| Photos (see all 4 | slideshow) |
| Philippe Noiret | ... | Romain | |
| Emmanuelle Béart | ... | Ingrid | |
| Manuel Blanc | ... | Pierre Lacaze | |
| Hélène Vincent | ... | Evelyne | |
| Ivan Desny | ... | Dimitri | |
| Christophe Bernard | ... | Le Mac | |
| Roschdy Zem | ... | Saïd | |
| Raphaëline Goupilleau | ... | Mireille | |
| Michèle Moretti | ... | Professeur d'art dramatique | |
| Philippe Adam | ... | Professeur d'art dramatique | |
| Jean-Christophe Bouvet | ... | Le client au bois | |
| Paulette Bouvet | ... | La mère d'Evelyne | |
| Kleber Bouzzone | |||
| Valery Caucigh | |||
| Serge Caytan | |||
| Jean-Daniel Delrieux | |||
| Jacques Goujon | |||
| Martine Grimbert | |||
| Frank Kirson | |||
| Clotilde Le Grand | |||
| Marc Lemasson | |||
| Max McCarthy | |||
| Reginaldo | |||
| David Nalepka | |||
| Jorge Pereira | |||
| Françoise Pont | |||
| David Rouvelou | |||
| Xavier Schliwanski | |||
| Nathalie Schmidt | ... | Marguerite, assistante de Romain | |
| Arnaud Simon | |||
| Guillaume Vial | |||
| rest of cast listed alphabetically: | |||
| Grégory Herpe | ... | Le Bel Etudiant (uncredited) | |
Directed by | |||
| André Téchiné | |||
Writing credits(in alphabetical order) | ||
| Isabelle Coudrier-Kleist | contributing writer | |
| Michel Grisolia | writer | |
| Jacques Nolot | screenplay | |
| Jacques Nolot | story | |
| André Téchiné | writer | |
Produced by | |||
| Maurice Bernart | .... | producer | |
| Alain Centonze | .... | executive producer | |
| Jean Labadie | .... | producer | |
| Jacques-Eric Strauss | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Thierry Arbogast | |||
Film Editing by | |||
| Claudine Merlin | |||
| Edith Vassart | |||
Production Design by | |||
| Vincent Mateu-Ferreur | |||
Costume Design by | |||
| Claire Fraisse | |||
Production Management | |||
| Jean-Jacques Albert | .... | production manager | |
| Catherine Chouridis | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Didier Carrel | .... | assistant director | |
| Didier Charles | .... | trainee assistant director | |
| Philippe Landoulsi | .... | assistant director | |
| Michel Nasri | .... | second assistant director | |
| Catherine Puertas | .... | first assistant director | |
Sound Department | |||
| Jacques Lévy | .... | post-synchronization | |
| Jérôme Lévy | .... | foley artist | |
| Jean-Luc Marino | .... | assistant sound editor | |
| Jean-Louis Ughetto | .... | sound | |
| Claude Villand | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects | |
Camera and Electrical Department | |||
| Pierre Gros d'Aillon | .... | still photographer | |
| Aleksander Kaufmann | .... | assistant camera | |
| Jeanne Lapoirie | .... | camera operator | |
Casting Department | |||
| Jacques Grant | .... | casting coordinator | |
Editorial Department | |||
| Yvan Lucas | .... | color timer | |
Music Department | |||
| Hubert Bougis | .... | orchestrator | |
| Harry Rabinowitz | .... | conductor | |
Other crew | |||
| Michèle Andreucci | .... | script supervisor | |
| Vincent Mateu-Ferreur | .... | decoration | |
| Cécilia Mignon | .... | administrator | |
| Florence Ridoux | .... | production assistant | |
|
|
|
|
|
| Midnight Cowboy | Der Fangschuß | The Basketball Diaries | My Own Private Idaho | Madame Satã |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
I am unable to escape the impression that French cinema has lost its way in recent years. So many examples I see are shallow and trite. A few of the old masters are still around. Chabrol was almost back on form with "La Ceremonie" (1995) and Rohmer can generally be called upon to delight, particularly with work as agreeable as "Conte d'Hiver" (1992). But what of the younger generation? Erick Zonca's "The Dream Life of Angels" (1998) was a work of masterly perception but it seems to be a one-off. However, although not on this level the films of Andre Techine are worth exploring. I did not much care for "Les Voleurs", a conventional heist film: "The Young Reeds", although infinitely more interesting, showed some signs of strain in its struggle to focus on a wide range of characters (Techine is no Edward Yang). However of his works I have so far seen I would commend "J'embrasse pas" as a welcome ray of light in the French darkness. Although, as in Techine's other work, there is still rather too much peripheral detail that does not always illumine the situation of the central character, there is no denying that this is a masterly study of a young country innocent who comes to Paris to make a career for himself, totally unaware of his intellectual and social limitations. In Manuel Blanc's Pierre we have one of the outstanding performances of French cinema. We are able to empathise with this young man to an extraordinary extent, so much so that our gradual understanding of his shortcomings is a process almost as slow as his. When he breaks down during an unsuccessful attempt to get into a stage character he is trying to portray we feel his humiliation deeply. Although Pierre is heterosexual his adoption of the role of a rentboy after this is all part of the process of the inevitable downward spiral. That he emerges from degrading experiences unbeaten and ready to take on Paris for a second time reveals that he has gained a certain strength if only through learning to posture. Psychologically it all rings terribly true.