Chaplin (1992)

User Rating:

7.2/10   

Director:

Richard Attenborough

Writers (WGA):

David Robinson (book)
Charles Chaplin (book)

Release Date:

8 January 1993 (USA)

Genre:

Biography | Drama

Tagline:

Everyone has a wild side. Even a legend.

Plot:

A film about the troubled and controversial life of the master comedy filmmaker.

Plot Keywords:

Life | Charlie Chaplin | Cult Favorite | Based On Multiple Works | Film Making

Awards:

Nominated for 3 Oscars. Another 3 wins & 10 nominations

Cast

Robert Downey Jr.	...	Charles Spencer Chaplin
Geraldine Chaplin	...	Hannah Chaplin
Paul Rhys	...	Sydney Chaplin
John Thaw	...	Fred Karno
Moira Kelly	...	Hetty Kelly / Oona O'Neill Chaplin
Anthony Hopkins	...	George Hayden
Dan Aykroyd	...	Mack Sennett
Marisa Tomei	...	Mabel Normand
Penelope Ann Miller	...	Edna Purviance
Kevin Kline	...	Douglas Fairbanks
Maria Pitillo	...	Mary Pickford
Milla Jovovich	...	Mildred Harris
Kevin Dunn	...	J. Edgar Hoover
Deborah Moore	...	Lita Grey (as Deborah Maria Moore)
Diane Lane	...	Paulette Goddard

Also Known As:

Charlot (Italy)

Runtime:

143 min

Country:

UK | USA | France | Italy

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Iceland:L | South Korea:12 | Argentina:13 | Australia:M | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Chile:14 | Finland:S | Germany:6 | New Zealand:PG | Peru:14 | Spain:T | Sweden:Btl | UK:15 | USA:PG-13 | Canada:PG (Manitoba/Ontario) | Norway:10

Filming Locations:

Alabama Hills, Lone Pine, California, USA

Company:

Carolco Pictures

Trivia:

Co-producer Diana Hawkins was the one who suggested to Richard Attenborough the idea of making a Chaplin biography film, knowing that he was a fan of Chaplin.

Goofs:

Audio/visual unsynchronized: When Charlie's brother and others arrive to whisk Charlie and his unedited film away to Utah, the car screeches to a halt. However, the car is on a dirt track and therefore no screeching noise would actually be created.

Quotes:

Douglas Fairbanks: Say, are you two still married or what? I find it all very confusing.
Charlie Chaplin: Mmm... it's not at all confusing. You see, when everyone thought we were having an affair, we were married. Now that everyone realizes we're married, we're getting divorced.
Douglas Fairbanks: Man's a wizard with women. No question about it.

Movie Connections:

References Shoulder Arms (1918)

Soundtrack:

Music from 'LIMELIGHT'

the triumphs and darker spots to the clown of film

Chaplin isn't really a great bio-pic, but there are moments when Richard Attenborough's direction shines and it's consistently got an amazing Robert Downey Jr. performance as the title character. In fact, this is the kind of movie where the lead actor is so important that some of the major enjoyment and success of the film rests on him/her, oddly enough since it is a varied and superlative ensemble. There are moments when Attenborough's grandiosity gets in the way, and the moments that mark it as being somewhat conventional. What made me pleasantly surprised is what Attenborough *did* decide to show with Chaplin the private man; I thought that he would cut out much of the stuff with Chaplin's penchant for young (usually underage) girls, or some of the things regarding his mother, but most of the notorious facts are put in for good measure to counter-balance some of the pompous, though fascinating, scenes of "cinematic history."

Now as a fan of Chaplin's films and the given acknowledgment that he's one of the most talented comic actors and filmmakers of the 20th century, I do get a little choked up seeing that final clip-show at the Oscars of great clips from his most famous movies. And it's interesting always, from just a movie-buff stand-point, to watch the history behind Chaplin's transition from vaudeville to Max Senett's film company to slowly becoming an independent and world-famous auteur/star. But for the most part the writing and the direction make it entertaining just on that conventional, rise-fall-rise-fall-struggle-success-at-end story with maybe less drugs and a bit more politics than one might usually see (save for one fantastic scene when Chaplin and his brother and friends are sneaking around the film footage of The Kid from the brass who want it for tax purposes).

What makes it almost outstanding, however, is Downey Jr. He's funny as Chaplin when he needs to show how he was a great clown (i.e. the 'old-drunk' bit), he's melancholy when needed, he plays Chaplin as young, middle-aged, and old perfectly, and there's just the slightest details that keep you glued to the screen to see what he'll do next. It's not exactly a breakthrough role as he'd been doing some really good work intermittently in the late 80s, but this is the one that got him recognition by the likes of the Academy, and rightfully so. It's masterful work in a decent tribute to Sir Charles "Tramp" Chaplin, and should delight those looking for a good ensemble and a commanding lead performance.