| Videos (see all 3 NEW) |
| Jean-Marc Barr | ... | Leopold Kessler | |
| Barbara Sukowa | ... | Katharina Hartmann | |
| Udo Kier | ... | Lawrence Hartmann | |
| Ernst-Hugo Järegård | ... | Uncle Kessler | |
| Erik Mørk | ... | Pater | |
| Jørgen Reenberg | ... | Max Hartmann | |
| Henning Jensen | ... | Siggy | |
| Eddie Constantine | ... | Colonel Harris | |
| Max von Sydow | ... | Narrator (voice) | |
| Benny Poulsen | ... | Steleman | |
| Erno Müller | ... | Seifert | |
| Dietrich Kuhlbrodt | ... | Inspector | |
| Michael Phillip Simpson | ... | Robins | |
| Holger Perfort | ... | Mr. Ravenstein | |
| Anne Werner Thomsen | ... | Mrs. Ravenstein | |
| Hardy Rafn | ... | Man in Housecoat | |
| Cæcilia Holbek Trier | ... | Maid | |
| János Herskó | ... | Jewish Man | |
| Talila | ... | Jewish Wife | |
| Claus Flygare | ... | Father | |
| Jon Ledin | ... | American Soldier | |
| Baard Owe | ... | Man with Papers | |
| Leif Magnusson | ... | Doctor Magnus | |
| Lars von Trier | ... | Jew | |
| Vera Gebuhr | ... | Depot Assistant | |
| Else Petersen | ... | Old Female Assistant | |
| Ben Zimet | ... | Old Man 1 | |
| Thadee Lokcinski | ... | Old Man 2 | |
| Peter Haugstrup | ... | Piccolo |
Directed by | |||
| Lars von Trier | |||
Writing credits | ||
| Lars von Trier | (writer) & | |
| Niels Vørsel | (writer) | |
Original Music by | |||
| Joachim Holbek | (as Joakim Holbek) | ||
Cinematography by | |||
| Henning Bendtsen | |||
| Edward Klosinski | (as Edward Klosinsky) | ||
| Jean-Paul Meurisse | |||
Film Editing by | |||
| Hervé Schneid | (as Herve Schneid) | ||
Production Design by | |||
| Henning Bahs | |||
Costume Design by | |||
| Manon Rasmussen | |||
Makeup Department | |||
| Isabelle de Araujo | .... | makeup artist | |
| Sanne Gravfort | .... | hair stylist | |
| Morten Jacobsen | .... | key makeup artist | |
| Dennis Knudsen | .... | hair stylist | |
| Jolanta Pruszynska | .... | makeup artist: Poland | |
Art Department | |||
| Andrzej Borecki | .... | production designer: Poland | |
| Søren Gam | .... | property master (as Søren G. Henriksen) | |
| Peter Grant | .... | property master | |
| Simone Grau | .... | assistant props (as Simone Grau Larsen) | |
| Emil Kostecki | .... | property master: Poland | |
| Bogdan Piotrowski | .... | property master: Poland | |
| Finn Skovgaard | .... | storyboard artist | |
| Kazimierz Stys | .... | property master: Poland | |
| Gitte Zehngraff | .... | assistant production designer | |
Sound Department | |||
| Pierre Excoffier | .... | sound recordist (as Pierre Excoffier) | |
| Philippe Fabbri | .... | boom operator | |
| Henrik Garnov | .... | dubbing engineer | |
| Carl Aage Hansen | .... | sound effects | |
| Thomas Krag | .... | sound | |
| Per Meinertsen | .... | sound engineer | |
| Julien Naudin | .... | sound effects | |
| John Nielsen | .... | boom operator | |
| Per Streit | .... | sound designer (as Per Streit Jensen) | |
Visual Effects by | |||
| Jan-Erik Sandberg | .... | optical effects | |
Camera and Electrical Department | |||
| Jan Andersen | .... | lighting assistant | |
| Bo Bendtsen | .... | clapper loader | |
| Jakob Bonfils | .... | grip | |
| Jesper Find | .... | first assistant camera | |
| Andrzej Gierak | .... | lighting technician: Poland | |
| Tomasz Habrewicz | .... | assistant camera: Poland | |
| Jørgen Johansen | .... | electrician | |
| Ireneusz Kisielewicz | .... | lighting technician: Poland | |
| Rolf Konow | .... | still photographer | |
| Krzysztof Koperski | .... | lighting technician: Poland | |
| Marek Modzelewski | .... | lighting technician: Poland | |
| Thomas Neivelt | .... | lighting technician | |
| Tadeusz Obuchowicz | .... | assistant camera: Poland | |
| Søren Sørensen | .... | lighting technician | |
| Jacek Stachlewski | .... | camera operator: Poland | |
| Roman Taborski | .... | lighting technician: Poland | |
| Mike Valentine | .... | underwater camera operator | |
| Henryk Wingert | .... | lighting technician: Poland | |
Casting Department | |||
| Annette Grunnet | .... | casting coordinator | |
| Marie Louise Hedegaard | .... | casting coordinator | |
Editorial Department | |||
| Urszula Lesiak | .... | assistant editor | |
| Michael Frank Nielsen | .... | color timer | |
Other crew | |||
| Sabelle Arcay | .... | production assistant | |
| Britt Bendixen | .... | choreographer | |
| Philippe Bober | .... | production assistant | |
| Ewa Borek | .... | production assistant: Poland | |
| Erik Crone | .... | production assistant | |
| Linda Daae | .... | continuity | |
| Tómas Gislason | .... | continuity | |
| Tómas Gislason | .... | shooting script | |
| Józef Jarosz | .... | production assistant: Poland (as Jozef Jarosz) | |
| Julian Jencquel | .... | production runner | |
| Lisbet Matz | .... | production assistant | |
| Zdzislaw Sajuk | .... | production assistant: Poland | |
| Monica Steenberg | .... | production assistant | |
| Françoise Valentine | .... | underwater coordinator (as Fran Valentine) | |
| Lars von Trier | .... | continuity | |
| Lars von Trier | .... | shooting script | |
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| Au revoir les enfants | Die Blechtrommel | Die Mörder sind unter uns | NaPolA | La tregua |
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With stunning cinematography and a thread of Kafkaesque absurdity, this movie had me from the simple yet fascinating opening scene. The movie plays much like a dream, and I think that may be why people either hate it or love it. Characters are drawn superficially and the story itself is slight and perhaps a little pointless. But these are failings of the movie but conscious choices. The film works isn't trying to work as history, but rather is a deconstruction of 1940s war movies.
I would have trouble arguing that there was much real substance to the movie, but the movie is such a cinematic wonder that I was completely swept away. This is one of the most beautifully filmed movies ever, and there is a wild imagination in its style. I can completely understand why people would hate it, but I give it 9/10.