Europa (1991)

Director:

Lars von Trier

Writers:

Lars von Trier (writer) &
Niels Vørsel (writer)

Release Date:

27 June 1991 (Germany)

Genre:

Drama | War

Plot:

Just after WW2, an American takes a railway job in Germany, but finds his position politically sensitive with various people trying to use him.

Plot Keywords:

American | Germany | Sleeping Car | Train | Uncle

Awards:

16 wins & 4 nominations

Cast

Jean-Marc Barr	...	Leopold Kessler
Barbara Sukowa	...	Katharina Hartmann
Udo Kier	...	Lawrence Hartmann
Ernst-Hugo Järegård	...	Uncle Kessler
Erik Mørk	...	Pater
Jørgen Reenberg	...	Max Hartmann
Henning Jensen	...	Siggy
Eddie Constantine	...	Colonel Harris
Max von Sydow	...	Narrator (voice)
Benny Poulsen	...	Steleman
Erno Müller	...	Seifert
Dietrich Kuhlbrodt	...	Inspector
Michael Phillip Simpson	...	Robins
Holger Perfort	...	Mr. Ravenstein
Anne Werner Thomsen	...	Mrs. Ravenstein

Also Known As:

Europa (Sweden)
Zentropa

MPAA:

Rated R for mature treatment of holocaust issues.

Runtime:

112 min

Country:

Denmark | Sweden | France | Germany | Switzerland

Language:

English | German

Color:

Black and White | Color (Pathécolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby SR

Certification:

New Zealand:M | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Italy:T | Singapore:NC-16 | South Korea:18 | Spain:13 | Sweden:15 | UK:15 | USA:R | Germany:16

Filming Locations:

Chojna Cathedral, Chojna, Poland

Company:

Alicéléo

Trivia:

The final film in Lars von Trier's 'Europa' trilogy which illuminates the traumas of Europe in the future. The two other parts are Forbrydelsens element (1984) and Epidemic (1987).

Quotes:

[last lines]
Narrator: In the morning, the sleeper has found rest on the bottom of the river. The force of the stream has opened the door and is leading you on. Above your body, people are still alive. Follow the river as days go by. Head for the ocean that mirrors the sky. You want to wake up to free yourself of the image of Europa. But it is not possible.

Movie Connections:

Referenced in Lars von Trier Anecdotes (2005) (V)

Soundtrack:

Europa Aria

Innocents abroad

Zentropa has much in common with The Third Man, another noir-like film set among the rubble of postwar Europe. Like TTM, there is much inventive camera work. There is an innocent American who gets emotionally involved with a woman he doesn't really understand, and whose naivety is all the more striking in contrast with the natives.

But I'd have to say that The Third Man has a more well-crafted storyline. Zentropa is a bit disjointed in this respect. Perhaps this is intentional: it is presented as a dream/nightmare, and making it too coherent would spoil the effect.

This movie is unrelentingly grim--"noir" in more than one sense; one never sees the sun shine. Grim, but intriguing, and frightening.