Spotswood (1992)

Director:

Mark Joffe

Writers:

Max Dann (written by) and
Andrew Knight (written by)

Release Date:

July 1992 (USA)

Genre:

Drama

Tagline:

An everyday story about loyalty, betrayal, lust and footwear.

Plot:

An expert on productivity shows wacky workers in 1966 Australia how to run their moccasin factory like clockwork, despite laying off more than half the workforce.

Plot Keywords:

Factory | Moccasin | Efficiency | Australia | Efficiency Expert

Awards:

3 wins & 7 nominations

Cast

  (Cast overview, first billed only)

Anthony Hopkins	...	Errol Wallace
Ben Mendelsohn	...	Carey
Alwyn Kurts	...	Mr. Ball
Bruno Lawrence	...	Robert, Carey's Father
John Walton	...	Jerry Finn
Rebecca Rigg	...	Cheryl Ball
Toni Collette	...	Wendy Robinson
Russell Crowe	...	Kim Barry
Angela Punch McGregor	...	Caroline Wallace
Daniel Wyllie	...	Frank Fletcher
John Flaus	...	Gordon
Gary Adams	...	Kevin
Jeff Truman	...	Ron
Toni Lamond	...	Mrs. Lorna Ball
Jillian Murray	...	Ophelia, Carey's Mom (as Jillian Murray)

Also Known As:

The Efficiency Expert (USA)

Runtime:

Argentina:97 min | UK:95 min | USA:85 min

Country:

Australia

Language:

English

Color:

Color

Sound Mix:

Dolby

Certification:

Iceland:L | Argentina:13 | Australia:PG | Sweden:7 | USA:PG

Filming Locations:

Melbourne, Victoria, Australia

Company:

Australian Film Commission, The

Goofs:

Crew or equipment visible: When the Anthony Hopkins character shows his wife the trophy he won at the slot car race, you can clearly see the tape on the rug that marks her spot in the shot.

Quotes:

Wallace: Uh, excuse me, please, I'm looking for Mr. Ball's office.
[Robert doesn't respond.]
Wallace: Mr. Ball's office?
[No response. He starts to leave.]
Robert: Now, what would be your most direct route? Tell you what. Down this corridor, then left after your third door.
Wallace: Thank you.
[Starts to leave.]
Robert: You'll find two passages: one on your left, one on your right. Ignore them -- they're not the ones you want. Your best best would be... the very next one on the right.
Wallace: Thank you.
[Leaves.]
[...]

Movie Connections:

Features "My Name's McGooley, What's Yours?" (1967)

Soundtrack:

The Loved One

See It For The Slot Car Race

SPOTSWOOD, which, in American release, is called THE EFFICIENCY EXPERT, is a rewarding movie for those who pay attention. I've watched it three times in the last three nights and liked it more each time. Briefly, Anthony Hopkins plays one of these guys who goes from company to company telling management how costs can be cut. It being Anthony Hopkins, you know he's going to look calm and cool while hating what he's doing. (Think of MEET JOE BLACK.) If you've seen the Ealing comedies from the 50s you'll see that SPOTSWOOD is much in the mode of those. The best part of this movie is its focus on the factory Hopkins visits. The characters are droll, but relatively realistic, and, of course, you don't want Hopkins to cause them the misfortune he seems poised to introduce into their lives. The movie is a bit weak in relating the story of Carey (Ben Mendelsohn), a young machinist who worships the boss's daughter from afar. Given that this is a comedy about workers versus big money, the love triangle almost derails the satire (enter Toni Collete as the saintly factory girl Ben Mendelsohn keeps ignoring.) In any case, even in its weak spots it's so well-acted (dig Russell Crowe as an up-and-coming shark) that it holds your interest. There is a really great scene of pure cinema. This is a slot-car race, filled with suspense and laughter. I have yet to see an Australian movie that didn't have at least one almost impossible-to-film moment. The land that gave us 90-some minutes of almost-impossible-to-film moments (that's THE ROAD WARRIOR, of course) offers a marvelous mini-moment in this scene. There is at least one great sight gag ("Don't turn the key until I tell you...") and some very moving moments led by Alwyn Kurts as the owner of the targeted factory. This is a very well-made, amusing motion picture. Also, check out Hopkins in one scene in close-up, when he's laying down his cynical law to Alwyn Kurts. He's got the back of his hand just under his own jaw-bone, and he's moving it in a sawing action. It reminded me of Brando in APOCALYPSE NOW.