| Photos (see all 8 | slideshow) | Videos (see all 2 NEW) |
| River Phoenix | ... | Eddie Birdlace | |
| Lili Taylor | ... | Rose | |
| Richard Panebianco | ... | Berzin | |
| Anthony Clark | ... | Oakie | |
| Mitchell Whitfield | ... | Benjamin | |
| Holly Near | ... | Rose Sr. | |
| Elizabeth Daily | ... | Marcie (as E.G. Daily) | |
| Sue Morales | ... | Ruth Two Bears | |
| Christina Mastin | ... | Linda | |
| Christopher Shaw | ... | Donavin | |
| John Lacy | ... | Fector | |
| Chris San Nicholas | ... | Dogfight Buddy | |
| Brian Gotta | ... | Dogfight Marine | |
| Peg Phillips | ... | Older Cafe Customer | |
| Neal Allen | ... | Sgt. Judge | |
| Ron Lynch | ... | LCpl. Judge | |
| Dale Garman | ... | Restaurant Maitre d' | |
| Bruce Pearson | ... | Walter | |
| Angie Utt | ... | Thrift Shop Woman | |
| Kenneth Utt | ... | Thrift Shop Man (as Kenny Utt) | |
| Julian Schembri | ... | Navy Bill | |
| Barb Benedetti | ... | Alice | |
| Ivars Mikelson | ... | Bob | |
| Brendan Fraser | ... | Sailor #1 (as Brendon Fraser) | |
| Matt Skerritt | ... | Sailor #2 | |
| Dion Williams | ... | Older Brother on Bus | |
| Jason Moore | ... | Younger Brother on Bus | |
| Denise Williams | ... | Mother on Bus | |
| Kristie Gamer | ... | Pretty Girl | |
| David MacIntyre | ... | Bartender (as Dave McIntyre) | |
| Art Cahn | ... | Bar Owner | |
| Robert Munns | ... | '50s drinker (as Bob Munns) | |
| Jessica Wallenfels | ... | Arcade Girl (as Jessica Wallenfells) | |
| Bonnie Fox | ... | Arcade Hooker | |
| Sandra Ellis Lafferty | ... | Crying Woman | |
| Joseph Franklin | ... | Crying Customer | |
| Frank Walters | ... | Newscaster | |
| Jacob Luft | ... | Neighborhood Boy | |
| Constance McCord | ... | Dogfight Waitress | |
| Laura Vetter | ... | Truckstop Waitress | |
| Krisha Fairchild | ... | Truckstop Cook | |
| George Evans | ... | Bus Driver | |
| Jillian Armenante | ... | Girl on Street | |
| Anne Elizabeth Washburn | ... | Friend of Girl on Street | |
| John Fry | ... | Marine on Bus | |
| Albert Farrar | ... | Corpsman | |
| Rafael Orozco | ... | Hippie (as Raf Orozco) | |
| rest of cast listed alphabetically: | |||
| Don Berg | ... | PX Marine (uncredited) | |
| Dale Carman | ... | Maitre 'd (uncredited) | |
| Joe James | ... | Sailor (voice) (uncredited) | |
| Dewayne Luckett | ... | Sailor #3 (uncredited) | |
Directed by | |||
| Nancy Savoca | |||
Writing credits(WGA) | ||
| Bob Comfort | (written by) | |
Produced by | |||
| Richard Guay | .... | producer | |
| Peter Newman | .... | producer | |
| Cathleen Summers | .... | executive producer | |
| Llewellyn Wells | .... | associate producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Bobby Bukowski | |||
Film Editing by | |||
| John Tintori | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Lester Cohen | (as Lester W. Cohen) | ||
Art Direction by | |||
| Daniel Talpers | |||
Set Decoration by | |||
| Jessica Lanier | |||
Costume Design by | |||
| Eugenie Bafaloukos | |||
Makeup Department | |||
| Sheryl Berkoff | .... | key makeup artist | |
| Robaire Charbonneau | .... | assistant hair stylist | |
| Angela Nogaro | .... | assistant makeup artist | |
| Gordon J. Smith | .... | special makeup effects (as Gordon Smith) | |
| Jenny Stolee | .... | special makeup effects | |
| Bill Sturgeon | .... | special makeup effects | |
| Mimi Vodnoy | .... | key hair stylist | |
Production Management | |||
| Steven Stoke | .... | post-production supervisor | |
| Llewellyn Wells | .... | unit production manager | |
| Mark Yellen | .... | production manager: San Francisco unit | |
Art Department | |||
| Keith Bergman | .... | construction coordinator: Chinatown sequence | |
| Loren Corney | .... | construction coordinator | |
| Kirk Corwin | .... | property master | |
| Matthew Ebert | .... | on-set dresser | |
| Matthew Ebert | .... | set dresser | |
| John Harrington | .... | assistant property master | |
| Teresa Mastropierro | .... | scenic artist | |
| Kenneth Milfred | .... | lead man (as Ken Milford) | |
| Michael Perman | .... | set decorator: Chinatown sequence | |
| Phillip Schneider | .... | scenic artist | |
| Sarah Stollman | .... | set designer | |
| Suellyn Tackitt | .... | set decorator: Chinatown sequence | |
| Alun Vick | .... | construction foreman | |
| Gilbert Wong | .... | art director: Chinatown sequence | |
Sound Department | |||
| Stuart Emanuel | .... | sound editor | |
| Mark Goodermote | .... | boom operator | |
| Neil L. Kaufman | .... | sound editor | |
| George A. Lara | .... | foley mixer | |
| Lisa J. Levine | .... | adr editor (as Lisa Levine) | |
| Tim Squyres | .... | supervising sound editor | |
| John Sutton | .... | sound mixer | |
| Peter Waggoner | .... | sound re-recording engineer | |
Special Effects by | |||
| Ray Brown | .... | special effects | |
| Bob Riggs | .... | special effects (as Bobby Riggs) | |
Stunts | |||
| David Boushey | .... | stunt coordinator (as Dave Boushey) | |
| Joe Finnegan | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Scott Leyse | .... | stunts | |
| Kevin Leise | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Mark L. Anderson | .... | third assistant camera | |
| Katherine M. Butler | .... | second assistant camera | |
| John Cardoni | .... | rigging gaffer | |
| Charley Gilleran | .... | best boy grip | |
| Jim Grce | .... | gaffer | |
| Christopher Hall | .... | best boy electric | |
| Victor Korte | .... | dolly grip | |
| Chris Lombardi | .... | first assistant camera (as Cris Lombardi) | |
| Bob Marshak | .... | still photographer | |
| Ivan H. Migel | .... | grip | |
| Thaddeus Wadleigh | .... | key grip | |
Casting Department | |||
| Susan Dixon | .... | casting: Seattle | |
| David H. Kramer | .... | adr voice casting | |
| Elizabeth Yoffe | .... | casting: Seattle | |
Costume and Wardrobe Department | |||
| Laurie Hudson | .... | costume supervisor | |
| Nancy Konrardy | .... | costume supervisor | |
Editorial Department | |||
| Jolie Gorchov | .... | assistant editor | |
| Tim Squyres | .... | assistant editor | |
Music Department | |||
| Jeffrey Kimball | .... | music supervisor | |
Transportation Department | |||
| Robert T. Chestnut | .... | transportation captain | |
| Jon McCarthy | .... | transportation coordinator | |
| Ed Ramos | .... | transportation captain: San Francisco | |
| Mike Sassen | .... | driver | |
Other crew | |||
| David Bockmann | .... | stand-in: River Phoenix | |
| Jennifer Campbell | .... | assistant production coordinator | |
| Mary Cybulski | .... | script supervisor | |
| Mitchell E. Dauterive | .... | production coordinator | |
| Dale Dye | .... | military consultant (as Capt. Dale Dye) | |
| Tony Grob | .... | assistant location manager | |
| Mark Haslett | .... | production assistant | |
| Robert Jarzen | .... | adr loop group | |
| Kerri Kroll | .... | production secretary | |
| Solomon J. LeFlore | .... | production financing | |
| Tasha Le Mel | .... | production aide | |
| Michael Leon | .... | location manager | |
| Mitchell Nyberg | .... | production assistant | |
| Brian Russo | .... | production assistant | |
| Frank Simeone | .... | additional crew | |
| Mike Stokey | .... | assistant military consultant (as Sgt. Mike Stokey) | |
| Mira Tweti | .... | unit publicist | |
|
|
|
|
|
| Forrest Gump | Giant | Home from the Hill | The Kite Runner | Across the Universe |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Dogfight captures the feelings of the mid to late 1960's in San Francisco. It accurately shows the characteristics of young U.S. Marines destined for Vietnam. They are insensitive and cruel to the young women they invite to the 'Dogfight' because of their youth and the situation they find themselves in as G.I.'s. Being in the Air Force during this period I could relate to their crudeness as a posture taken by some young men as a defense against their environment. Being insensitive was a way to deal with their situation over which they had little control. The movie also accurately portrayed how young G.I.'s bond with other young guys who in civilian life they might not have bothered to befriend.
The love story involves a girl invited to the 'Dogfight' (a contest to see who could bring the ugliest girl) and the young Marine who brings her. She breaks through his shell of indifference and they become friends and lovers.
Lilly Taylor and River Phoenix are terrific. Their characters ring true and my wife and I cared very much about what happened to them.
Phoenix's return to S.F. after his tour in Vietnam was just as I experienced it. Although I was not returning from overseas when I returned the Bay Area in 1969, I discovered that the San Francisco of 1965 was totally gone and replaced with a foreign land.
'Dogfight' is accurately nostalgic for those of my generation and perhaps older. Younger viewers get to enjoy a truly good love story. They also get a glimpse of life as a young G.I. during that uniquely explosive period of change and social upheaval in America during the middle to late 1960's.