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Belle histoire, La (1992)
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Overview
Release Date:
18 March 1992 (France) moreTagline:
2000 ans de galere pour une seconde d'eternite.Plot:
Jesus is a French gypsy who might have become a bull fighter had he not been framed on a drug charge and sent to prison... more | add synopsisUser Comments:
A great 2000-year trip through love and loss moreCast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Claude Lelouch | |||
Writing credits | ||
| Claude Lelouch | (writer) | |
| Claude Lelouch | (dialogue) | |
| Maryline Dupoux | (additional dialogue) | |
Original Music by | |||
| Francis Lai | |||
| Philippe Servain | |||
Cinematography by | |||
| Jean-Yves Le Mener | |||
Film Editing by | |||
| Hélène de Luze | |||
Production Design by | |||
| Thierry Flamand | |||
Costume Design by | |||
| Mimi Lempicka | |||
Makeup Department | |||
| Jean-Charles Bachelier | .... | hair stylist | |
| Magali Ceyrat | .... | makeup artist | |
| Dominique Colladant | .... | special makeup artist | |
| Michel Deruelle | .... | key makeup artist | |
| Reiko Kruk | .... | special makeup artist | |
Production Management | |||
| Michel Jullien | .... | unit production manager | |
| Tania Zazulinsky | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Gueu | .... | first assistant director | |
| Simon Lelouch | .... | second assistant director | |
Art Department | |||
| Alain Alexandre | .... | property master | |
| Denis Barbier | .... | set dresser | |
| Luc Vellatta | .... | swing gang | |
| Michel Conche | .... | on-set propmaster (uncredited) | |
Sound Department | |||
| Michel Eloy | .... | dubbing sound | |
| Laurent Lévy | .... | foley artist | |
| Harald Maury | .... | sound | |
| Joël Riant | .... | sound assistant | |
| Gérard Rousseau | .... | sound mixer | |
| Eric Tisserand | .... | assistant sound mixer | |
Stunts | |||
| Philippe Guégan | .... | stunt coordinator | |
| Mario Luraschi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Philippe Andron | .... | grip | |
| Christophe Beaucarne | .... | first assistant camera | |
| Bernard Caroff | .... | electrician | |
| Alain Cousseau | .... | gaffer | |
| Gilbert Lecluyse | .... | camera operator: second unit (as Berto) | |
| Christophe Legal | .... | second assistant camera | |
| Franck Lependu | .... | electrician | |
| Jérôme Peyrebrune | .... | first assistant camera | |
| Guy Plasson | .... | grip | |
| Itzik Ben-Aroya | .... | key grip (uncredited) | |
| Dominique Delguste | .... | additional first assistant camera (uncredited) | |
| Marc Koninckx | .... | steadicam operator (uncredited) | |
| Olivier Rodriguez | .... | gaffer: second unit (uncredited) | |
Casting Department | |||
| Célina Blanc | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sandra Robin | .... | costume assistant | |
| Elsa Soustre | .... | costume assistant | |
| Marie-Noëlle Van Meerbeeck | .... | first assistant costume | |
Editorial Department | |||
| Catherine Buisson | .... | assistant editor | |
| Alain Guarda | .... | color timer | |
| Stéphane Mazalaigue | .... | assistant editor | |
Other crew | |||
| Chantal Bégasse | .... | production secretary | |
| Paul Boujenah | .... | production coordinator | |
| Arlette Gordon | .... | unit publicist | |
| François Hardy | .... | harnessing | |
| Chantal Pernecker | .... | script supervisor | |
| Michèle Yvars | .... | production administrator | |
| Jean-Luc Marino | .... | trainee (uncredited) | |
Production CompaniesDistributors
- AFMD
- Les Films 13
- Prem'er Video Fil'm (Russia) (VHS)
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
210 minCountry:
FranceLanguage:
FrenchColor:
ColorAspect Ratio:
2.20 : 1 moreCertification:
France:UMOVIEmeter: 
11% since last week
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It sounds like a soppy idea: That we meet the people we love time and again through the ages. But it works - for over three hours. 'La belle histoire' switches between Judea 2000 years back (yep, the time and place of Christ) and the present day. We meet the same group of people then and now, with grand passion, bullfighting and Gipsy Kings thrown into the mix.
Being a French movie, there's a lot of pretty people here. And religious/Christian metaphors. This could have become a messy stew - instead, it's a very entertaining epic for the romanticists among us. Too bad it's so hard to get hold of.