| Photos (see all 30 | slideshow) | Videos |
| Craig Sheffer | ... | Norman Maclean | |
| Brad Pitt | ... | Paul Maclean | |
| Tom Skerritt | ... | Rev. Maclean | |
| Brenda Blethyn | ... | Mrs. Maclean | |
| Emily Lloyd | ... | Jessie Burns | |
| Edie McClurg | ... | Mrs. Burns | |
| Stephen Shellen | ... | Neal Burns | |
| Vann Gravage | ... | Young Paul | |
| Nicole Burdette | ... | Mabel | |
| Susan Traylor | ... | Rawhide | |
| Michael Cudlitz | ... | Chub | |
| Rob Cox | ... | Conroy | |
| Buck Simmonds | ... | Humph | |
| Fred Oakland | ... | Mr. Burns | |
| David Creamer | ... | Ken Burns | |
| Madonna Reubens | ... | Aunt Sally | |
| John Reubens | ... | Uncle Jimmy | |
| Arnold Richardson | ... | Old Norman | |
| MacIntyre Dixon | ... | Police sergeant | |
| William Hootkins | ... | Murphy | |
| Al Richardson | ... | Mr. Murchison | |
| Jess Schwidde | ... | Mr. Sweeney | |
| Chuck Adamson | ... | Harry (editor) | |
| Rex Kendall | ... | Reporter | |
| Jack Kroll | ... | Reporter | |
| Martina Kreidl | ... | Secretary at newspaper | |
| Noah Snyder | ... | Copy Boy at newspaper | |
| Margot Kiser | ... | Sal | |
| Philip A. Braun | ... | Dealer at Lolo | |
| Tracy Mayfield | ... | Bouncer at Lolo | |
| Anne Merren | ... | Hooker at Lolo | |
| Chuck Tweed | ... | Drunk in jail | |
| Prudence Johnson | ... | Pavilion singer | |
| D. Gorton | ... | Pavilion announcer | |
| Lincoln Quesenberry | ... | Drunk in alley | |
| Hawk Forssell | ... | Bouncer at speakeasy | |
| Jim Dunkin | ... | Speakeasy bartender | |
| Jacob Snyder | ... | Piano player | |
| Kathy Scharler | ... | Waitress at speakeasy | |
| Don Jeffery | ... | Black Jack | |
| Byron Dingman | ... | Speakeasy patron | |
| Cecily Johnson | ... | Speakeasy patron | |
| Caleb Shiff | ... | Young Paul | |
| Joseph Gordon-Levitt | ... | Young Norman | |
| rest of cast listed alphabetically: | |||
| Daren Eastwold | ... | Montana Saloon Dancer (uncredited) | |
| Lance R. Jones | ... | Party Goer (uncredited) | |
| Robert Redford | ... | Narrator (voice) (uncredited) | |
Directed by | |||
| Robert Redford | |||
Writing credits(WGA) | ||
| Norman Maclean | (story) | |
| Richard Friedenberg | (screenplay) | |
Produced by | |||
| Jake Eberts | .... | executive producer | |
| William Kittredge | .... | co-producer | |
| Barbara Maltby | .... | co-producer | |
| Patrick Markey | .... | producer | |
| Amalia Mato | .... | producer | |
| Robert Redford | .... | producer | |
| Annick Smith | .... | co-producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Robert Estrin | |||
| Lynzee Klingman | |||
Casting by | |||
| Elisabeth Leustig | |||
Production Design by | |||
| Jon Hutman | |||
Art Direction by | |||
| Walter P. Martishius | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Kathy O'Rear | |||
| Bernie Pollack | |||
| Reese Spensley | (uncredited) | ||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist | |
| Gina Homan | .... | assistant makeup artist | |
| Anne Morgan | .... | additional hair stylist | |
| Karen O'Connor | .... | additional hair stylist | |
| Bunny Parker | .... | hair stylist (as Bunny Parker-Adamson) | |
| Tena Parker-Liddiard | .... | hair stylist | |
| Tenita A. Parker | .... | assistant hair stylist | |
| Anne Pattison | .... | additional makeup artist | |
Production Management | |||
| Jerry Ballew | .... | unit production manager | |
| Carole Fontana | .... | unit supervisor | |
| Susan Moore | .... | post-production supervisor | |
Special Effects by | |||
| Richard Stutsman | .... | special effects coordinator | |
| Mark Yuricich | .... | special effects assistant | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Dan Barringer) | |
| Jason Borger | .... | stunts | |
| David Burton | .... | stunts | |
| John Dietsch | .... | stunts | |
| Annie Ellis | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunts | |
| Noon Orsatti | .... | stunts | |
| John Robotham | .... | stunt coordinator | |
| Stagg Summers | .... | stunts | |
| Tracy Keehn-Dashnaw | .... | stunt double: Emily Lloyd (uncredited) | |
Casting Department | |||
| Susan Brown | .... | casting associate: Los Angeles | |
| Helen Dollan | .... | extras casting | |
| Jill Greenberg | .... | casting associate: New York | |
| Barbara Harris | .... | voice casting | |
| Janelle Ramaker | .... | extras casting assistant | |
| Lesa Shapiro | .... | extras casting | |
| Jerry Siem | .... | fly casting consultant | |
Costume and Wardrobe Department | |||
| Amy Andrews | .... | costumer: men (as Amelia C. Andrews) | |
| Elizabeth Barber | .... | costumer: women | |
| Marsha Barton | .... | seamstress | |
| George Cooper | .... | costumer | |
| Jeannie Johnson | .... | seamstress | |
| Chrisi Karvonides-Dushenko | .... | assistant costume designer | |
| Karan Kaufman Feder | .... | seamstress (as Karan Kaufman) | |
| Barbara Marko | .... | costumer | |
| Lynn Moore | .... | wardrobe | |
| Leslie Neuman | .... | costumer | |
| Hugo Peña | .... | costumer | |
| Laurie Riley | .... | set costumer | |
| Christine Schumann | .... | seamstress | |
| Vincent Sembera | .... | tailor | |
| Barbara Shiff | .... | set costumer | |
| Reese Spensley | .... | costume production assistant | |
| Chuck Velasco | .... | costumer | |
| Terry Velasco | .... | costumer | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Greg Finton | .... | first assistant film editor | |
| Adam C. Frank | .... | assistant editor | |
| Margaret Liu | .... | assistant editor | |
| Jennifer Mangan | .... | first assistant film editor | |
| Ray Martin | .... | color timer | |
| Kate McGowan | .... | first assistant film editor | |
| Brent White | .... | additional editor | |
Music Department | |||
| Sandy DeCrescent | .... | music contractor | |
| Kathy Durning | .... | music editor | |
| Stephan R. Goldman | .... | music producer | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Katherine Quittner | .... | music editor | |
| Allan K. Rosen | .... | music editor | |
Transportation Department | |||
| Larry Alexander | .... | transportation coordinator | |
| Dave Amberik | .... | driver | |
| Tony Ballew | .... | driver | |
| Karla Barghultz | .... | driver | |
| Charlie Carpenter | .... | driver | |
| Ralph Good | .... | driver | |
| Cheri Kimerly | .... | driver | |
| David Knox | .... | driver | |
| Merle Luppen | .... | driver | |
| Lonnie Mace | .... | transportation co-captain | |
| Matthew Markey | .... | driver | |
| Stuart Shiff | .... | transportation captain | |
| Darcy Stewart | .... | driver | |
| Paul Thomas | .... | driver | |
| Erik Westfall | .... | driver | |
Other crew | |||
| Dwight Adair | .... | dialogue coach (as Dwight R. Adair) | |
| Allen Alsobrook | .... | pre-production supervisor | |
| Johnny Alvarez | .... | choreographer | |
| John Anklow | .... | production assistant | |
| Terry Austin | .... | advisor: Trout Unlimited | |
| John Bailey | .... | fly fishing advisor | |
| Karla Dillard Baker | .... | script supervisor | |
| Teresa A. Baldas | .... | studio teacher | |
| Lori A. Balton | .... | location manager | |
| Donald Bench | .... | security officer | |
| Marshall Bloom | .... | advisor: Trout Unlimited | |
| Dixie Bullock | .... | housing coordinator | |
| Kimberly Burns | .... | production assistant (as Kim Burns) | |
| Dave Cary | .... | forest service ranger: USA | |
| George Croonenberghs | .... | period fly tyer | |
| George Croonenberghs | .... | technical advisor | |
| Theresa Curtin | .... | assistant: Mr. Markey | |
| John Dietsch | .... | fly fishing production coordinator | |
| Alexander Eberts | .... | assistant: Mr. Redford | |
| Paul Erickson | .... | intern: University of Chicago | |
| Mike Fantasia | .... | assistant location manager | |
| Linda Farahi | .... | accounting assistant | |
| Wayne Fitzgerald | .... | title designer: main title and montage sequences | |
| John Foust | .... | mechanical fish operator | |
| Andy Froemke | .... | EAC unit | |
| David Froemke | .... | EAC unit | |
| Miranda Garrison | .... | choreographer | |
| Taj Gombart | .... | production assistant | |
| Anne Gordon | .... | animal trainer | |
| Karen Hughes | .... | production coordinator | |
| Dixie Johnson | .... | humane society | |
| Jerry F. Johnson | .... | whitewater services | |
| Donna Kail | .... | assistant: Mr. Redford | |
| Shannon Kane | .... | production accountant | |
| Marsha Koff | .... | production controller (as Marsha Mann-Koff) | |
| Jonathan Swain Landreth | .... | production assistant | |
| Alexandra Lin | .... | set production assistant | |
| Maren Linett | .... | intern: University of Chicago | |
| Doug Lobaugh | .... | medic coordinator | |
| Don MacDonald | .... | assistant choreographer | |
| Craig Manhart | .... | assistant location manager | |
| Ami Canaan Mann | .... | intern: Mr. Redford | |
| Doug McClelland | .... | advisor: Trout Unlimited | |
| Judy A. Meagher | .... | studio teacher | |
| Anne Merrem | .... | assistant production coordinator | |
| Carla Meyer | .... | dialogue coach | |
| Robbie Miller | .... | assistant: Mr. Redford | |
| Ralph Moon | .... | federation fly fisheries advisor | |
| Ric Morelli | .... | assistant production coordinator | |
| Breck O'Neill | .... | whitewater consultant | |
| Brandt Oswald | .... | advisor: Trout Unlimited | |
| Walter W. Parry Jr. | .... | key set production assistant (as Walter Parry) | |
| Marianne Simon-Strader | .... | production secretary | |
| Lois Smith | .... | public relations | |
| Jacob Snyder | .... | craft service | |
| Jean Maclean Snyder | .... | consultant | |
| Joel Snyder | .... | consultant | |
| Wendy Spurrier | .... | production assistant | |
| Kelly Stultz | .... | accounting assistant | |
| Mak 'Crash' Takaro | .... | personal trainer | |
| Todd Turner | .... | key set production assistant | |
| Cynthia Upstill | .... | script supervisor | |
| Joseph Urbani | .... | fisheries biologist | |
| Dick Vincent | .... | fisheries advisor: Montana | |
| Beverly Walker | .... | unit publicist | |
| John Wasson | .... | whitewater services | |
| Ted Watson | .... | fish provider | |
| Tom Whiteaker | .... | whitewater services | |
| Michael Yurchak | .... | craft service | |
| Ben Zakheim | .... | set production assistant | |
| Jennifer Irvine | .... | assistant: Steve Perry (uncredited) | |
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The combination of reading the Novella and viewing this film has inspired my wife and I to new levels. Recently I was pondering a statement made by the artist Thomas Kinkade in one of his inspirational books; He states: "You and I were not designed to breathe the fetid air of five o'clock traffic. Nor do I think God had banal television programs, media hype, worthless purchases, and soul pollution in mind when he created the universe..." I hadn't seen "A river runs through it" in a couple of years, but after pondering Kinkade's statement something drew me to watch the film with a spiritual eye. I watched it and saw a whole new world to the film and it inspired me to read the book (a must read). I have always been frustrated in Southern California but somehow got caught up in its materialistic society. The film really puts into perspective of how we should really experience God's creations. A combination of Macleans story and my desire to move back to the Northwest has driven me to move to Montana. I want my future kids to be able to rome the landscape, go fly-fishing with me, ride horses into nothing but open land and serene lakes set in the mountainside. A place where you seldom worry about crime. I look around SoCal and all I see is shopping malls, rude snarling people in their Mercedez Bens, miles of vehicles on congested freeways, gangs, racial turmoil on the verge of violent eruption, and everyone skeptical of each others intentions.
Anyway the movie is very inspiring with brilliant acting and a deep story about the fragile connections of loved ones. There is a lot of deep thinking in this film. The scenery is worth seeing alone and actually helps relieve tension. You should finish this film relaxed yet full of insights to your own life. It takes a compassionate, intelligent, and spiritual person to really grasp the meaning. If you don't understand the art of cinema and how a director achieves his goals through dialogue, tone, light, colour, scenery, camera angles/movement, etc. Then this film is probably not for the crowd that thinks "The Fast and the Furious" is the greatest film. Granted it was entertaining but shallow.
The bottom line: This film helps to realize that life is not about how much money you have or what things you posses. Rather it is about your relationships with family and friends and the experiences you share together. QUALITY NOT QAUNTITY