| Videos |
| James Spader | ... | Cray Fowler | |
| Joanne Whalley | ... | Natalie Tate (as Joanne Whalley-Kilmer) | |
| Jason Robards | ... | Clifford Fowler | |
| Charlotte Lewis | ... | Lee Tran | |
| Michael Warren | ... | Nathan LeFleur | |
| Piper Laurie | ... | Constance Fowler | |
| Michael Parks | ... | Michael Trevallian | |
| Chuck McCann | ... | Pudge Herman | |
| Charles Haid | ... | Abe Choate | |
| Chino 'Fats' Williams | ... | Theotis Washington | |
| Woody Strode | ... | Charlie Sumpter | |
| Jeff Perry | ... | Peter Dandridge | |
| Galyn Görg | ... | Spice | |
| Justine Shapiro | ... | Melanie Fowler (as Justine Arlin) | |
| George Cheung | ... | Xang Tran | |
| Phillip Carter | ... | Avner Hollister | |
| Ron Gural | ... | Librarian | |
| Fred Lewis | ... | Bennett Jones | |
| Graham Timbes | ... | Sam Honess | |
| Steve Forrest | ... | Judge Quentin Murdoch | |
| Lionel Ferbos | ... | St. Alban's Father | |
| Bernard Zette | ... | Tom Plunkett | |
| Sally Ann Roberts | ... | Commentator | |
| Jim Gleason | ... | Lawyer (as Jim Gleeson) |
Directed by | |||
| Mark Frost | |||
Writing credits(WGA) | ||
| Frank Galbally | (novel "Juryman") and | |
| Robert Macklin | (novel "Juryman") | |
| Mark Frost | (screenplay) and | |
| Lee Reynolds | (screenplay) | |
Produced by | |||
| John Davis | .... | executive producer | |
| John Flock | .... | executive producer | |
| Chappy Hardy | .... | associate producer | |
| Evzen Kolar | .... | co-producer | |
| Les Lithgow | .... | co-executive producer | |
| Edward R. Pressman | .... | producer | |
| David Roe | .... | producer | |
| George Zecevic | .... | co-executive producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Ronald Víctor García | |||
Film Editing by | |||
| B.J. Sears | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Kathleen M. McKernin | |||
Set Decoration by | |||
| Brian Kasch | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Allison Gordin | .... | key makeup artist | |
| Lori Guidroz | .... | key hair stylist | |
| Stacy Kelly | .... | makeup artist (as Stacy Stewart Kelly) | |
| Melanie Verkins | .... | assistant hair stylist | |
| Melanie Verkins | .... | assistant makeup artist | |
Production Management | |||
| M. Cevin Cathell | .... | unit manager (as Cevin Cathell) | |
| Frank Salvino | .... | post-production supervisor | |
| Robert D. Simon | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Randy N. Barbee | .... | second assistant director | |
| William Jennings | .... | dga trainee | |
| Deepak Nayar | .... | first assistant director | |
Art Department | |||
| Jenny Baum | .... | set dresser | |
| Jack Blanchard | .... | assistant carpenter (as Walter Blanchard Jr.) | |
| Mary Buri | .... | lead person | |
| D. Chris Campbell | .... | carpenter | |
| Randall S. Coe | .... | carpenter | |
| Keith Cox | .... | construction coordinator | |
| Marlene Dermer | .... | art department coordinator | |
| Morgan Flaherty | .... | carpenter | |
| James 'Bud' Hays | .... | assistant carpenter | |
| John Herbert | .... | painter | |
| W.S. Hickey | .... | construction foreman: New Orleans | |
| Dale Janni | .... | set dresser | |
| Jon Kazunaga | .... | carpenter | |
| Ken Larson | .... | construction foreman: Los Angeles | |
| David Lux | .... | storyboard artist | |
| Patrick McGuire | .... | set dresser | |
| Jacqueline Miro | .... | draftsman | |
| Jeffrey Moore | .... | property master | |
| James D. Riewer | .... | on-set dresser | |
| Rich Robinson | .... | property assistant | |
| Joanne Schmidt | .... | assistant set decorator | |
| Larry Spurlock | .... | lead painter | |
| Kent State | .... | props | |
| Amy Vanderbeck | .... | set dresser | |
| Eric Whitaker | .... | set dresser | |
Sound Department | |||
| Mark S. Andrew | .... | assistant sound editor | |
| James Beshears | .... | supervising sound editor | |
| Tom Gonta | .... | foley mixer | |
| David Halbert | .... | boom operator | |
| Stephen Halbert | .... | production sound mixer | |
| Alan Holly | .... | adr mixer | |
| Trevor Jolly | .... | sound editor | |
| Fred Judkins | .... | sound editor | |
| David Kern | .... | sound editor | |
| Robert Martel | .... | assistant sound editor | |
| Mark Ormandy | .... | sound editor | |
| Philip Rogers | .... | sound recordist | |
| Robert R. Rutledge | .... | foley walker | |
| Kirk Schuler | .... | sound editor | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Dean St. John | .... | adr recordist | |
| Marian Wallace | .... | sound re-recording mixer | |
Special Effects by | |||
| Lyn Caudle | .... | special effects coordinator | |
| Steve Krieger | .... | special effects | |
Stunts | |||
| Kurt Bryant | .... | stunts | |
| Joe Dunne | .... | stunts | |
| Howard M. Gaude | .... | stunts | |
| Dennis Madalone | .... | stunts | |
| Jerry Spicer | .... | stunt coordinator | |
| Jerry Spicer | .... | stunts | |
| Phillip L. Tomalin Jr. | .... | stunts | |
Camera and Electrical Department | |||
| Steve Boldruff | .... | key grip (as Steve Boldroff) | |
| John Britt | .... | camera loader (as John Golden Britt) | |
| Stephen Buckingham | .... | camera loader | |
| John Buckley | .... | gaffer | |
| Buzzy Burwell | .... | lighting technician | |
| Salvador Camacho | .... | second assistant camera | |
| Thomas E. Conrad | .... | camera operator: video camera | |
| Thomas C. Cook | .... | best boy grip (as Thomas Cook) | |
| Anthony Dalferes | .... | camera intern | |
| Sean Doyle | .... | camera operator | |
| Bruce Alan Greene | .... | Steadicam operator (as Bruce Greene) | |
| Alvin Henry | .... | electrician | |
| Louis Jones Jr. | .... | electrician | |
| Tommy Klines | .... | first assistant camera | |
| Kyle T. MacDowell | .... | electrician | |
| Patti Perret | .... | still photographer | |
| David Richardson | .... | dolly grip | |
| Gihan 'Sandy' Seneviratne | .... | best boy electric | |
| Gregory W. Smith | .... | first assistant camera (as Gregory Smith) | |
| Ricki R. Sylvester | .... | grip | |
| Rafael Valdes | .... | electrician | |
| Wendi Van Dyke | .... | second assistant camera | |
Casting Department | |||
| Elaine J. Huzzar | .... | casting assistant: Los Angeles (as Elaine Huzzar) | |
| Rick Landry | .... | extras casting | |
| Anne Massey | .... | casting: New Orleans | |
Costume and Wardrobe Department | |||
| Morgan Clevinger | .... | set costumer | |
| Mae Easterling | .... | seamstress | |
| Deborah Latham | .... | costume supervisor | |
| Amy Lilley | .... | set costumer (as Amy Lynne Lilley) | |
Editorial Department | |||
| Peter Amundson | .... | additional editor | |
| Rick Downey | .... | negative cutter | |
| Carol Gniady | .... | editorial intern | |
| P.S. Holmes | .... | second assistant editor | |
| Dan Muscarella | .... | color timer | |
| Rachel Shaw-Bayon | .... | first assistant editor | |
| Dorre Street | .... | assistant editor: New Orleans | |
| Stas Tagios | .... | apprentice editor | |
Music Department | |||
| Scott Ansell | .... | music recording engineer | |
| Jolene Cherry | .... | music supervisor | |
| Ann Kinney | .... | assistant to music supervisor | |
| Adam Milo Smalley | .... | music editor (as Adam Smalley) | |
Transportation Department | |||
| Earl R. Hurst Sr. | .... | transportation captain: New Orleans | |
| Rudy Limauro | .... | transportation captain: Los Angeles | |
| Greg Van Dyke | .... | transportation coordinator | |
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| All the King's Men | Presumed Innocent | Intruder in the Dust | Where Love Has Gone | The Client |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
"Storyville", from the outside looking in, is a poorly directed novel adaptation with Spader as a southern lawyer from a wealthy family - the only person in the film with no southern accent - who is running for Congress in the midst of a potentially damning scandal and murder mystery which he must overcome to win the House seat and purge the skeletons from his family's closet. Supposed to have been one of those steamy/sweaty New Orleans noir dramas where everyone knows evereyone else's business and they all have secrets, this film is a jambalaya of murder, sex, deceit, corruption, a couple of babes, courtroom drama, assorted strange/weird characters, token T&A, and even the kitchen sink in a sloppily concocted B-flick with little potential beyond a late night t.v. soporific. Watch this with a nightcap and you won't remember it in the morning. (C)