| Photos (see all 3 | slideshow) | Videos |
Directed by | |||
| Rick King | |||
Writing credits(WGA) | ||
| W. Peter Iliff | (written by) | |
Produced by | |||
| Robert E. Baruc | .... | executive producer (as Robert Baruc) | |
| Tetsu Fujimura | .... | executive producer | |
| Martin F. Gold | .... | executive producer | |
| Richard Lorber | .... | executive producer | |
| Robert Mickelson | .... | producer | |
Original Music by | |||
| Stacy Widelitz | |||
Cinematography by | |||
| Phedon Papamichael | |||
Film Editing by | |||
| Daniel Loewenthal | |||
Production Design by | |||
| Thomas A. Walsh | |||
Art Direction by | |||
| Jay Klein | |||
Set Decoration by | |||
| Natalie Pope | |||
Costume Design by | |||
| Merilyn Murray-Walsh | |||
Makeup Department | |||
| Erin Brasfield | .... | makeup artist | |
| Carrey Gibbons | .... | key makeup artist | |
Production Management | |||
| Trisha Robinson | .... | in charge of production | |
Second Unit Director or Assistant Director | |||
| Lucille Ouyang | .... | key second assistant director | |
| Jay Tobias | .... | first assistant director | |
Art Department | |||
| Manuel Baca | .... | set dresser | |
| George Booker | .... | storyboard artist | |
| Chris Santini | .... | carpenter | |
| Chris Swenson | .... | swing gang | |
| Dawn Todd | .... | set dresser | |
| Tal Wallace | .... | construction coordinator | |
Sound Department | |||
| Samuel H. Hinckley | .... | sound effects editor | |
| Donny Miele | .... | sound designer (as Donny Blank) | |
Special Effects by | |||
| Brian Latt | .... | special effects | |
Stunts | |||
| Sandy Berumen | .... | stunts | |
| Richard L. Blackwell | .... | stunts (as Rick Blackwell) | |
| Dan Bradley | .... | stunt coordinator | |
| Bobby Burns | .... | stunts (as Bobby Andrew Burns) | |
| Keith Campbell | .... | stunts | |
| Eric Chambers | .... | stunts | |
| Scott Alan Cook | .... | stunts | |
| Phil Culotta | .... | stunts | |
| Marcella Du Cheke | .... | stunts | |
| Danny Epper | .... | stunts | |
| John Escobar | .... | stunts | |
| Dane Farwell | .... | stunts | |
| Al Goto | .... | stunts (as Albert Goto) | |
| Kevin Hudis | .... | stunt driver | |
| Brett A. Jones | .... | stunts | |
| Lane Leavitt | .... | stunts | |
| Frank Lloyd | .... | stunts | |
| Ray Lykins | .... | stunts | |
| Jean Malahni | .... | stunts | |
| Eddie Matthews | .... | stunts (as Ed Matthews) | |
| Tom Oldberg | .... | stunts | |
| Noon Orsatti | .... | stunts | |
| Jimmy Ortega | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Erik Rondell | .... | stunts | |
| John Sherrod | .... | stunts | |
| Al Simon | .... | stunts | |
| Erik Stabenau | .... | stunts | |
Camera and Electrical Department | |||
| George A. Chase | .... | grip | |
| Rick Dexman | .... | camera operator: bycicle camera | |
| Chris Morris | .... | camera operator: skate camera | |
| Stephen Thorp | .... | dolly grip | |
Editorial Department | |||
| Sherril Schlesinger | .... | assistant editor | |
| Sherril Schlesinger | .... | post-production coordinator | |
Music Department | |||
| Seth Kaplan | .... | music supervisor | |
Transportation Department | |||
| Mitchell Bergman | .... | transportation captain | |
| Roger Bojarski Jr. | .... | driver: honeywagon | |
| Kevin Hudis | .... | transportation captain | |
Other crew | |||
| Rachel Atkinson | .... | script supervisor | |
| Steve Beeson | .... | production accountant | |
| Bundy Chanock | .... | set medic | |
| Chris Edwards | .... | specialty skating | |
| Bruce Jackson | .... | skating advisor | |
| Jill Osmon Modabber | .... | production coordinator | |
| Chris Morris | .... | skating advisor | |
| Chris Morris | .... | specialty skating | |
| Ken Schneider | .... | skating coordinator | |
| Jill Schulz | .... | skating advisor (as Jill Schultz) | |
|
|
|
|
|
| Down Time | Nowhere | Death Wish II | An Innocent Man | Vigilante |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
I gave this flick a shame faced 7 (a baseline 6 + 1 because I've thoroughly enjoyed it...twice!) I saw it first in 1991, a full 5 years before I learned to roller blade myself (at the ripe old age of 44) and again last night. I think the mistake made by those rating it so lowly was in taking it seriously. It certainly didn't take itself seriously. Not with lines like (paraphrase) [after a criminal is shot by a cop] "thank God we could take care of him here. I hate court". Or with newspaper headlines that read "Germany buys Poland". Or with a radio newscast describing Mexican INS agents rounding up and deporting American fruit pickers who had illegally entered their country to find work. Any sense of reality exited my mind as I watched them do everything in those skates, I, myself, having gotten hopelessly bogged down in the neutral ground trying to cross the street in my blades at City Park in New Orleans. The movie also had a refreshingly original take on the "doomed future" theme. Instead of the grim setting being a post nuclear apocalypse, we have a wasteland created, instead, by the crash of the American stock market. And this well explains the sad state of affairs (no money for police, a greatly weakened government, extensive homelessness, etc.) that is the backdrop for the film. The rollerboys seemed to be a blurry composite of all the evils of mankind since the beginning of time...racial hatred, greed megalomania, anti-semitism...you name it. The visage of the rollerboy gang materializing from the end of a dark tunnel, gliding effortlessly in white trench coats and black rollerblades, their arms swinging mightily in unison immediately called to mind goose stepping Nazis. The two undercover cops, who seemed to literally dwell in their van, making off the cuff quips about the rollerboys were a hoot. True, the acting was, at best mediocre but had it been excellent it would have spoiled the film. Occasional lapses into the melodramatic only added savor to the stew. Much of the dialog was so bad it was not only good but great. I guess this movie will remain one of my guilty pleasures. If it comes on again...I'll watch it again. I only wish Corey Haim hadn't grown up so they could make Rollerboys 2.