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Dracula
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Dracula (1992) -- The vampire comes to England to seduce a visitor's fiance and inflict havoc in the foreign land.

Overview

User Rating:
7.2/10   50,754 votes
MOVIEmeter: ?
Down 17% in popularity this week. See rank & trends on IMDbPro.
Writers (WGA):
Bram Stoker (novel)
James V. Hart (screenplay)
Contact:
View company contact information for Dracula on IMDbPro.
Release Date:
13 November 1992 (USA) more
Genre:
Horror | Romance more
Tagline:
Beware more
Plot:
The vampire comes to England to seduce a visitor's fiancée and inflict havoc in the foreign land. full summary | full synopsis
Plot Keywords:
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Awards:
Won 3 Oscars. Another 8 wins & 12 nominations more
User Comments:
An Artistically Rendered Tale Of Darkness more

Cast

  (Cast overview, first billed only)
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Additional Details

Also Known As:
Bram Stoker's Dracula (USA) (complete title)
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MPAA:
Rated R for sexuality and horror violence.
Runtime:
128 min
Country:
USA
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby Digital

Fun Stuff

Trivia:
Ian Dury was among those interviewed for Renfield. more
Goofs:
Anachronisms: In the beginning we can see that the lights of Dracula's carriage (as well as some of the castle lights/candles) are 20th century light bulbs, some with blue glaze. more
Quotes:
Dracula: I have crossed oceans of time to find you. more
Movie Connections:
Referenced in "Comedy Central Presents: Frank Caliendo (#8.4)" (2004) more
Soundtrack:
LOVE SONG FOR A VAMPIRE (From 'BRAM STOKER'S DRACULA') more

FAQ

Is it true vampires cannot cross running water?
How much sex, violence, and profanity are in this movie?
Why does this movie show Dracula running around outside when it's daylight? Don't vampires burn up when the sun hits them?
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44 out of 57 people found the following comment useful:-
An Artistically Rendered Tale Of Darkness, 24 March 2001
9/10
Author: jhclues from Salem, Oregon

The most famous vampire in the history of literature and film is brought graphically to life in `Bram Stoker's Dracula,' directed by Francis Ford Coppola, and starring Gary Oldman as the Count from Transylvania. Working from a screenplay (by James Victor Hart) that is a faithful adaptation of the novel, Coppola takes an artistic approach to the material and creates some startling and effective images-- some quite intense and erotic-- to tell the story of Count Dracula and his world of the undead. Unsettling at times, and often shocking, the film is mesmerizing and thoroughly engrossing, delivered with a full palette of colors and shadows that form a backdrop against which the characters so vividly emerge to play out the drama. It's a visual and emotional feast that is satisfying in every respect, beginning with a brief history of Dracula and the circumstances of his life that ultimately allied him with the forces of darkness and evil. Initially, the casting of Gary Oldman as Dracula seemed inauspicious and ill advised; in retrospect, the choice of Oldman was inspired. Though many actors have done the role before and since (Schreck, Lugosi and Lee, just to name a few), Oldman manages to make the character uniquely his own, with a nuanced performance infused with depth and acuity. Even when delivering famous, oft quoted lines from previously filmed versions of the story (Lugosi's `Children of the night, what music they make,' for instance), Oldman makes them spontaneous and fresh, with a conversational tone that makes you feel as if you're hearing them for the first time. His presence is self-assured and menacing, which makes the character strong and intimidating, and you sense his longevity and the dark wisdom afforded him by his many years of existence. There is a fastidiousness about Oldman's methods of inhabiting a character that makes you wonder if there is anything as an actor that is beyond his grasp. At this point, I would think not. As Van Helsing, Anthony Hopkins puts his personal stamp on a well known character as well. His portrayal of the famous professor is zealous and lively, and touched with an eccentricity that makes him an interesting and welcome presence in the film. Winona Ryder, too, gives a believable performance as Mina, a somewhat emotionally challenging role she addresses with the restraint demanded of her by the character. With her dark, winsome looks and natural intensity she is perfect for the part, and displays a femininity that contrasts well with the overt sexuality of Dracula's three `brides.' And Tom Waits gives a memorable performance as the mad, insect-eater, Renfield, as does Sadie Frost, as Lucy, Mina's young and nubile best friend who unwittingly falls prey to Dracula's dark powers. The single member of the cast who seems to struggle a bit with characterization is Keanu Reeves, as Jonathan Harker; he gives a passable performance, but fails to ever get a firm grasp of the character. Still, he has an engaging presence and, though lacking depth, his portrayal is at least credible enough to maintain the continuity of the film. The supporting cast includes Richard E. Grant (Dr. Seward), Cary Elwes (Lord Holmwood) and Bill Campbell (Quincey). Exacting in detail and imaginatively rendered, Coppola's `Bram Stoker's Dracula,' is an impressive, memorable film. By boldly juxtaposing images and shadows, embracing the innate sensuality of the vampire, and blending it all together so seamlessly, Coppola has taken his film, not only to the zenith of the horror genre, but beyond. It's a journey into the regions beyond the known, wherein the forces of darkness thrive and survive; a cinematic experience you'll not soon forget, courtesy of Coppola, a superlative cast, and the magic of the movies. I rate this one 9/10.

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