| Francisco Reiguera | ... | Don Quijote (archive footage) | |
| Akim Tamiroff | ... | Sancho Panza | |
| Orson Welles | ... | Himself (in new version) (archive footage) | |
| José Mediavilla | ... | Don Quixote (in new version) (voice) | |
| Juan Carlos Ordóñez | ... | Sancho Panza's Voice (in new version) (voice) | |
| Constantino Romero | ... | Narrator (in new version) (voice) | |
| Fernando Rey | ... | Closing Scene Narrator (in new version) (voice) | |
| Paola Mori | |||
| Beatrice Welles | |||
| Oja Kodar |
Directed by | |||
| Orson Welles | |||
Writing credits(in alphabetical order) | ||
| Miguel de Cervantes y Saavedra | novel "El ingenioso hidalgo Don Quijote de la Mancha" | |
| Jesus Franco | additional dialogue in new edition | |
| Javier Mina | dialogue adaptation in new edition | |
| Orson Welles | writer | |
Produced by | |||
| Óscar Dancigers | .... | producer | |
| Patxi Irigoyen | .... | producer: new version | |
| Francisco Lara Polop | .... | producer (as Francisco Lara) | |
| Juan A. Pedrosa | .... | associate producer | |
| Alessandro Tasca | .... | producer | |
Original Music by | |||
| Daniel White | |||
Cinematography by | |||
| Juan Manuel de la Chica | |||
| Jack Draper | |||
| José García Galisteo | |||
| Manuel Mateos | |||
| Ricardo Navarrete | |||
| Edmond Richard | |||
| Giorgio Tonti | |||
Film Editing by | |||
| Jesus Franco | (new version) | ||
| Maurizio Lucidi | (original version) | ||
| Renzo Lucidi | (original version) | ||
| Peter Parasheles | (original version) | ||
| Alberto Valenzuela | (original version) | ||
| Irah Wohl | (original version) | ||
Second Unit Director or Assistant Director | |||
| Jesus Franco | .... | assistant director (uncredited) | |
Sound Department | |||
| Ian Sasplugas | .... | sound: new version | |
| Ángel Serrano | .... | sound: new version | |
| Joan Vidal | .... | sound mixer | |
Special Effects by | |||
| Geny Jack | .... | special effects: new version | |
| Dolores Olivé | .... | special effects: new version | |
Other crew | |||
| Jesus Franco | .... | supervising director | |
| Oja Kodar | .... | general supervisor: new version | |
Thanks | |||
| Juan Cobos | .... | thanks | |
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| The Old Man Who Read Love Stories | Man of La Mancha | Giant | The Whole Wide World | The Kite Runner |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
An atrocious offense to the memory and genius of Welles, this senseless assemblage of self-indulgent improvisation on a grand theme should have been locked up in storage along with a number of other unfinished Welles' projects no one has ever seen. Now we know why! To add additional insult to prior injury, the appalling English language dubbing by amateur America dubbing actors and even the great man himself only heightens all the sloppy mistakes in story-telling and construction. It's as if every weekend some good hearted Spanish soul gave Orson a few pesos, a 35mm camera and some short-ends of negative film left over from some other production and told Welles to drive out to the Spanish countryside and just keeping shooting anything and everything until the film stock ran out. It's true that if Orson had really shaped this film himself instead the notorious Jesus Franco, he might have thrown out 85% of what he shot, but we will never know. As Welles never took the time to edit his own work here, and somewhere along the way he or his heirs sanctioned someone else to do so, he is not entirely blameless for the debacle. Those who wish to prove that in his early days Welles was the luckiest of young men because he surrounded himself with the likes of John Houseman, Herman Mankewiecz, Greg Toland, Bernard Hermann and Robert Wise need no better proof of his adult inadequacies than this mess of a film. In his sad old age Welles was capable of doing anything when he needed a few bucks or pesos, including selling his artistic soul. The devil certainly got his due with this one!