| Videos |
| Christopher Rydell | ... | David Parsons | |
| Asia Argento | ... | Aura Petrescu | |
| Piper Laurie | ... | Adriana Petrescu | |
| Frederic Forrest | ... | Dr. Judd | |
| Laura Johnson | ... | Grace Harrington | |
| Dominique Serrand | ... | Stefan Petrescu | |
| James Russo | ... | Capt. Travis | |
| Ira Belgrade | ... | Arnie | |
| Brad Dourif | ... | Dr. Lloyd | |
| Hope Alexander-Willis | ... | Linda Quirk | |
| Sharon Barr | ... | Hilda Volkman | |
| Isabell O'Connor | ... | Georgia Jackson (as Isabell Monk) | |
| Cory Garvin | ... | Gabriel Pickering | |
| Terry Perkins | ... | Mrs. Pickering | |
| Tony Saffold | ... | Ben Aldrich | |
| Peter Moore | ... | Mark Leneer | |
| Lester Purry | ... | Sgt. Carver | |
| David Chase | ... | Sid Marigold | |
| Jacqueline Kim | ... | Alice (as Jacqui Kim) | |
| Rita Vassallo | ... | Rita | |
| Stephen D'Ambrose | ... | Pale man | |
| Bonita Parsons | ... | Prime woman | |
| Gregory Beech | ... | Deal man | |
| Kevin Dutcher | ... | John Miller | |
| Kathy Quirk | ... | Gare Grayson | |
| E.A. Violet Boor | ... | Mrs. Potter | |
| Les Exodus | ... | Reggae Band | |
| Onesmo Kibira | ... | Reggae Band | |
| Innocent Mafalingundi | ... | Reggae Band (as Innocent Mifalingundi) | |
| Charles Petrus | ... | Reggae Band | |
| Lance Pollonais | ... | Reggae Band | |
| rest of cast listed alphabetically: | |||
| Fiore Argento | ... | Farraday Clinic receptionist (uncredited) | |
| Ric McCloud | ... | Police Detective (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits | ||
| Franco Ferrini | (story) and | |
| Gianni Romoli | (story) (as Giovanni Romoli) and | |
| Dario Argento | (story) | |
| Dario Argento | (written by) and | |
| T.E.D. Klein | (written by) | |
| Ruth Jessup | (additional dialogue) | |
Produced by | |||
| Dario Argento | .... | producer | |
| Chris Beckman | .... | line producer | |
| T. David Pash | .... | executive producer | |
| Andrea Tinnirello | .... | executive producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Raffaele Mertes | |||
Film Editing by | |||
| Bennett Goldberg | |||
| Dario Argento | (uncredited in English language prints) | ||
Casting by | |||
| Ira Belgrade | |||
| Louis DiGiaimo | |||
Production Design by | |||
| Billy Jett | |||
Art Direction by | |||
| Nance Derby | |||
Set Decoration by | |||
| Jacqueline Jacobson Scarfo | (as Jacqueline Jacobson) | ||
Costume Design by | |||
| Leesa Evans | |||
Makeup Department | |||
| Greg Funk | .... | special makeup effects | |
| Lori Guidroz | .... | hair stylist: Ms. Laurie | |
| Desne J. Holland | .... | key hair stylist (as Desne Holland) | |
| Desne J. Holland | .... | key makeup artist (as Desne Holland) | |
| Will Huff | .... | special makeup effects | |
| Tracey Levy | .... | assistant key hair stylist (as Tracey Lea Roden) | |
| Tracey Levy | .... | assistant key makeup artist (as Tracey Lea Roden) | |
| Christopher P. Martin | .... | special makeup effects (as Christopher Martin) | |
| Cheryl Ann Nick | .... | assistant key hair stylist (as Cheryl Nick) | |
| Cheryl Ann Nick | .... | assistant key makeup artist (as Cheryl Nick) | |
| Tom Savini | .... | makeup artist | |
| Tom Savini | .... | special makeup effects | |
Production Management | |||
| Steve Barnett | .... | post-production supervisor | |
| Andrew Sands | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Carrey | .... | second second assistant director | |
| Philip Elins | .... | second assistant director | |
| Rod Smith | .... | first assistant director | |
Art Department | |||
| Joel Benton | .... | property master | |
| Bob Hedstrom | .... | construction coordinator | |
| Michael Morgenthal | .... | assistant art director | |
| Cory Schubert | .... | on-set dresser | |
Sound Department | |||
| Jack Bornoff | .... | boom operator | |
| Timothy A. Carpenter | .... | sound effects editor | |
| Paul Coogan | .... | sound recordist | |
Special Effects by | |||
| Paul Murphy | .... | physical effects supervisor | |
Stunts | |||
| Jack Gill | .... | stunt coordinator: car crash | |
| Ky Michaelson | .... | stunt coordinator | |
| Ky Michaelson | .... | stunts | |
| Donna Quinn | .... | stunts | |
Camera and Electrical Department | |||
| Steve Austen | .... | 24 frame video operator: Intervideo | |
| Chris Barry | .... | grip | |
| Richard Cantu | .... | first assistant camera | |
| Nick Cupkovic | .... | best boy electric | |
| Scott Fischel | .... | generator operator | |
| Kirk R. Gardner | .... | Steadicam operator (as Kirk Gardner) | |
| Kirk R. Gardner | .... | camera operator (as Kirk Gardner) | |
| Judah Hannah | .... | video assistant support services | |
| D.J. Harder | .... | second assistant camera | |
| Kevin Kennedy | .... | key grip | |
| Dennis Lynch | .... | second assistant camera | |
| Bruce Macaulay | .... | still photographer | |
| Edgar Martin | .... | best boy grip | |
| Michael Marzovilla | .... | gaffer | |
| Michael 'Flash' McDonald | .... | electrician | |
| Thomas O'Connor | .... | grip | |
| Carlo Ontal | .... | still photographer | |
| Mike Rivard | .... | videographer | |
| Chris Skutch | .... | dolly grip (as Christopher Skutch) | |
| Chris Skutch | .... | key grip (as Christopher Skutch) | |
| Jerome Thelia | .... | videographer | |
| Chris Van Zant | .... | electrician | |
| Niel Williams | .... | grip (as Neil Williams) | |
Casting Department | |||
| Barbara Shelton | .... | local casting | |
| Andi Wulff | .... | extras casting (as Andrea Wulff) | |
Costume and Wardrobe Department | |||
| Allyson Brown | .... | wardrobe supervisor | |
| Susan Strubel | .... | wardrobe assistant | |
Editorial Department | |||
| Jim Schimmerhorn | .... | assistant film editor | |
Music Department | |||
| Pino Donaggio | .... | orchestrator | |
| Victor Giukovl | .... | conductor | |
| Natale Massara | .... | orchestrator | |
Transportation Department | |||
| Paul Giorgi | .... | transportation coordinator | |
Other crew | |||
| Jon Bergholz | .... | location manager | |
| Dea Cantu | .... | script supervisor (as Dea Hickox) | |
| David Diamond | .... | set production assistant | |
| Paul Draper | .... | dialogue coach | |
| Holly Edwards | .... | assistant production coordinator | |
| Martin Allan Kloner | .... | set production assistant (as Martin Kloner) | |
| Beth Ann Lundin | .... | assistant location manager (as Beth Lundin) | |
| Michael Lupu | .... | language coach: Romanian | |
| David Ray Martin | .... | assistant production coordinator | |
| Jessica Molitor | .... | physical effects assistant | |
| Barbara Pastrovich | .... | set production assistant | |
| Nikki Porter | .... | unit publicist | |
| Abigail Sheiner | .... | production coordinator | |
| Paolo Steffan | .... | synthesizer programmer | |
| Cid Swank | .... | unit publicist | |
| Luciano Tartaglia | .... | production accountant | |
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TRAUMA
Aspect ratio: 2.39:1 (Technovision)
Sound format: Dolby Stereo
A TV newsroom artist (Mark Rydell) helps a distraught anorexic (Asia Argento) to investigate the death of Argento's mother (Piper Laurie) at the hands of a monstrous serial killer.
Though often cited as the film which signalled a creative downturn in Dario Argento's career, TRAUMA is actually a much better entry than its reputation suggests. The victim of spotty theatrical distribution and horrendous pan-scanned video versions - which reduce the wide Technovision frame to a mere shadow of its former self - the film is an exercise in giallo excess, culminating in one of the finest Grand Guignol set-pieces of this director's long career. Indeed, far from providing evidence of 'creative decline', TRAUMA is actually a fine addition to Argento's filmography, and is ripe for reappraisal.
Despite its American setting, the film is defiantly European in style and execution, employing ultra-wide scope framing, inventive camera-work (including a bizarre shot from the point-of-view of a butterfly!!), ornate narrative structure and eccentric characterizations. It's no wonder some of the supporting American players seem a little disconcerted by the director's unconventional approach (including Frederic Forrest as a doctor sporting an unexplained neck-brace, and James Russo as a typically hard-boiled cop, always one step behind the film's youthful protagonists)! And the script - co-written by Argento and celebrated fantasy author T.E.D. Klein - adheres faithfully to the giallo template, punctuating its convoluted storyline with several grisly murders (though not *that* grisly, considering the involvement of makeup wiz Tom Savini), and a number of compelling set-pieces: The seance which ends in murder; the mental institution where the killer disposes of an important 'clue'; the room full of billowing drapes (an authentic stroke of genius); and the climactic revelation of the killer's motive, which is so utterly horrific, it almost justifies his/her gruesome rampage. The movie ain't called TRAUMA for nothing!
At least two other versions of the film have surfaced in bootleg video form over the years, both of which plug a number of gaping editorial gaps in the official 'director's cut' (note, for instance, the abrupt introduction of Rydell and Asia at the beginning of the film), which indicates either distributor problems or a rushed post-production schedule. This may explain why Pino Donaggio's half-hearted score sounds like it was written and recorded before completion of principal photography and tailored to match the finished product, rather than the other way around. The cast is a typical Argentonian mixed bag: Asia portrays the same joyless harpy she's played in all her collaborations with Argento to date (including THE STENDHAL SYNDROME and THE PHANTOM OF THE OPERA), leaving Rydell to shoulder most of the film's emotional burden as a young man who learns to accept Asia's flaws whilst simultaneously falling in love with her (few) virtues. Frankly, she doesn't deserve him! Laurie makes much of her limited screen time as Asia's domineering mother, while Brad Dourif (the "Lord of the Rings" trilogy) plays a former doctor whose guilty conscience comes back to haunt him in the worst possible way. Watch out for ex-"Falcon Crest" star Laura Johnson in a brief but creepy performance (her final scene is genuinely chilling) as an ambitious TV news anchorwoman who tries to stake her claim on Rydell in no uncertain terms.