| Videos (see all 2 NEW) |
| Julia Roberts | ... | Hilary O'Neil | |
| Campbell Scott | ... | Victor Geddes | |
| Vincent D'Onofrio | ... | Gordon | |
| Colleen Dewhurst | ... | Estelle Whittier | |
| David Selby | ... | Richard Geddes | |
| Ellen Burstyn | ... | Mrs. O'Neil | |
| Dion Anderson | ... | Cappy | |
| George Martin | ... | Malachi | |
| A.J. Johnson | ... | Shauna | |
| Daniel Beer | ... | Danny | |
| Behrooz Afrakhan | ... | Moamar | |
| Michael Halton | ... | Gordon's Friend | |
| Larry Nash | ... | Assistant | |
| Alex Trebek | ... | Host of Jeopardy | |
| Richard Friedenberg | ... | Jeopardy Contestant | |
| Duncan Henderson | ... | Jeopardy Contestant | |
| Bettina Rose | ... | Jeopardy Contestant | |
| Howard Morris | ... | Voice on Jetsons (voice) | |
| Fran Lucci | ... | Annabel | |
| John M. Rosenberg | ... | Bandleader | |
| Patrick Cage | ... | Shauna's Boyfriend | |
| Tim Bohn | ... | Guest | |
| Holly Del Russo | ... | Child in Hospital | |
| Trevor Fant | ... | Child in Hospital | |
| Kevin O'Connor | ... | Child in Hospital | |
| Lauren Oymainan | ... | Child in Hospital | |
| Erin Vallely | ... | Child in Hospital | |
| rest of cast listed alphabetically: | |||
| Ron Krauss | ... | Hilary's Night Club Friend (uncredited) | |
| Ron Roggé | ... | Head Waiter (uncredited) | |
Directed by | |||
| Joel Schumacher | |||
Writing credits(WGA) | ||
| Marti Leimbach | (novel) | |
| Richard Friedenberg | (screenplay) | |
Produced by | |||
| Sally Field | .... | producer | |
| Mauri Syd Gayton | .... | associate producer (as Mauri Gayton) | |
| Duncan Henderson | .... | co-producer | |
| Kevin McCormick | .... | producer | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Juan Ruiz Anchía | (director of photography) (as Juan Ruiz Anchia) | ||
Film Editing by | |||
| Robert Brown | |||
| Jim Prior | |||
Casting by | |||
| Mary Goldberg | |||
Art Direction by | |||
| Guy J. Comtois | |||
| Richard L. Johnson | (as Richard Johnson) | ||
Set Decoration by | |||
| Cricket Rowland | |||
Costume Design by | |||
| Susan Becker | |||
Makeup Department | |||
| Richard Arrington | .... | makeup artist | |
| Bridget Cook | .... | hair stylist (as Bridget McNamara Cook) | |
| Tom Lucas | .... | makeup artist | |
| Edward St. George | .... | hair stylist | |
Production Management | |||
| Todd Arnow | .... | production supervisor | |
| Duncan Henderson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carla Corwin | .... | second assistant director | |
| Stephen P. Dunn | .... | first assistant director (as Stephen Dunn) | |
| David Larson | .... | dga trainee (as David E. Larson) | |
Sound Department | |||
| Barbara Barnaby | .... | sound editor | |
| Danny Benson | .... | cable person: Northern California crew | |
| James Beshears | .... | supervising adr editor | |
| Noah Blough | .... | sound editor | |
| Brad Brock | .... | dialogue editor | |
| Paul Timothy Carden | .... | co-supervising sound editor | |
| Simon Coke | .... | sound editor | |
| C.T.W. | .... | sound editor | |
| Chris David | .... | sound re-recording mixer | |
| Richard C. Franklin | .... | supervising sound editor (as Rick Franklin) | |
| Albert Gasser | .... | sound editor | |
| Gary Gegan | .... | dialogue editor | |
| David Hagberg | .... | assistant sound editor (as David Lee Hagberg) | |
| Gary A. Hecker | .... | foley mixer | |
| Daniel Kent | .... | cable person (as Dan Kent) | |
| David MacMillan | .... | sound mixer | |
| Robert Morrisey | .... | apprentice sound editor (as Rob Morrisey) | |
| Alan L. Nineberg | .... | adr editor (as Alan Nineberg) | |
| Richard Overton | .... | sound re-recording mixer (as Dick Overton) | |
| Geoffrey Patterson | .... | boom operator (as Geoffrey Lucius Patterson) | |
| Robert Renga | .... | sound recordist (as Bob Renga) | |
| Sergio Reyes | .... | sound re-recording mixer | |
| Charleen Richards | .... | dialogue editor (as Charlene Richards) | |
| Lisa M. Risen | .... | assistant adr editor | |
| Catherine Rowe | .... | foley artist | |
| Joseph T. Sabella | .... | foley artist | |
| David E. Stone | .... | sound editor (as David Stone) | |
| Mark A. Tracy | .... | apprentice sound editor (as Mark Tracy) | |
| Bernard Weiser | .... | sound editor | |
| Ed Callahan | .... | sound editor (uncredited) | |
Special Effects by | |||
| Pat Lee | .... | special effects | |
| Richard Ratliff | .... | special effects coordinator | |
| Wayne Rose | .... | special effects foreman | |
| Neil Smith | .... | special effects | |
Visual Effects by | |||
| Peter Donen | .... | visual effects supervisor | |
Stunts | |||
| Bill Erickson | .... | stunt coordinator | |
| Solly Marx | .... | stunts (as Solly Marks) | |
| J. Suzanne Rampe | .... | stunts | |
| Pat Romano | .... | stunts | |
| Pat Romano | .... | stunt double (uncredited) | |
Casting Department | |||
| James Adams | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Nancy Hayes | .... | local casting: Northern California | |
| Amy Lippens | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kirsten Everberg | .... | costumer | |
| Rosemarie Fall | .... | costume supervisor | |
| Barbara Marko Friedman | .... | costumer | |
| Wingate Jones | .... | costumer | |
| Evan L. Sidel | .... | costume assistant | |
Editorial Department | |||
| David E. Blewitt | .... | additional editor (as David Blewitt) | |
| Gary Burritt | .... | negative cutter | |
| William Henry | .... | assistant editor (as Bill Henry) | |
| Sean Hubbert | .... | assistant editor | |
| Pattye Rogers | .... | assistant editor | |
| James Seidelman | .... | assistant editor | |
| Mike Stanwick | .... | color timer | |
| Christopher Waters | .... | post-production coordinator (as Darren Waters) | |
Music Department | |||
| Brad Dechter | .... | orchestrator | |
| Kenny G | .... | musician: saxophone | |
| Michael Mason | .... | scoring coordinator | |
| Joel Moss | .... | score recordist | |
| Shawn Murphy | .... | score mixer | |
| David Olson | .... | assistant music editor | |
| Marty Paich | .... | conductor: score | |
| Ellen Segal | .... | music editor | |
| Jim Weidman | .... | music editor | |
| Chris Boardman | .... | orchestrator (uncredited) | |
| Sandy DeCrescent | .... | orchestra contractor (uncredited) | |
| Jeff Porcaro | .... | musician: drums (uncredited) | |
Transportation Department | |||
| James G. Africa | .... | driver | |
| Bonnie Alden | .... | driver | |
| George Alden | .... | driver | |
| Brendan W. Coll | .... | driver | |
| Charles Conn | .... | driver | |
| Thomas J. Hoke | .... | driver | |
| Bradford B.L. Jones | .... | driver | |
| Dean E. Mason | .... | transportation captain | |
| Russell McEntyre | .... | transportation coordinator | |
| David Edward Metiver | .... | driver | |
| Robert J. Riedell | .... | driver | |
| Julio Salazar | .... | driver | |
| Melody Ballard Scott | .... | driver | |
| George F. Sheppard | .... | driver | |
| Tim Sisson | .... | driver | |
| Dennis C. Ward | .... | driver (as Dennis Christopher Ward) | |
| Ed Wirth | .... | driver (as Edward Wirth) | |
| Michael Avallon | .... | driver (uncredited) | |
| Barbara Rosing Hoke | .... | transportation office coordinator: San Francisco/Napa locations (uncredited) | |
Thanks | |||
| Dave Bartlet | .... | special thanks | |
| Mike Curry | .... | special thanks | |
| Tom Davies | .... | special thanks | |
| Guy | .... | dedicatee | |
| Mike Halfhill | .... | special thanks | |
| Richard | .... | dedicatee | |
| Darrell Sattul | .... | special thanks | |
| Ann Taylor | .... | special thanks | |
| V. Sattul Winnery | .... | special thanks | |
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| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
To put it simply, the opening third of this film is intense. Quite intense. Campbell Scott's Vincent is a tortured young man who only wants to live enough to prepare himself for death. Julia Roberts' Hillary is essentially her Vivian from Pretty Woman (I hope everyone who sees this film is as unimpressed as I was with the shameless allusion to Pretty Woman when Hillary steps off the bus in -- gasp -- a red suit), but it suits the film well. But the passionate acting from Roberts, yes, but mostly Scott absolutely rends one's heart. When Hillary declares that she thought "this guy was going to die," the audience is right there with her. Scott's performance is so rare and so special during these opening minutes because he is not self-pitying. He is aware of his disease, and he's trying to fight it. He's beyond emotional pain, and as he struggles through the physical pain, we start to feel it too. By the time Victor announces that his treatment is finished and he's ready for a vacation, the audience is ready for one too--it's really too much to watch a character we're instantly so attracted to come so close to death so many times.
However, with the change of scenery comes a change of momentum. This is not surprising considering how emotional the opening third of the movie is--I'm not sure any movie could sustain that degree of intensity for the length of a feature film. Sadly though, the couple's time in the beach house becomes, as one critic put it, a kind of music video which features long shots of "endearing" moments between the two main characters. I would have liked to see more *real* discussions, interactions, etc. between the two than the endless close-ups of their pretty faces. The townsfolk are superfluous--essentially they're stock characters, cut-outs of real people that serve no real purpose in the film. Vincent D'Onofrio's Gordon is the most confusing character of all. He seems to have some sort of flirtation with Hillary, but this is never developed, explained, or resolved. A shame, as it could have added more drama to a section of the film that was sorely lacking in any sort of dramatic effect.
The ending of the movie isn't bad, but it never quite recovers the momentum of the earlier section. However, I find that no matter how much I dislike the middle part of the film, I keep thinking about the film as a whole, and really really liking it. If you're prone to it, this film will probably make you cry. If you're not interested in tears, it's still worth watching because at the very least it will make you appreciate how lucky you are to not be going through what Vincent goes through--not having to make the decisions or sacrifices he makes each day.
I recommend watching it at least once and forming your own opinion.