| Photos (see all 32 | slideshow) |
| Peter Weller | ... | Bill Lee | |
| Judy Davis | ... | Joan Frost / Joan Lee | |
| Ian Holm | ... | Tom Frost | |
| Julian Sands | ... | Yves Cloquet | |
| Roy Scheider | ... | Dr. Benway | |
| Monique Mercure | ... | Fadela | |
| Nicholas Campbell | ... | Hank | |
| Michael Zelniker | ... | Martin | |
| Robert A. Silverman | ... | Hans | |
| Joseph Scoren | ... | Kiki (as Joseph Scorsiani) | |
| Peter Boretski | ... | Creature Voices / Exterminator #2 | |
| Yuval Daniel | ... | Hafid | |
| John Friesen | ... | Hauser | |
| Sean McCann | ... | O'Brien | |
| Howard Jerome | ... | A.J. Cohen | |
| Michael Caruana | ... | Pawnbroker | |
| Kurt Reis | ... | Exterminator #1 | |
| Justin Louis | ... | Exterminator #3 | |
| Julian Richings | ... | Exterminator #4 | |
| Jim Yip | ... | The Chink | |
| Claude Aflalo | ... | Forgeman | |
| Laurent Hazout | ... | Interzone Boy | |
| Joseph Di Mambro | ... | Interzone Boy (as Joe Dimambro) |
Directed by | |||
| David Cronenberg | |||
Writing credits | ||
| William S. Burroughs | (novel) | |
| David Cronenberg | (written by) | |
Produced by | |||
| Gabriella Martinelli | .... | co-producer | |
| Jeremy Thomas | .... | producer | |
Original Music by | |||
| Ornette Coleman | |||
| Howard Shore | |||
Cinematography by | |||
| Peter Suschitzky | |||
Film Editing by | |||
| Ronald Sanders | |||
Casting by | |||
| Deirdre Bowen | |||
Production Design by | |||
| Carol Spier | |||
Art Direction by | |||
| James McAteer | |||
Set Decoration by | |||
| Elinor Rose Galbraith | |||
Costume Design by | |||
| Denise Cronenberg | |||
Makeup Department | |||
| Marlene Aarons | .... | assistant makeup artist | |
| Rhoda Ancill | .... | hair stylist | |
| Veronica Ciandre | .... | hair stylist | |
| Christine Hart | .... | makeup artist | |
| Carmen MacDonald | .... | hair stylist | |
| Judy Murdock | .... | assistant makeup artist (as Judy Murdoch) | |
| Marilyn O'Quinn | .... | assistant makeup artist | |
| Lucy Orton | .... | hair stylist | |
Production Management | |||
| Michael Saxton | .... | post-production supervisor | |
| Marilyn Stonehouse | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Board | .... | first assistant director | |
| Simon Board | .... | third assistant director | |
| Michael G. Burke | .... | trainee assistant director (as Michael Burke) | |
| Cassandra Cronenberg | .... | trainee assistant director | |
| Terry Gould | .... | second assistant director | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Richard Cadger | .... | dialogue editor | |
| Tony Currie | .... | dialogue editor | |
| Bryan Day | .... | sound mixer | |
| Henry Embry | .... | cable person | |
| David Evans | .... | sound effects editor | |
| James A. Gore | .... | foley assistant | |
| Wayne Griffin | .... | dialogue editor | |
| Richard Harkness | .... | assistant sound editor | |
| Layne Harris | .... | boom operator | |
| Sean Kelly | .... | assistant sound editor | |
| Judy 'Lucky' Kemeny | .... | assistant sound editor (as Judy Kemeni) | |
| Michael LaCroix | .... | boom operator (as Michael Lacroix) | |
| Susan Maggi | .... | assistant sound editor | |
| Andy Malcolm | .... | foley artist | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Dale Sheldrake | .... | dialogue editor | |
| Lou Solakofski | .... | foley recordist | |
| Jane Tattersall | .... | sound effects editor | |
| Don White | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Carol Bauman | .... | animatronics technician | |
| Brian Dewe | .... | animatronics engineer | |
| Joel Friesch | .... | animatronics technician | |
| Guy Hudson | .... | animatronics technician | |
| Jamie Hyneman | .... | animatronics technician | |
| Dave Isaac | .... | animatronics technician | |
| Conrad Itchener | .... | animatronics technician | |
| James Pennington Kent | .... | animatronics technician | |
| Victoria Lewis | .... | animatronics technician | |
| Tim Lidstone | .... | animatronics technician | |
| Michelle Lyman | .... | animatronics technician | |
| Ted Ross | .... | floor special effects | |
| Mark Siegal | .... | animatronics technician | |
| Valerie Sofranko | .... | animatronics technician | |
| Paul Theren | .... | animatronics technician | |
| Lauren Vogt | .... | animatronics technician | |
| Danny Wagner | .... | animatronics technician | |
| Harold Weed | .... | animatronics technician | |
| Michael Wick | .... | animatronics technician | |
| David Wiezer | .... | animatronics technician | |
| David Wiezer | .... | animatronics technician: special effects | |
| Chris Walas | .... | special creatures & effects (uncredited) | |
Casting Department | |||
| Youssef Abedalnour | .... | extras casting: interzone | |
| Eleanor Lavender | .... | extras casting | |
Costume and Wardrobe Department | |||
| Silvio Berti | .... | wardrobe assistant | |
| Brenda Gilles | .... | costume supervisor | |
| Ann Henshaw | .... | wardrobe assistant | |
| Julie Jones | .... | seamstress | |
Editorial Department | |||
| Evan Ayotte | .... | cutter | |
| Bernadette Kelly | .... | second assistant editor | |
| Patricia Lambkin | .... | second assistant editor | |
| Michael Rea | .... | first assistant editor | |
| Michael Rea | .... | post-production coordinator | |
| Christopher Severn | .... | color timer | |
| Benjamin Tucker | .... | assistant post-production coordinator | |
| Sandra Tucker | .... | post-production coordinator | |
| Peter Watson | .... | second assistant editor | |
Music Department | |||
| Denardo Coleman | .... | musician: The Ornette Coleman Trio | |
| Ornette Coleman | .... | musician: The Ornette Coleman Trio | |
| Homer Denison | .... | orchestrator | |
| Suzana Peric | .... | music editor | |
| Barre Phillips | .... | musician: The Ornette Coleman Trio | |
| Nic Ratner | .... | assistant music editor | |
| Howard Shore | .... | conductor | |
| Alan Snelling | .... | music recording engineer | |
| Samantha Swan | .... | assistant music recording engineer | |
| Ray Williams | .... | music supervisor | |
Transportation Department | |||
| Eldie Benson | .... | head driver | |
| Eddie Bowman | .... | driver (as Ed Bowman) | |
| Brian Cole | .... | driver | |
| Ron Coles | .... | driver | |
| Michael Curran | .... | transportation coordinator | |
| Mac Day | .... | driver | |
| Jerome McCann | .... | driver | |
| Doug Rice | .... | driver: construction department | |
| Steven Sacrob | .... | driver (as Steve Sacrob) | |
| Nick Schefter | .... | driver | |
| Oliver Steins | .... | driver | |
| Mark Van Alstyne | .... | driver captain | |
| John van Noord | .... | driver | |
Other crew | |||
| Connie Angland | .... | purchasing agent | |
| Jon Berg | .... | technical advisor | |
| Michael Brownstone | .... | location manager | |
| Lesley Clark | .... | production secretary | |
| Jocelyn Cousins | .... | assistant: Mr. Thomas | |
| Hazel Crombie | .... | accountant: UK | |
| Sevilla Delofski | .... | assistant: Mr. Thomas | |
| Prudence Emery | .... | unit publicist | |
| Vic Fraser | .... | copyist | |
| Deb Geaghan | .... | assistant accountant | |
| Mary Margaret Gibbons | .... | bookkeeper | |
| Lori Greenberg | .... | assistant: Ms. Martinelli | |
| Evangeline Griego | .... | assistant: Ms. Martinelli | |
| Will Hoddinott | .... | location assistant | |
| James Isaac | .... | project supervisor | |
| Helene LeBlanc | .... | stand-in (as Helene Leblanc) | |
| Kelly Lepkowsky | .... | mechanical supervisor (as Kelly Lepowski) | |
| James Lovisek | .... | insect/centipede wrangler | |
| John Martins-Mantiega | .... | director's Observer | |
| Michelle Mundy | .... | assistant: Mr. Weller | |
| Julie Oudot | .... | assistant: Mr. Thomas | |
| Rick Parker | .... | animal wrangler | |
| John Picard | .... | stand-in | |
| Janet Riggs | .... | assistant: Mr. Weller | |
| Bev Ross | .... | assistant accountant (as Beverly Ross) | |
| Dug Rotstein | .... | script supervisor | |
| Stephen Scott | .... | production office assistant | |
| Mark Siegel | .... | creature maker | |
| Teri Spasov | .... | accountant: Canada | |
| Ron Swinburne | .... | financial controller | |
| Sandra Tucker | .... | assistant: Mr. Cronenberg | |
| Wim van Thillo | .... | mold supervisor | |
| Mark Walas | .... | general manager: CWI | |
| Scott Walas | .... | business manager | |
| Roz Wyllie | .... | assistant: Ray Williams | |
| Deborah Zwicker | .... | production coordinator | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
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| Heavenly Creatures | Basic Instinct | Cidade de Deus | Plata quemada | Prick Up Your Ears |
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This film of 'Naked Lunch' is the first of Cronenberg's Trilogy
of filming three of the most challenging literary works of the
20th Century, and arguably the most difficult... as anyone who's
read Burroughs' 1959 novel can attest, in conventional terms it
is a book without a cohesive plot or even structure, largely
assembled from the paranoid rambling letters of the world's most
notorious drug addict. Cronenberg's approach to the material is
ingenious in that he attempts to fictionalize the circumstances
under which the book was written rather than trying to weave a
storyline from the mass of twisted plot threads which comprise
the text. The cast is impeccable, particularly Peter Weller and Judy Davis
as the leads, Ian holm as a psuedo-Paul Bowles, and Cronenberg
regulars Robert A. Silverman as Hans and Nicholas Campbell as
Kerouac-ish Hank. Julian Sands and Roy Scheider don't quite
infuse their roles with the ridiculousness of their counterparts
from the novel, but their cameos are brief and don't detract
from the overall effect. The overall effect being a hypnotic, schizophrenic blend of
biography and folklore, equal parts Cronenberg and Burroughs, a
self-tortured portrait of the creative process. To the
director's credit, he relies on the script (his own) and the
performances over visual trickery or stock travelogue scenery to
set the mood and propel the action. The astonishing soundtrack,
by the superb Howard Shore, underscores the drug-filled malaise
of this Tangerine dream perfectly... it lacks any musical sense
of time and therefore hangs over the proceedings like a
mysterious haze. Haunting, powerful cinema... but most
definitely not for everyone. Wise up the marks before laying
this on them.