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Directed by | |||
| Jonathan Lynn | |||
Writing credits(WGA) | ||
| Dale Launer | (written by) | |
Produced by | |||
| Dale Launer | .... | producer | |
| Paul Schiff | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Peter Deming | |||
Film Editing by | |||
| Tony Lombardo | |||
| Stephen E. Rivkin | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Victoria Paul | |||
Art Direction by | |||
| Michael Rizzo | |||
| Rando Schmook | |||
Set Decoration by | |||
| Michael Seirton | |||
Costume Design by | |||
| Carol Wood | |||
Makeup Department | |||
| Roseanne Griffith | .... | assistant makeup artist | |
| James Sarzotti | .... | makeup artist: Mr. Pesci | |
| Anthony Sorrentino | .... | hair stylist: Mr. Pesci | |
| Carmen Willis | .... | key makeup artist | |
Production Management | |||
| Leslie A. Leitner | .... | post-production supervisor (as Leslie Leitner) | |
| Mary McLaglen | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Frank Capra III | .... | first assistant director | |
| Jeffrey Wetzel | .... | second assistant director | |
Sound Department | |||
| Robert J. Anderson Jr. | .... | sound mixer (as Robert Anderson Jr.) | |
| Gregg Barbanell | .... | foley walker | |
| David Behle | .... | sound recordist | |
| Odin Benitez | .... | sound effects coordinator | |
| Gaston Biraben | .... | sound editor | |
| C.T.W. | .... | sound editor | |
| Pud Cusack | .... | boom operator | |
| Robert Fitzgerald | .... | sound editor | |
| Jeremy J. Gordon | .... | sound editor | |
| Douglas Greenfield | .... | stereo sound consultant: Dolby | |
| Kevin Hearst | .... | sound editor (as Raoul) | |
| Alfred G. Heath | .... | apprentice sound editor | |
| Michael Hilkene | .... | supervising sound editor | |
| Ken J. Johnson | .... | additional sound effects recordist | |
| Jack Keller | .... | sound recordist | |
| Eric Lindemann | .... | sound editor (as Eric W. Lindemann) | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Sarah Monat | .... | foley walker | |
| Frank A. Montaño | .... | sound re-recording mixer (as Frank Mantano) | |
| Whit Norris | .... | cable operator | |
| Mark Rathaus | .... | sound editor | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Wolf Schmidt | .... | second assistant sound editor | |
| Thomas W. Small | .... | first assistant sound editor | |
| Mark A. Tracy | .... | apprentice sound editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Jim Bryan | .... | sound editor (uncredited) | |
| Richard Dwan Jr. | .... | dialogue editor (uncredited) | |
| Richard Dwan Jr. | .... | foley editor (uncredited) | |
| Richard Dwan Jr. | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Dick Cross | .... | special effects | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
Casting Department | |||
| Shay Griffin | .... | local casting | |
| Barbara Harris | .... | voice casting | |
| Len Hunt | .... | extras casting | |
| Rachel Minster | .... | casting assistant | |
| Debra Zane | .... | casting associate | |
Costume and Wardrobe Department | |||
| Robin Keller | .... | wardrobe assistant | |
| Daryl Kerrigan | .... | key costumer (as Daryl A. Kerrigan) | |
| Ann Miller | .... | assistant costumer | |
Editorial Department | |||
| Sharma Bennett | .... | post-production assistant | |
| Gary Burritt | .... | negative cutter | |
| Tina Elfstrand | .... | apprentice editor | |
| Adam C. Frank | .... | second assistant editor | |
| Christopher Kroll | .... | first assistant editor | |
| Mike Milliken | .... | color timer | |
| Steve Schoenberg | .... | additional first assistant editor | |
Music Department | |||
| Elton Ahi | .... | score mixer | |
| François Blaignan | .... | scoring crew | |
| Gustavo Borner | .... | scoring crew | |
| Kathy Durning | .... | supervising music editor | |
| Dino Herrmann | .... | scoring crew | |
| Jill Meyers | .... | music clearances (as Jill Myers) | |
| Cybele O'Brien | .... | assistant music editor | |
| Joel Sill | .... | music consultant | |
| Scott Stambler | .... | music editor | |
Transportation Department | |||
| C.P. 'Pop' Cook | .... | driver | |
| Fredna Cook | .... | driver | |
| Ray Cook | .... | transportation coordinator | |
| Sandra Cook | .... | driver | |
| Neil Edwards | .... | driver: construction department | |
| Scott Edwards | .... | driver | |
| Bob Foster | .... | driver | |
| William Gillespie | .... | transportation captain (as Billy Gillespie) | |
| Billy Harris | .... | driver | |
| Michael Horton | .... | driver | |
| Chris Johnson | .... | driver: construction department | |
| Joel Key | .... | driver | |
| Cecil Little | .... | driver | |
| Fred Pope Jr. | .... | driver | |
| Martha Pruette | .... | driver | |
| Ron Pruette | .... | driver | |
| Ted Robinson | .... | driver: construction department | |
| Oranz Walker | .... | driver | |
Thanks | |||
| Len Levine | .... | special thanks (as Leonard Levine) | |
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| The Fugitive | Call Northside 777 | A Time to Kill | Kay Dyache Bola | Fury |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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A couple of Yankee youths take a trip to the deep south and find themselves being charged for murder . Thankfully one of the youths has a cousin who's a lawyer
Did I say thankfully ?
I'm not a big fan of comedies since the premise usually over stays it's welcome by at least half an hour , but screenwriter Dale Launer has crafted a very funny , well paced script that succeeds because of the amount of obstacles for the characters . Lawyer Vincent Gambini is warned by the judge to get a suit , so he gets a suit only to find there's an obstacle in the way . Vincent stays at a hotel , but there's an obstacle in staying there . Every time a character the audience feels for looks like they're going to get a lucky break ( Vincent especially ) another obstacle appears barring their way . A superlative example of pacing a script . Launer has also written things that at first appear throwaway at the time like eating grits at a diner but then incorperates them into the plot later on . Not only that but Launer has written a script with gags that are both credible and funny , even the skit involving possible sexual abuse in prison ( They'd have to be one of course ) isn't as silly as it could have been
The cast are pretty good too with Joe Pesci showing that he's just as good as a comedy leading man as he is at playing Italian American wiseguys . Let's see you in another movie sometime quick Joe . I'm not sure if Marisa Tomei really deserved her Best Supporting Actress Oscar for her role here but if the choice was between her and Vanessa Redgrave I'm glad the Oscar voters made the choice . The only real problem with the casting is that it's impossible to believe the short middle aged Vincent would have a hot leggy girlfriend like Mona in real life . But maybe I'm just jealous ?