| Videos |
| Christopher Rydell | ... | David Parsons | |
| Asia Argento | ... | Aura Petrescu | |
| Piper Laurie | ... | Adriana Petrescu | |
| Frederic Forrest | ... | Dr. Judd | |
| Laura Johnson | ... | Grace Harrington | |
| Dominique Serrand | ... | Stefan Petrescu | |
| James Russo | ... | Capt. Travis | |
| Ira Belgrade | ... | Arnie | |
| Brad Dourif | ... | Dr. Lloyd | |
| Hope Alexander-Willis | ... | Linda Quirk | |
| Sharon Barr | ... | Hilda Volkman | |
| Isabell O'Connor | ... | Georgia Jackson (as Isabell Monk) | |
| Cory Garvin | ... | Gabriel Pickering | |
| Terry Perkins | ... | Mrs. Pickering | |
| Tony Saffold | ... | Ben Aldrich | |
| Peter Moore | ... | Mark Leneer | |
| Lester Purry | ... | Sgt. Carver | |
| David Chase | ... | Sid Marigold | |
| Jacqueline Kim | ... | Alice (as Jacqui Kim) | |
| Rita Vassallo | ... | Rita | |
| Stephen D'Ambrose | ... | Pale man | |
| Bonita Parsons | ... | Prime woman | |
| Gregory Beech | ... | Deal man | |
| Kevin Dutcher | ... | John Miller | |
| Kathy Quirk | ... | Gare Grayson | |
| E.A. Violet Boor | ... | Mrs. Potter | |
| Les Exodus | ... | Reggae Band | |
| Onesmo Kibira | ... | Reggae Band | |
| Innocent Mafalingundi | ... | Reggae Band (as Innocent Mifalingundi) | |
| Charles Petrus | ... | Reggae Band | |
| Lance Pollonais | ... | Reggae Band | |
| rest of cast listed alphabetically: | |||
| Fiore Argento | ... | Farraday Clinic receptionist (uncredited) | |
| Ric McCloud | ... | Police Detective (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits | ||
| Franco Ferrini | (story) and | |
| Gianni Romoli | (story) (as Giovanni Romoli) and | |
| Dario Argento | (story) | |
| Dario Argento | (written by) and | |
| T.E.D. Klein | (written by) | |
| Ruth Jessup | (additional dialogue) | |
Produced by | |||
| Dario Argento | .... | producer | |
| Chris Beckman | .... | line producer | |
| T. David Pash | .... | executive producer | |
| Andrea Tinnirello | .... | executive producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Raffaele Mertes | |||
Film Editing by | |||
| Bennett Goldberg | |||
| Dario Argento | (uncredited in English language prints) | ||
Casting by | |||
| Ira Belgrade | |||
| Louis DiGiaimo | |||
Production Design by | |||
| Billy Jett | |||
Art Direction by | |||
| Nance Derby | |||
Set Decoration by | |||
| Jacqueline Jacobson Scarfo | (as Jacqueline Jacobson) | ||
Costume Design by | |||
| Leesa Evans | |||
Makeup Department | |||
| Greg Funk | .... | special makeup effects | |
| Lori Guidroz | .... | hair stylist: Ms. Laurie | |
| Desne J. Holland | .... | key hair stylist (as Desne Holland) | |
| Desne J. Holland | .... | key makeup artist (as Desne Holland) | |
| Will Huff | .... | special makeup effects | |
| Tracey Levy | .... | assistant key hair stylist (as Tracey Lea Roden) | |
| Tracey Levy | .... | assistant key makeup artist (as Tracey Lea Roden) | |
| Christopher P. Martin | .... | special makeup effects (as Christopher Martin) | |
| Cheryl Ann Nick | .... | assistant key hair stylist (as Cheryl Nick) | |
| Cheryl Ann Nick | .... | assistant key makeup artist (as Cheryl Nick) | |
| Tom Savini | .... | makeup artist | |
| Tom Savini | .... | special makeup effects | |
Production Management | |||
| Steve Barnett | .... | post-production supervisor | |
| Andrew Sands | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Carrey | .... | second second assistant director | |
| Philip Elins | .... | second assistant director | |
| Rod Smith | .... | first assistant director | |
Art Department | |||
| Joel Benton | .... | property master | |
| Bob Hedstrom | .... | construction coordinator | |
| Michael Morgenthal | .... | assistant art director | |
| Cory Schubert | .... | on-set dresser | |
Sound Department | |||
| Jack Bornoff | .... | boom operator | |
| Timothy A. Carpenter | .... | sound effects editor | |
| Paul Coogan | .... | sound recordist | |
Special Effects by | |||
| Paul Murphy | .... | physical effects supervisor | |
Stunts | |||
| Jack Gill | .... | stunt coordinator: car crash | |
| Ky Michaelson | .... | stunt coordinator | |
| Ky Michaelson | .... | stunts | |
| Donna Quinn | .... | stunts | |
Camera and Electrical Department | |||
| Steve Austen | .... | 24 frame video operator: Intervideo | |
| Chris Barry | .... | grip | |
| Richard Cantu | .... | first assistant camera | |
| Nick Cupkovic | .... | best boy electric | |
| Scott Fischel | .... | generator operator | |
| Kirk R. Gardner | .... | Steadicam operator (as Kirk Gardner) | |
| Kirk R. Gardner | .... | camera operator (as Kirk Gardner) | |
| Judah Hannah | .... | video assistant support services | |
| D.J. Harder | .... | second assistant camera | |
| Kevin Kennedy | .... | key grip | |
| Dennis Lynch | .... | second assistant camera | |
| Bruce Macaulay | .... | still photographer | |
| Edgar Martin | .... | best boy grip | |
| Michael Marzovilla | .... | gaffer | |
| Michael 'Flash' McDonald | .... | electrician | |
| Thomas O'Connor | .... | grip | |
| Carlo Ontal | .... | still photographer | |
| Mike Rivard | .... | videographer | |
| Chris Skutch | .... | dolly grip (as Christopher Skutch) | |
| Chris Skutch | .... | key grip (as Christopher Skutch) | |
| Jerome Thelia | .... | videographer | |
| Chris Van Zant | .... | electrician | |
| Niel Williams | .... | grip (as Neil Williams) | |
Casting Department | |||
| Barbara Shelton | .... | local casting | |
| Andi Wulff | .... | extras casting (as Andrea Wulff) | |
Costume and Wardrobe Department | |||
| Allyson Brown | .... | wardrobe supervisor | |
| Susan Strubel | .... | wardrobe assistant | |
Editorial Department | |||
| Jim Schimmerhorn | .... | assistant film editor | |
Music Department | |||
| Pino Donaggio | .... | orchestrator | |
| Victor Giukovl | .... | conductor | |
| Natale Massara | .... | orchestrator | |
Transportation Department | |||
| Paul Giorgi | .... | transportation coordinator | |
Other crew | |||
| Jon Bergholz | .... | location manager | |
| Dea Cantu | .... | script supervisor (as Dea Hickox) | |
| David Diamond | .... | set production assistant | |
| Paul Draper | .... | dialogue coach | |
| Holly Edwards | .... | assistant production coordinator | |
| Martin Allan Kloner | .... | set production assistant (as Martin Kloner) | |
| Beth Ann Lundin | .... | assistant location manager (as Beth Lundin) | |
| Michael Lupu | .... | language coach: Romanian | |
| David Ray Martin | .... | assistant production coordinator | |
| Jessica Molitor | .... | physical effects assistant | |
| Barbara Pastrovich | .... | set production assistant | |
| Nikki Porter | .... | unit publicist | |
| Abigail Sheiner | .... | production coordinator | |
| Paolo Steffan | .... | synthesizer programmer | |
| Cid Swank | .... | unit publicist | |
| Luciano Tartaglia | .... | production accountant | |
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I'm beginning to laugh at the distinctions people draw between "good" and "bad" Dario Argento films. They all seem to have some common technical elements: clever camera-work, grotesque but deliberately unrealistic violence, weird music, incomprehensible plots, "impressionistic" titles, and poor acting. None of them work perfectly, even for fans of this style. The variations between the movies, then, come from the genre accidentals "Profondo Rosso" is a detective thriller, "Suspiria" an occult conspiracy tale, etc.; Argento seems to come along and apply his own unique vision of the giallo onto whatever horror style is fashionable at the time. It's his uniqueness, rather than his ability to produce great films, that has assured his place in the canon.
So, then, "Trauma" turns out to be exactly what we would expect from an early nineties Dario Argento film. Camera-work? Check even in this late period, Argento's eye and technique are strange and impressive. Violence? Double check although what the actual purpose of that Decapitron device is supposed to be, I can't imagine. Weird music? Check orchestral rather than Goblin this time, but still louder and a little more engaged than we would expect. Odd plot, check, arbitrary title, check, bad acting, check Asia Argento actually manages to make Aura a likable character, but you can't deny that she garbles her lines and seems mostly amateurish throughout. (And she's hardly alone in those respects.)
The slasher subgenre had died out a bit by this point, but no better reason for Argento to try to freshen it up a bit with his unique stamp. The story's quite watchable and fun, and occasionally funny too - more in the vein of "Phenomena" than the early stuff. It's frequently ridiculous, of course, but show me a movie of his that isn't. And while there's a sex element to the film, it has a surprisingly innocent quality, perhaps because Argento was directing his own daughter in the lead. (I'm sure Freud would have a field day with it, though.)
In the end, it's hard to strongly recommend it to anyone diehards are as likely to hate it as love it, and casual viewers are going to find his style absurd. So I'll give it a 6.5, with the simple comment that I would watch it again.