| Photos (see all 2 | slideshow) |
| Gail Harris | ... | Dawn Grant (as Robyn Harris) | |
| Karen Mayo-Chandler | ... | Diana (as Lindsay Taylor) | |
| Deborah Dutch | ... | Jackie (as Debra Dare) | |
| Melissa Moore | ... | Tess | |
| Bridget Carney | ... | Shayna | |
| Toni Naples | ... | Sgt. Phyllis Shawley (as Karen Chorak) | |
| Jürgen Baum | ... | Lt. Mike Block | |
| Bob Sheridan | ... | Cop In Lobby | |
| Carolet Girard | ... | Fifi Latour | |
| Peter Spellos | ... | Himself (as Orville Ketchum) | |
| Don Key | ... | Brad Plympton | |
| Forrest J Ackerman | ... | Dr. Ed Newton | |
| J.B. Rogers | ... | Messenger | |
| Domonic Muir | ... | Larry Bronkowski | |
| Eric Baum | ... | Agent | |
| Amelia Sheridan | ... | Helga | |
| Don Peterson | ... | Porno Husband | |
| Kelli Maroney | ... | Porno Wife (as D. Mason Keener) | |
| Greg Lauoi | ... | Porno Cameraman | |
| Cirsten Weldon | ... | Agent's Girlfriend | |
| Monique Gabrielle | ... | Chow Down Girl (as Lucy Burnett) | |
| Ronald V. Borst | ... | Pedestrian | |
| rest of cast listed alphabetically: | |||
| Jim Wynorski | ... | Porno Director (uncredited) | |
Directed by | |||
| Jim Wynorski | (as Arch Stanton) | ||
Writing credits(in alphabetical order) | ||
| Mark Thomas McGee | writer (as Mark McGee) | |
| J.B. Rogers | writer (as James B. Rogers) | |
Produced by | |||
| Jim Wynorski | .... | producer | |
Original Music by | |||
| Chuck Cirino | |||
Cinematography by | |||
| Jürgen Baum | |||
Film Editing by | |||
| Nina Gilberti | (as Neena S. Eisenstein) | ||
Casting by | |||
| Jim Wynorski | |||
Production Design by | |||
| Gary Randall | |||
Art Direction by | |||
| Michael R. Serebreni | |||
Set Decoration by | |||
| Michele Poulik | |||
Makeup Department | |||
| Suzy Evans | .... | key hair stylist | |
| Suzy Evans | .... | key makeup artist | |
| Starr Jones | .... | special makeup effects | |
| Dana Williams | .... | makeup assistant | |
Production Management | |||
| Walter Canby | .... | production manager | |
| J.B. Rogers | .... | production manager (as James B. Rogers) | |
| Pamela Winn-Barnett | .... | post-production supervisor (as Pamela Winn) | |
Art Department | |||
| Herbie Brown | .... | draftsman | |
| Peachy Carnahan | .... | swing | |
| Madame Salena Dawn | .... | sculptor | |
| Daniel Dravot | .... | swing | |
| Wilbur Grey | .... | art production assistant | |
| Walter Knef | .... | swing | |
| Kim Kong | .... | property assistant | |
| Felicia Lavamore | .... | assistant decorator (as Chick Young) | |
| Patrick Lees | .... | carpenter | |
| Douglas Mortimer | .... | stand-by plasterer | |
| Bob Nesler | .... | storyboard artist | |
| Randy Pepprock | .... | scenic | |
| Michele Poulik | .... | art swing | |
| Gervaise Ravel | .... | set designer | |
| Slicker Smith | .... | construction coordinator | |
| Richard K. Wright | .... | property master | |
Sound Department | |||
| John Adams | .... | boom operator: underwater water | |
| Don Anselmo | .... | sound mixer | |
| Frank Carter | .... | boom operator | |
| D.R. Hyde | .... | sound designer | |
| D.R. Hyde | .... | sound re-recording mixer | |
| Monette Jeykel | .... | sound designer | |
| Monette Jeykel | .... | sound re-recording mixer | |
| Butch Johnson | .... | sound transferer | |
| Jeffrey Kennith | .... | foley mixer | |
| Jeff Mar | .... | supervising sound editor (as Jeff 'Too Far' Mar) | |
| Bruce Murphy | .... | stereo sound consultant: Ultra | |
| Christopher B. Reeves | .... | dialogue editor (as Chris Reeves) | |
| D.J. Ritchie | .... | sound mixer | |
| Lev L. Spiro | .... | boom operator | |
Special Effects by | |||
| Michael Clark | .... | special effects consultant | |
| C.M. Day | .... | special effects editor | |
| Greg Landerer | .... | special effects | |
| Russel Mar | .... | special effects editor | |
| Cristina Patterson Ceret | .... | assistant makeup (as Cristina Patterson) | |
Visual Effects by | |||
| Scott Carey | .... | miniatures | |
Stunts | |||
| Alexander Freedman | .... | stunts | |
| Deborah Rosenstein | .... | stunt coordinator | |
| Smiley Rosenstein | .... | stunt coordinator | |
| Matthew Winfrey | .... | stunts | |
Costume and Wardrobe Department | |||
| Greg LaVoi | .... | wardrobe | |
| Daphne O'Day | .... | costume mistress | |
| Joey Shearer | .... | wardrobe assistant | |
Editorial Department | |||
| Roderick Davis | .... | post-production coordinator | |
| Todd DeSade | .... | first assistant editor | |
| Arleen Goldenberg | .... | negative cutter | |
| Jan Kikumoto | .... | post-production assistant | |
| Rick Perkins | .... | apprentice editor | |
| Jon Stockton | .... | apprentice editor | |
| Chuck Winston | .... | color timer (as Chuck "Amuck" Winston) | |
Music Department | |||
| Paul Di Franco | .... | executive music supervisor | |
| Odette Springer | .... | music coordinator | |
Other crew | |||
| Nancy Ahschlager | .... | production accountant (as Nancy Ahlschlager) | |
| Waldo Brain | .... | production coordinator | |
| Bone-Bender Brodsky | .... | location manager | |
| Kiely Cronin | .... | production assistant | |
| Phyllis Diedrickson | .... | director's mistress | |
| Diane Fingado | .... | assistant: Mr. Ketchum | |
| Melanie Gorman | .... | assistant production coordinator | |
| Katharine Grieb | .... | craft service | |
| Thomas Irick | .... | key production assistant | |
| Nicola Kerridge | .... | production assistant | |
| William 'Bill' Kilgore | .... | helicopter pilot | |
| Happy King | .... | script supervisor | |
| Kevin Kutchaver | .... | demon wrangler | |
| Diane H. Newman | .... | script supervisor (as Diane Newman) | |
| Linda Obalil | .... | stand-by demon wrangler | |
| Marc Reynolds | .... | production assistant | |
| Nadine Story | .... | assistant to director | |
| Alex Tabrizi | .... | stand-by and watcher | |
| Michele Weisler | .... | production coordinator (as Michelle Weisler) | |
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| Sorceress | Thriller - en grym film | Freddy vs. Jason | Foxy Brown | The Doom Generation |
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The art of motion pictures is young, but in lieu of the fact that this ground breaking film was made so early on, one can only look ahead to a bright future on the silver screen. Really, only three films come to mind: Dr. Zhivago, Casablanca, and Hard to Die.
Perhaps it was the buckets of watered-down blood, the squeak of a naked breast being washed in an arbitrary shower scene, or the powerful screen presence of the acting giant "Orville Ketchum." Whatever it may be, it made me laugh, it made me cry, it made me fall in love.
I am proud to say that I own a grainy, low quality copy of this piece of cinematic genius.