IMDb > Qiu yue (1992)

Overview

User Rating:
7.3/10   163 votes
MOVIEmeter: ?
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Director:
Clara Law
Writer:
Eddie Ling-Ching Fong (writer)
Release Date:
7 October 1993 (Netherlands) more
Genre:
Comedy | Drama more
Plot:
Twentysomething Japanese tourist, Tokio, comes to Hong Kong looking for good cusine. He does all that the tourist is expected to do... more | add synopsis
Plot Keywords:
Awards:
1 win more
User Comments:
Good but failed in an important way more (2 total)

Cast

  (Complete credited cast)
Masatoshi Nagase ... Tokio
Pui-Wai Li ... Li Pui Wai
Choi Siu Wan ... Granny
Maki Kiuchi ... Miki
Suen Ching Hung ... Wai's Boyfriend
Sung Lap Young ... Wai's Father
Tsang Yuet Guen ... Wai's Mother
Chu Kit Ming ... Wai's Brother
Ang Ching Yee ... Student
Yue Sui Ting ... Student
Ngai Wai Man ... Detective
Lee Yee Ping ... Hotel Woman
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Additional Details

Also Known As:
Autumn Moon (Hong Kong: English title)
Chau yuet (Hong Kong: Cantonese title)
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Runtime:
108 min
Country:
Hong Kong | Japan
Color:
Color
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono
Filming Locations:
Hong Kong, China
Company:
Eizo Tanteisha more

Fun Stuff

Movie Connections:
References Bambi (1942) more

FAQ

This FAQ is empty. Add the first question.
5 out of 6 people found the following comment useful.
Good but failed in an important way, 22 September 1999
7/10
Author: theorbys from new york city

The situation is simple: a young Japanese man, about 25, from Tokyo (and called Tokio) comes to Hong Kong in search of cheap consumer goods, sex, and, above all, good Chinese food. He accidently meets a 15 year old, Li Piu Wai, and immediately develops an unlikely, offbeat friendship with her that borders on soul matehood. Luckily she lives alone with her grandmother who is a superb cook, a natural feeder, and who asks no questions. They communicate in somewhat pained English, as he knows no Chinese and she no Japanese. Director Law carefully shows that each has their own separate romantic and/or sexual world apart from the other. She with a Chinese high school student and he with an older Japanese woman he meets. To me, the separate relationships were more interesting that the one between Li Piu Wai and Tokio which had its moments but which also rang false fairly often, even irritatingly so at times. I still liked the film but not as much as I might have.

One interesting thing was that while it showed Hong Kong vividly (sometimes through Tokio's recently purchased video camera--which he should take back since it seems to only shoot in monochrome), it was a Hong Kong with almost no people in it. I don't remember there ever being more than 4 people on screen at once and that was rare: a singular approach to teeming Hong Kong.

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