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IMDb > The Dark Wind (1991)

The Dark Wind (1991) More at IMDbPro »

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Overview

User Rating:
5.4/10   235 votes
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Up 18% in popularity this week. See rank & trends on IMDbPro.
Director:
Errol Morris
Writers (WGA):
Tony Hillerman (novel)
Neal Jimenez (screenplay) ...
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Contact:
View company contact information for The Dark Wind on IMDbPro.
Release Date:
15 May 1992 (UK) more
Genre:
Drama | Mystery more
Plot:
An Indian police officer is mixed up in murder and drug smuggling on the reservation. | add synopsis
NewsDesk:
(4 articles)
Errol Morris to Take Another Shot at Fictional Filmmaking
 (From FilmJunk. 16 April 2009, 9:59 AM, PDT)

Errol Morris to Direct Cryonics Film
 (From TheMovingPicture. 15 April 2009, 9:58 PM, PDT)

User Comments:
Boom mike technical notes more

Cast

  (Cast overview, first billed only)
Lance Baker ... Mr. Archer
Betty C. Barlow ... Old Navajo Woman #2
Gary Basaraba ... Larry
Billy Beck ... Motel Clerk
Arlene Bowman ... Edna Nezzie

Guy Boyd ... Agent Johnson
Charlie Carpenter ... Pilot
Blake Clark ... Ben Gaines
Julia Collins ... Old Navajo Woman #1
Kee Collins ... Old Navajo Man #1

Gary Farmer ... Cowboy Albert Dashee
Patrick Jensen ... Albino Boy
John Karlen ... Jake West
Neil Kayquoptewa ... Lomatewa
James Koots ... Taylor
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Additional Details

Runtime:
USA:111 min
Country:
USA
Language:
English | Navajo | Hopi
Color:
Color
Sound Mix:
Dolby SR
Certification:
Iceland:16 | USA:R (certificate no. 21293)

Fun Stuff

Trivia:
Director Errol Morris, better known for his documentary work, did not finish the film due to "artistic differences" with Robert Redford. more
Movie Connections:
References "The Simpsons" (1989) more
Soundtrack:
I Should Have Known All Along more

FAQ

This FAQ is empty. Add the first question.
6 out of 7 people found the following comment useful:-
Boom mike technical notes, 4 December 2006
Author: will lee from oklahoma

Plenty of films of this vintage suffer from boom mikes in frame and the top and dolly tracks visible at the bottom: this is an artifact born of failed productions. When the camera operator composed the shot, he had been told the film was being made for theatrical release, in a 1:1.85 ratio and so when the boom dipped down slightly, but not enough to make it into the "letterbox" they let it slide. Then, after the film failed on the festival circuit or preview process, etc and was dumped to video no one cared to correct the errors - they were all just trying to dump the project on the market as quickly as possible. Had the final "release print" been made, instead of a video transfer from the camera original (mivees and all) we would have been spared the spectacle of seeing mister boom mike. Most of these types of film were being dumped onto the video market before consumers cared to see letterboxed releases, so the transfer was made full frame.

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