| Photos (see all 29 | slideshow) | Videos (see all 2) |
| Vanessa Redgrave | ... | Ruth Wilcox | |
| Helena Bonham Carter | ... | Helen Schlegel | |
| Joseph Bennett | ... | Paul Wilcox | |
| Emma Thompson | ... | Margaret J. 'Meg' Schlegel | |
| Prunella Scales | ... | Aunt Juley | |
| Adrian Ross Magenty | ... | Tibby Schlegel | |
| Jo Kendall | ... | Annie | |
| Anthony Hopkins | ... | Henry J. Wilcox | |
| James Wilby | ... | Charles Wilcox | |
| Jemma Redgrave | ... | Evie Wilcox | |
| Ian Latimer | ... | Stationmaster | |
| Samuel West | ... | Leonard Bast | |
| Mary Nash | ... | Pianist | |
| Siegbert Prawer | ... | Man Asking a Question | |
| Susie Lindeman | ... | Dolly Wilcox | |
| Nicola Duffett | ... | Jacky Bast | |
| Mark Tandy | ... | Luncheon Guest | |
| Andrew St. Clair | ... | Luncheon Guest | |
| Anne Lambton | ... | Luncheon Guest | |
| Emma Godfrey | ... | Luncheon Guest | |
| Duncan Brown | ... | Luncheon Guest | |
| Iain Kelly | ... | Luncheon Guest | |
| Atalanta White | ... | Maid at Howards End | |
| Gerald Paris | ... | Porphyrion Supervisor | |
| Allie Byrne | ... | Blue-Stocking | |
| Sally Geoghegan | ... | Blue-Stocking | |
| Paula Stockbridge | ... | Blue-Stocking | |
| Bridget Duvall | ... | Blue-Stocking | |
| Lucy Freeman | ... | Blue-Stocking | |
| Harriet Stewart | ... | Blue-Stocking | |
| Tina Leslie | ... | Blue-Stocking | |
| Mark Payton | ... | Percy Cahill | |
| David Delaney | ... | Simpson's Carver | |
| Mary McWilliams | ... | Wilcox Baby | |
| Barbara Hicks | ... | Miss Avery | |
| Rodney Rymell | ... | Chauffeur | |
| Luke Parry | ... | Tom, Farmer's Boy | |
| Antony Gilding | ... | Bank Supervisor | |
| Peter Cellier | ... | Colonel Fussell | |
| Crispin Bonham-Carter | ... | Albert Fussell (as Crispin Bonham Carter) | |
| Patricia Lawrence | ... | Wedding Guest | |
| Margery Mason | ... | Wedding Guest | |
| Jim Bowden | ... | Marlett | |
| Alan James | ... | Porphyrion Chief Clerk | |
| Jocelyn Cobb | ... | Telegraph Operator | |
| Peter Darling | ... | Doctor | |
| Terence Sach | ... | Deliveryman | |
| Brian Lipson | ... | Police Inspector | |
| Barr Heckstall-Smith | ... | Helen's Child | |
| rest of cast listed alphabetically: | |||
| Simon Callow | ... | Music and Meaning Lecturer (uncredited) | |
| Claire Driver | ... | Soup Seller (uncredited) | |
| Robin Jones | ... | Piano Music Lecture Attendee (uncredited) | |
Directed by | |||
| James Ivory | |||
Writing credits | ||
| E.M. Forster | (novel) | |
| Ruth Prawer Jhabvala | (screenplay) | |
Produced by | |||
| Paul Bradley | .... | executive producer | |
| Ismail Merchant | .... | producer | |
| Donald Rosenfeld | .... | associate producer | |
| Ann Wingate | .... | co-producer | |
Original Music by | |||
| Richard Robbins | |||
Cinematography by | |||
| Tony Pierce-Roberts | |||
Film Editing by | |||
| Andrew Marcus | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| John Ralph | |||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Jenny Beavan | |||
| John Bright | |||
Makeup Department | |||
| Christine Beveridge | .... | chief makeup artist | |
| Sian Grigg | .... | hair trainee | |
| Sian Grigg | .... | makeup trainee | |
| Carol Hemming | .... | chief hair stylist | |
| Sallie Jaye | .... | assistant makeup artist (as Sally Jaye) | |
| Paolo Mantini | .... | assistant hair stylist | |
Production Management | |||
| John Downes | .... | production manager | |
| Caroline Hill | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Simon Moseley | .... | second assistant director | |
| Christopher Newman | .... | assistant director (as Chris Newman) | |
| Carl Oprey | .... | third assistant director | |
Art Department | |||
| John Hedges | .... | construction manager | |
| Michael Hedges | .... | chargehand carpenter | |
| Robin Heinson | .... | chargehand painter | |
| Charles Ixer | .... | dressing props (as Charlie Ixer) | |
| Gary Ixer | .... | stand-by props | |
| Richard Jones | .... | art department stand-by | |
| Jill Quertier | .... | production buyer | |
| William Richards | .... | art department stand-by (as Bill Richards) | |
| Philip Robinson | .... | art department assistant | |
| Len Serpant | .... | art department stand-by | |
| Jeff Sullivan | .... | art department stand-by | |
| Peter Wallis | .... | dressing props | |
| Mark White | .... | construction | |
| Barry Wilkinson | .... | property master | |
| Simon Wilkinson | .... | stand-by props | |
Sound Department | |||
| Campbell Askew | .... | supervising sound editor | |
| Dominic Lester | .... | sound re-recording mixer | |
| Bettina McCall | .... | assistant sound editor | |
| Andrew Morris | .... | boom operator (as Andy Morris) | |
| Sarah Morton | .... | dialogue editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Mike Shoring | .... | sound recordist | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Visual Effects by | |||
| Martin Body | .... | optical cameraman (uncredited) | |
| Kent Houston | .... | optical effects (uncredited) | |
Stunts | |||
| Stuart St. Paul | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Peter Batten | .... | clapper loader | |
| Tommy Finch | .... | gaffer | |
| Rawdon Hayne | .... | focus puller | |
| Malcolm Huse | .... | grip | |
| Rod Marley | .... | camera trainee (as Roderick Marley) | |
| Bill Pochetty | .... | best boy (as Billy Pochetty) | |
| Derrick Santini | .... | still photographer | |
| Steve Kitchen | .... | electrician (uncredited) | |
| John Ward | .... | Steadicam operator (uncredited) | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | wardrobe assistant | |
| Stephen Cornish | .... | wardrobe supervisor | |
| Sue Honeybourne | .... | wardrobe supervisor | |
| Adrian Simmons | .... | wardrobe assistant (as Adrian Simmonds) | |
Editorial Department | |||
| Paul Dawson | .... | second assistant editor | |
| Tom Freeman | .... | assistant editor | |
| Michelle Gorchow | .... | associate editor | |
| James Marsh | .... | associate editor | |
Music Department | |||
| Geoff Alexander | .... | music coordinator | |
| English Chamber Orchestra | .... | music performed by (as The English Chamber Orchestra) | |
| Keith Grant | .... | music recordist | |
| Martin Jones | .... | musician: piano solo | |
| Harry Rabinowitz | .... | conductor | |
| Robert Stewart | .... | music associate | |
Transportation Department | |||
| Michael Lind | .... | transportation captain | |
Other crew | |||
| Jean Bourne | .... | continuity | |
| James Butler | .... | production assistant | |
| Jo Chate | .... | production runner | |
| Jeanne Ferber | .... | location manager | |
| Joe Friedman | .... | location scout | |
| Oliver Harrison | .... | title designer | |
| Flora Herbert | .... | production assistant | |
| Mike Higgins | .... | location manager | |
| Ben Howarth | .... | production assistant (as Benjamin Howarth) | |
| Sunil Kirparam | .... | production accountant | |
| Fay Efrosini Lellios | .... | production assistant | |
| Kathryn Martin | .... | assistant to producer | |
| Christian McWilliams | .... | location assistant | |
| Nick O'Hagan | .... | production coordinator | |
| Frances Richardson | .... | assistant accountant | |
| Don Rogers | .... | production assistant | |
| Emily Shapland | .... | production assistant | |
| Michael Yell | .... | production accountant (as Mike Yell) | |
Thanks | |||
| Caroline Shapland | .... | thanks | |
| Roger Shapland | .... | thanks | |
| Dame Guinevere Tilney | .... | thanks | |
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| Giant | Atonement | Gone with the Wind | La meglio gioventù | Novecento |
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For those who want to watch an intelligent, lovely-to-look-at motion picture, it doesn't get much better than this. The film tells the story of two sisters, of limited but respectable means, who collide with the world of the very rich in Edwardian England. One sister benefits from the acquaintance with the wealthy Wilcoxes. The other is all but destroyed by it. Along the way, there are charming scenes of tea parties and music classes, elegant costumes, fantastic settings, and engaging conversations. There is also a sad, secondary storyline of a poor clerk and his wife who, unfortunately, slip into even more abysmal circumstances through no fault of their own. The ending is tinged with despair, even as it offers some hope for both of the sisters' futures. The film should be commended as well for the fine performances of Emma Thompson, Anthony Hopkins, Helena Bonham-Carter and others. Any discriminating film enthusiast will not want to miss this movie.