Lacaqnina) | |
| Brent Lavett | .... | hair stylist | |
| Heba Thorisdottir | .... | makeup assistant | |
Production Management | |||
| Gregg Fienberg | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William Jennings | .... | second second assistant director (as Bill Jennings) | |
| Deepak Nayar | .... | first assistant director | |
| Richard Oswald | .... | second assistant director | |
| Susan Walter | .... | dga trainee | |
Art Department | |||
| Sophia Barashkoff | .... | painter | |
| Jeannine Bolding | .... | art department receptionist | |
| Chris Burch | .... | swing gang (as Christopher Burch) | |
| David Christopher Campbell | .... | carpenter (as David Chris Campbell) | |
| John Canedo | .... | painter | |
| Keith Cox | .... | construction coordinator | |
| Tyler Dupuy | .... | carpenter | |
| Morgan Flaherty | .... | lead carpenter | |
| James 'Bud' Hays | .... | carpenter | |
| Nicola Hewitt | .... | swing gang | |
| Jon Kazunaga | .... | construction foreman (as Jon 'Kaz' Kazunaga) | |
| Chris Kelly | .... | painter | |
| Daniel Kuttner | .... | property master | |
| Mike Malone | .... | on-set dresser | |
| Cecil K. Merritt Jr. | .... | property assistant | |
| Marvin Perry | .... | carpenter | |
| Carlos Quintero | .... | carpenter | |
| David E. Robinson | .... | scenic artist (as Dave Robinson) | |
| Stephanie Sandston | .... | lead person | |
| Audrey Stanzler | .... | set dresser | |
| Robert Taylor | .... | swing gang (as Rob Taylor) | |
| Whiting Tennis | .... | swing gang | |
| Deborah Winship | .... | set dressing buyer | |
| Alex Wood | .... | swing gang | |
Sound Department | |||
| Phil Benson | .... | assistant sound editor | |
| Frank Canonica | .... | recordist | |
| Lee Cruikshank | .... | machine room operator | |
| Richard F.W. Davis | .... | sound effects editor (as Richard Davis) | |
| Mark DeSimone | .... | adr mixer | |
| Dean Drabin | .... | adr recordist | |
| Richard Duarte | .... | foley engineer | |
| Teresa Eckton | .... | dialogue & adr editor (as Teresa Ekton) | |
| Malcolm Fife | .... | foley editor (as Malcom Fife) | |
| Clare C. Freeman | .... | production sound editor (as Clare Freeman) | |
| Kristen Gerstner | .... | assistant sound editor (as Kristin Gerstner) | |
| Charlene Hamer | .... | utility sound (as Charlene E. Hamer) | |
| Jon Huck | .... | recordist: backwards ADR | |
| Jon Huck | .... | sound mixer | |
| Rick Kahn | .... | machine room operator | |
| Stephen Kearney | .... | assistant sound editor | |
| James Lebrecht | .... | sound effects editor (as James LeBrecht) | |
| Mark Levinson | .... | production sound editor | |
| David Lynch | .... | sound designer | |
| David Lynch | .... | sound re-recording mixer | |
| Donny Miele | .... | sound effects editor (as Donny Blank) | |
| Douglas Murray | .... | supervising sound editor | |
| Jennifer Myers | .... | foley artist | |
| Dan Olmsted | .... | recordist | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound re-recording mixer | |
| Debbie Pinthus | .... | boom operator (as Deborah Pinthus) | |
| Joseph Jett Sally | .... | production sound editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Karen Tenkhoff | .... | apprentice sound editor | |
| Eric Thompson | .... | foley engineer | |
| Hugh Waddell | .... | adr editor | |
| Mark Jan Wlodarkiewicz | .... | apprentice sound editor (as Mark Wlodarkiewicz) | |
Special Effects by | |||
| Robert E. McCarthy | .... | special effects co-ordinator: Los Angeles | |
| Sabrina McCarthy | .... | special effects crew: Los Angeles | |
| Darrell Pritchett | .... | special effects crew: Seattle | |
| Del Reahm | .... | special effects crew: Los Angeles | |
| Terry Shattuck | .... | special effects crew: Seattle | |
| Gunter Simon | .... | special effects crew: Los Angeles (as Gunther Simon) | |
| Bob Riggs | .... | special effects co-ordinator: Seattle (uncredited) | |
Visual Effects by | |||
| Christopher Rohde | .... | telecine | |
Stunts | |||
| David Boushey | .... | stunt player (as Dave Boushey) | |
| Jon H. Epstein | .... | stunt coordinator | |
| Hannah Kozak | .... | stunt player | |
| Kathleen Reilly | .... | stunt player | |
| Jeff Smolek | .... | stunt coordinator | |
| Diana Wagner-Boyd | .... | stunt player | |
Camera and Electrical Department | |||
| Brian Bernstein | .... | assistant camera | |
| Tasso Bravos | .... | grip | |
| John Buckley | .... | gaffer | |
| Kyle Carver | .... | electrician | |
| Sean Doyle | .... | additional photography | |
| Michael Gfelner | .... | first assistant camera | |
| Bruce Alan Greene | .... | Steadicam operator (as Bruce Greene) | |
| Hjortur Gretarsson | .... | production assistant camera | |
| Jay Johnson | .... | electrician | |
| Jeffrey A. Johnson | .... | best boy grip (as Jeffrey Allen Johnson) | |
| Johnny Karls | .... | first assistant camera (as John F. Karls) | |
| Eugene B. Kerry | .... | set grip (as Eugene Kerry) | |
| Colleen Kingdon | .... | electrician | |
| Dan Kneece | .... | Steadicam operator | |
| Tom Marvel | .... | best boy electric | |
| Lloyd Moriarity | .... | dolly grip (as Lloyd M. Moriarity) | |
| Lloyd Moriarity | .... | key grip (as Lloyd M. Moriarity) | |
| Ryan Purcell | .... | grip | |
| Vince Rapini | .... | grip | |
| Miguel Rico | .... | electrician | |
| Shade Rupe | .... | grip | |
| Lorey Sebastian | .... | still photographer | |
| Wendi Van Dyke | .... | second assistant camera | |
| Rick Wiley | .... | key grip | |
| T.J. Williams | .... | Steadicam operator | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Tony Hobbs | .... | extras casting: Cenex Casting | |
| Elaine J. Huzzar | .... | casting associate | |
| Shannon Ward | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kathi McKenzie | .... | wardrobe assistant | |
| Cheri Reed | .... | costumer | |
| Amy Stofsky | .... | costume supervisor | |
Editorial Department | |||
| Bob Allen | .... | second assistant editor | |
| Joe Fineman | .... | post-production consultant | |
| Elizabeth Fox | .... | post-production coordinator | |
| Deborah Gavlak | .... | first assistant editor (as Debra Gavlak) | |
| Vivian Hengsteler | .... | negative cutter | |
| Dan Muscarella | .... | color timer | |
| Lisa Storer | .... | apprentice editor (as Lisa Anne Storer) | |
| D. Gunther Tarampi | .... | editorial intern (as Gunther Tarampi) | |
Music Department | |||
| Dave Alvin | .... | musician: guitars | |
| Andy Armor | .... | musician: The Power & The Glory (as Andy Armer) | |
| Angelo Badalamenti | .... | conductor | |
| Angelo Badalamenti | .... | musician: piano | |
| Angelo Badalamenti | .... | musician: synthesizer performance | |
| Angelo Badalamenti | .... | orchestrations | |
| Donald Bailey | .... | musician: drums | |
| Vinnie Bell | .... | musician: guitars | |
| Myles Boisen | .... | musician: guitars | |
| Ron Carter | .... | musician: bass | |
| David Cooper | .... | musician: vibraphone | |
| Lori L. Eschler | .... | music editor | |
| William Fairbanks | .... | musician: bass | |
| Don Falzone | .... | musician: The Power & The Glory | |
| Steven Hodges | .... | musician: The Power & The Glory | |
| Jay Hoggard | .... | musician: vibraphone | |
| Jim Hynes | .... | musician: trumpet | |
| David Jaurequi | .... | musician: The Power & The Glory | |
| Kevin Laffey | .... | music consultant | |
| Kinny Landrum | .... | musician: synthesizer performance | |
| Art Polhemus | .... | score mixer (as Art Pohlemus) | |
| Al Regni | .... | musician: saxophone | |
| Rufus Reid | .... | musician: bass (as Rufus Reed) | |
| Bob Rose | .... | musician: guitars | |
| David Slusser | .... | musician: piano | |
| Grady Tate | .... | musician: drums | |
| Buster Williams | .... | musician: bass | |
Transportation Department | |||
| James G. Africa | .... | driver (as James D. Africa) | |
| Larry Anderson | .... | driver | |
| Joe Berman | .... | driver | |
| Steve Boyd | .... | transportation coordinator | |
| Thomas P. Cantrell | .... | driver (as Tom Cantrell) | |
| Terry Crnic | .... | driver | |
| Alan Falco | .... | driver (as Allan Falco) | |
| Jill Falco | .... | driver | |
| Eugene Farrington | .... | driver (as Gene Farrington) | |
| James Ginchereau | .... | driver (as Jim Ginchereau) | |
| Dino Grossi | .... | driver | |
| Michael D. Kuljis | .... | transportation captain (as Mike 'Juice' Kuljis) | |
| Larry Market | .... | driver | |
| Russell McEntyre | .... | driver (as Russ McEntyre) | |
| Jess Resendez | .... | driver (as Jess Renendez) | |
| Tony Sackmann | .... | driver (as Tony Sackman) | |
| Gail Van Dyke | .... | driver | |
| Greg Van Dyke | .... | transportation coordinator | |
| Randy White | .... | driver | |
| Rick Wiley | .... | driver: camera car | |
Thanks | |||
| Pierre Edelman | .... | special thanks | |
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| Mulholland Dr. | Wild at Heart | Basic Instinct | Halloween | Blue Velvet |
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Bob, Agent Cooper, Laura Palmer, Teresa Banks, The Man From Another Place, etc...
Welcome back to David Lynch's offbeat town of TWIN PEAKS.
Much darker than the TV series, this film was in part meant to answer many previously unanswered questions, but if anything - in typical Lynch fashion - it tangles things even further, and confuses matters all round.
Lynch apparently shot more than 5 hours of the feature, and as much of these deleted/extended/alternative scenes are still missing, the movie we're left with feels rather bare and rushed.
The performances are excellent, and the movie is visually stunning, and as usual the plot - while confusing - is intense and riveting.
But alas it could have been so so so much more.... (sighs)