| Photos (see all 7 | slideshow) | Videos |
| Joe Mantegna | ... | Bobby Gold | |
| William H. Macy | ... | Tim Sullivan | |
| Vincent Guastaferro | ... | Lt. Senna | |
| J.J. Johnston | ... | Jilly Curran | |
| Jack Wallace | ... | Frank | |
| Lionel Mark Smith | ... | Charlie Olcott | |
| Roberta Custer | ... | Cathy Bates | |
| Charles Stransky | ... | Doug Brown | |
| Bernard Gray | ... | James | |
| Paul Butler | ... | Commissioner Walker | |
| Colin Stinton | ... | Walter B. Wells | |
| Louis Murray | ... | Mr. Patterson | |
| Christopher Kaldor | ... | Desk Sergeant | |
| Linda Kimbrough | ... | Sgt. Green | |
| Robin Spielberg | ... | Records Officer | |
| Yuri Alexis | ... | Reporter | |
| Darrell Taylor | ... | Willie Sims | |
| Ron Butler | ... | Rookie | |
| Jonathan Ridgeley | ... | Deliveryman | |
| Willo Hausman | ... | Juvenile Officer | |
| Leo Burns | ... | Officer Arraigning Wells | |
| Lee Cohn | ... | Officer Escorting Mr. Klein | |
| George Harvey | ... | Officer Transporting Wells | |
| Charles Chessler | ... | Plainclothes Officer | |
| Jordan Lage | ... | FBI Team Leader | |
| George Rogers | ... | SWAT Team | |
| Steven Anderson | ... | SWAT Team | |
| Elmer Aulton | ... | SWAT Team | |
| Anthony Boer | ... | SWAT Team | |
| Michael Hammond | ... | SWAT Team | |
| Guy Johnson | ... | SWAT Team | |
| Ving Rhames | ... | Randolph | |
| Erica Gimpel | ... | Woman with Randolph | |
| Tony Mamet | ... | Officer Ferro | |
| Lawrence Kopp | ... | Officer Threatened by Dog | |
| J.S. Block | ... | Dr. Klein | |
| Rebecca Pidgeon | ... | Miss Klein | |
| Bob Moore | ... | Police Captain | |
| Keith Johnson | ... | Captain's Driver | |
| Olan Soule | ... | Crime Scene Technician | |
| Sandy Waters | ... | Neighborhood Woman | |
| Purnell McFadden | ... | First Kid | |
| Cliff McMullen | ... | Officer at the Variety Store, Night | |
| Wesley Nelson | ... | Second Kid | |
| Mary Jefferson | ... | Randolph's Mother | |
| Jonathan Katz | ... | Undertaker | |
| Marge Kotlisky | ... | Mrs. Klein | |
| Jim Frangione | ... | Police Officer | |
| Natalia Nogulich | ... | Chava | |
| Ricky Jay | ... | Aaron | |
| Adolph Mall | ... | Benjamin | |
| Len Hodera | ... | Koli | |
| Robert Bella | ... | Bodyguard | |
| Gail Silver | ... | Liv, the Kleins' Maid | |
| Scott Zigler | ... | Passport Clerk | |
| Jerry Graff | ... | Officer in Elevator (as Jerrold Graff) | |
| Rick Washburn | ... | Officer in Elevator | |
| Jim Grace | ... | BATF Agent | |
| Paul Hjelmervik | ... | BATF Agent | |
| James Potter | ... | Shoemaker | |
| Steven Goldstein | ... | Librarian | |
| Charlotte Potok | ... | Asst. Librarian | |
| Andy Potok | ... | Library Technician | |
| Lynn T. Weisberg | ... | Woman in the Library | |
| Emily Weisberg | ... | Young Girl in Library | |
| Alan Polonsky | ... | Scholar | |
| Théo Cohan | ... | Young Woman with Dog | |
| Bernard Mamet | ... | Marv | |
| Neil Pepe | ... | Young Man with Dog | |
| Ted Monte | ... | Bodyguard with Thompson Gun | |
| Lou Kaitz | ... | Leo | |
| G. Roy Levin | ... | Barry | |
| Adam Bitterman | ... | Young Bodyguard | |
| John Pritchett | ... | Police Radio Dispatcher | |
| rest of cast listed alphabetically: | |||
| Cheryl Moore | ... | Mail Lady (uncredited) | |
Directed by | |||
| David Mamet | |||
Writing credits(WGA) | ||
| David Mamet | (written by) | |
Produced by | |||
| Andy Armstrong | .... | associate producer | |
| Matthew Carlisle | .... | associate producer | |
| Michael Hausman | .... | producer | |
| Edward R. Pressman | .... | producer | |
| Ron Rotholz | .... | executive producer | |
Original Music by | |||
| Alaric Jans | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Barbara Tulliver | |||
Production Design by | |||
| Michael Merritt | |||
Art Direction by | |||
| Susan Kaufman | |||
Costume Design by | |||
| Nan Cibula | |||
Makeup Department | |||
| Frank Rogers | .... | makeup artist | |
| Frank Rogers | .... | makeup supervisor | |
Production Management | |||
| Kevin J. Foxe | .... | post-production supervisor | |
| Michael Hausman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matthew Carlisle | .... | first assistant director | |
| Karen Estelle Collins | .... | second assistant director | |
| Frank Ferro | .... | second second assistant director | |
Art Department | |||
| Jeff Balsmeyer | .... | storyboard artist | |
| Ted Lubonovich II | .... | carpenter | |
| John Mills | .... | property master | |
| Siobhan Roome | .... | draftperson | |
| Richard Salinas | .... | painter | |
| Lorrie Walker | .... | property master | |
Sound Department | |||
| Richard P. Cirincione | .... | sound editor | |
| Laura Derrick | .... | second boom operator | |
| Susan Sklar Friedman | .... | assistant sound editor | |
| Bruce Kitzmeyer | .... | sound editor | |
| John Pritchett | .... | production sound mixer | |
| Maurice Schell | .... | adr sound | |
| Maurice Schell | .... | supervising sound editor | |
| Joel Shryack | .... | first boom operator | |
| Leo Trombetta | .... | assistant sound editor | |
| Susan M. Wagner | .... | assistant sound editor | |
| Maurice Schell | .... | foley artist (uncredited) | |
Special Effects by | |||
| Ken Estes | .... | special effects coordinator | |
Stunts | |||
| G.A. Aguilar | .... | stunt double: Gold (as George Aguilar) | |
| Andy Armstrong | .... | stunt coordinator | |
| Jeff Jeffrey | .... | stunt double: Randolph | |
| Sean Kelly | .... | stunt double: Walter B. Wells | |
| Chuck Jeffreys | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| Rusty Gardner | .... | electrician | |
| Bruce Hamme | .... | dolly grip | |
| Jonathan Herron | .... | first assistant camera (as Jon Herron) | |
| Steve Hurson | .... | second assistant camera | |
| Jeremy Knaster | .... | electrician | |
| Bill O'Leary | .... | gaffer | |
| Lee Shapira | .... | grip | |
| John Sigmon | .... | lighting technician | |
| Rick Strodel | .... | grip | |
Costume and Wardrobe Department | |||
| Sheri Dunn | .... | assistant costume designer | |
| Heidi Shulman | .... | wardrobe supervisor | |
Editorial Department | |||
| Kent Blocher | .... | second assistant editor | |
| Alice Stone | .... | first assistant editor | |
Music Department | |||
| Suzana Peril | .... | music editor | |
Transportation Department | |||
| Charles E. Bauer | .... | driver | |
| Michael Luckeroth | .... | driver | |
Other crew | |||
| Randall Balsmeyer | .... | title designer | |
| Cathleen Clarke | .... | assistant production coordinator | |
| Dona Davis | .... | script supervisor | |
| Debra Donaldson | .... | location manager | |
| Gwen Everman | .... | production accountant | |
| Kevin J. Foxe | .... | location manager | |
| Nancy Hackerman | .... | production consultant | |
| Mary A. Kelly | .... | script supervisor | |
| Christopher Otto | .... | production assistant: Los Angeles | |
| Alison Sherman | .... | production coordinator | |
| Shelly Strong | .... | production assistant | |
| Darryl Wharton | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
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While on his way to the case that will make his name, homicide detective Bobby Gold gets sidelined to the scene of a murder of an elderly Jewish woman in a candy shop. Present when the family arrives, Gold is then transferred from his case to this murder much to the annoyance and sympathy of the rest of his team. At first Gold resents the assignment and doesn't believe any of the paranoid theories about the murder put forward by the family, but digging deeper he finds there may be more to the case than he first thought.
I came to this film because I generally like the work of Mamet and specifically the great pattern and flow of dialogue that he delivers. And yet again, in this regard, I was not disappointed because the film does have a great flow to the script that gives each character energy and presence. I always struggle to describe what it is Mamet does (and have failed here as well) but it works and those that know of it will find more of it here. The problem for me does rather lie in the narrative though. The ending is quite unsatisfying and leaves many questions unanswered. Now, to me, I could accept this if the film was about Gold rather than the two cases in play, and, in a way I think that was the intension. However the script is not strong enough to make the film all about his character which is a shame because I wanted to understand him more.
Mantegna delivers the character well anyway. He is the heart of the film and his presence and delivery bring out Mamet's script. He is surrounded by a famous support cast, all of whom do equally as well with the dialogue even if they have lesser roles. Macy, Guastaferro, Wallace and others all turn in good support. So mostly a good film and certainly one that will appeal to fans of other work from Mamet. The narrative may leave some viewers feeling a bit disappointed but it still has enough forward motion and energy to engage throughout.