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Directed by | |||
| Allie Light | |||
| Irving Saraf | |||
| William S. Jones | ... | Himself (uncredited) |
Produced by | |||
| Allie Light | .... | producer | |
| Lynn O'Donnell | .... | associate producer | |
| Irving Saraf | .... | producer | |
Cinematography by | |||
| Michael Chin | |||
Film Editing by | |||
| Allie Light | |||
| Irving Saraf | |||
| Mildred Iatrou | (uncredited) | ||
Art Department | |||
| Inez Storer | .... | artist: drawing of Rigoletto | |
Sound Department | |||
| Sara Chin | .... | sound recordist | |
| Michael Emery | .... | additional sound | |
| Danny Kopelson | .... | sound re-recording mixer | |
| Lauretta Molitor | .... | additional sound | |
| Douglas Murray | .... | additional sound | |
| David Parker | .... | sound re-recording mixer | |
| Robert Shoup | .... | supervising sound editor | |
| Marilyn Waterman | .... | boom operator | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Debbie Brubaker | .... | assistant camera (as Deborah Brubaker) | |
| Wah Ho Chan | .... | assistant camera | |
| Steve Condiotti | .... | gaffer | |
| Rob Doumitt | .... | grip | |
| Doug Dunderdale | .... | assistant camera | |
| Jon Else | .... | additional camera | |
| John Esaki | .... | additional camera | |
| Philip Greene | .... | additional camera | |
| Frances Reid | .... | additional camera | |
| Irving Saraf | .... | additional camera | |
| Kirk Schuler | .... | additional camera | |
| Christopher Thomas | .... | grip | |
| Craig Vande Moortel | .... | gaffer | |
| David Weissman | .... | assistant camera | |
| Fawn Yacker | .... | additional camera | |
Editorial Department | |||
| Debbie Brubaker | .... | assistant editor | |
| Mildred Iatrou | .... | assistant editor | |
| Armondo Navarro | .... | negative cutter (as Armando Navarro) | |
Other crew | |||
| Leslie Alperin | .... | stock footage | |
| Daniel Becker | .... | translator: subtitles | |
| Peter Buchanan | .... | legal counsel | |
| Eileen Flanagan | .... | transcriptionist | |
| Don Goldmacher | .... | agent: producer | |
| Charles Hilder | .... | footage: black and white | |
| Peter Saraf | .... | production assistant | |
Thanks | |||
| Michal Aviad | .... | special thanks | |
| Vivian Baldwin | .... | special thanks | |
| Sara Billinghurst | .... | special thanks | |
| Earl Buys | .... | special thanks | |
| Robert Cahen | .... | special thanks | |
| Kenneth Camp | .... | special thanks | |
| Edward Corley | .... | in memory of | |
| Reid W. Dennis | .... | special thanks | |
| Philip Eisenberg | .... | special thanks | |
| Josef Figueroa | .... | special thanks | |
| Christopher Hahn | .... | special thanks | |
| Thurman Hall | .... | special thanks | |
| Robert Hawk | .... | special thanks | |
| Charles Hilder | .... | in memory of | |
| Liz Keim | .... | special thanks | |
| Ernest Knell | .... | special thanks | |
| Sam Leftwich | .... | special thanks | |
| Gregory Lyon | .... | special thanks | |
| Julie Mackaman | .... | special thanks | |
| Lotfi Mansouri | .... | special thanks | |
| Ernest Newbrun | .... | special thanks | |
| Eva Newbrun | .... | special thanks | |
| Steven Pinsky | .... | special thanks | |
| James Schwabacher | .... | special thanks | |
| Roy Segal | .... | special thanks | |
| Gail Silva | .... | special thanks | |
| Lola Simi | .... | special thanks | |
| Saul Zaentz | .... | special thanks | |
| Company credits | Technical specifications | Soundtrack listing |
| Main details |