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Gojira vs. Kingu Gidorâ (1991)
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Overview
User Rating:
Director:
Writer:
Kazuki Omori (writer)
Release Date:
14 December 1991 (Japan)
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Plot:
Time travelers use Godzilla in their scheme to destroy Japan to prevent the country's future economic reign. full summary | add synopsis
Awards:
1 win
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User Comments:
the Godzilla flick of the decade
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Cast
(Cast overview, first billed only)| Kosuke Toyohara | ... | Kenichiro Terasawa | |
| Anna Nakagawa | ... | Emmy Kano | |
| Megumi Odaka | ... | Miki Saegusa | |
| Katsuhiko Sasaki | ... | Professor Mazaki | |
| Akiji Kobayashi | ... | Yuzo Tsuchiashi | |
| Tokuma Nishioka | ... | Takehito Fujio | |
| Yoshio Tsuchiya | ... | Businessman Yasuaki Shindo | |
| Kenji Sahara | ... | Minister Takayuki Segawa | |
| Kôichi Ueda | ... | Ikehata, the mad old soldier | |
| Sô Yamamura | ... | Prime Minister | |
| Yasunori Yuge | ... | Army Chief | |
| Kiwako Harada | ... | Chiaki Moriyuma | |
| Kenpachiro Satsuma | ... | Gojira | |
| 'Hurricane Ryu' Hariken | ... | Kingugidora | |
| Chuck Wilson | ... | Chuck Wilson |
Additional Details
Also Known As:
Godzilla vs. King Ghidorah (USA) (video title)
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Parents Guide:
Runtime:
103 min | USA:100 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
This became one of the most controversial Godzilla movies. Shortly after the film's release in Japan, a cable news channel in America ran a lengthy story about the film's alleged anti-American sentiments. Scenes of US soldiers being killed by the Godzillasaurus were shown on the network, and the plot featuring evil Westerners from the future was debated. Director Kazuki Omori, however, defended his artistic decision on camera, arguing that the film was not in fact meant to be anti-American. Economic tensions between East and West were high at this time, and the negative publicity was very much a sign of the times.
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Goofs:
Continuity: The special effects crew failed to rotoscope King Ghidorah's rays when the huge bridge is destroyed. As the shot now plays, the bridge is destroyed by a series of explosions of unknown origin when King Ghidorah simply flies over it.
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Quotes:
Kenichiro Terasawa:
Hey, Emmy, could you please answer a question for me?
Emmy Kano: What is it?
Kenichiro Terasawa: Tell me now, did my book become a bestseller?
Emmy Kano: Actually, hardly anyone even knew about your book.
Kenichiro Terasawa: [trying to hide his disappointment] I see.
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Emmy Kano: What is it?
Kenichiro Terasawa: Tell me now, did my book become a bestseller?
Emmy Kano: Actually, hardly anyone even knew about your book.
Kenichiro Terasawa: [trying to hide his disappointment] I see.
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Movie Connections:
Spin off Godzilla: Save the Earth (2004) (VG)
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FAQ
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Every ten years or so, Toho grinds out a great little Godzilla movie. This was their classic for the 1990s.
I usually don't like my Godzilla films to get cluttered up with silly science fiction, but in this movie, the time-travel elements are used very deftly to give us insight into the big G's origins. I also love the appearance of a cybernetic King Ghidorah in the final battle, who looks a heck of a lot cooler than any version of Mechagodzilla.
Some of the more interesting elements include a businessman who owes a debt to Godzilla (yes, really!) and renegades from the future who want to destroy Japan's economy. There's a fair amount of criticism leveled at the Americans, but also some self-criticism too, so in the end I think the cultural conflicts in this film are explored rather fairly.
Special effects are definitely a cut above what you'd expect. Ray beams zing back and forth between the battling titans, leveling all those lovely model buildings in the way. Somehow, the spectacle works; it makes me wish that we'd do more model effects in America, but we seem firmly entrenched in the era of lame CGI.
On the downside, the World War II battle segments are tacky, and some plot elements are glossed over (it seems absurdly easy to change M11 into a good guy!). However, this is still the most fun you'll have with Godzilla; the only superior entries in the series, the original "Gojira" and the mighty "GMK," are more dramatic in tone.