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Directed by | |||
| Martin Scorsese | |||
Writing credits(WGA) | ||
| John D. MacDonald | (novel "The Executioners") | |
| James R. Webb | (earlier screenplay) | |
| Wesley Strick | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Robert De Niro | .... | producer (uncredited) | |
| Steven Spielberg | .... | executive producer (uncredited) | |
Cinematography by | |||
| Freddie Francis | |||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Henry Bumstead | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Alan Hicks | |||
Costume Design by | |||
| Rita Ryack | |||
Makeup Department | |||
| Stephan Dupuis | .... | special burn makeup (as Stephan L. Dupuis) | |
| Donna Battersby Greene | .... | hair stylist (as Donna Greene) | |
| Edouard F. Henriques | .... | hair stylist: Mr. Nolte (as Edouard F. Henriques III) | |
| Edouard F. Henriques | .... | makeup artist: Mr. Nolte (as Edouard F. Henriques III) | |
| Ilona Herman | .... | hair stylist: Mr. De Niro | |
| Ilona Herman | .... | makeup artist: Mr. De Niro | |
| Elizabeth Lambert | .... | makeup artist | |
| Neal Martz | .... | special makeup effects artist | |
| Dorothy J. Pearl | .... | makeup artist: Ms. Lange (as Dorothy Pearl) | |
| Lyndell Quiyou | .... | hair stylist: Ms. Lange | |
| Jo-Anne Smith-Ojeil | .... | assistant special burn makeup | |
Production Management | |||
| Deborah Lee | .... | unit production manager | |
| Margery Mailman | .... | post-production supervisor | |
Sound Department | |||
| Andy Aaron | .... | sound effects recordist | |
| Marko A. Costanzo | .... | foley artist | |
| William Docker | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Kenton Jakub | .... | assistant sound editor | |
| Brian Johnson | .... | assistant sound editor | |
| Frank Kern | .... | foley editor | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | dialogue editor | |
| Tod A. Maitland | .... | production sound mixer (as Tod Maitland) | |
| Sylvia Menno | .... | assistant sound editor | |
| T.J. O'Mara | .... | boom operator (as Terence J. O'Mara) | |
| Bruce Pross | .... | foley supervisor | |
| Shari Schwartz | .... | apprentice sound editor | |
| Gail Showalter | .... | adr editor | |
| Philip Stockton | .... | supervising dialogue editor | |
| Kevin M. Tromer | .... | cable person | |
| Steven Visscher | .... | foley editor | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| David A. Duvall | .... | special effects | |
| Cary Jones | .... | special effects | |
| J.B. Jones | .... | special effects coordinator | |
| J.B. Jones Jr. | .... | special effects | |
| John Patteson | .... | special effects (as John F. Patteson) | |
| James L. Roberts | .... | special effects foreman (as James L. Roberts II) | |
| Thomas Kittle | .... | special effects (uncredited) | |
Stunts | |||
| Daniel W. Barringer | .... | stunts (as Daniel Barringer) | |
| Doug Coleman | .... | stunt double: Mr. De Niro | |
| Leon Delaney | .... | stunt coordinator | |
| Donna Evans | .... | stunt double: Ms. Lange | |
| Marcia Holley | .... | stunt double: Ms. Lewis | |
| Billy Judkins | .... | stunts | |
| Don Pulford | .... | stunt double: Mr. Nolte (as Don Polford) | |
| Bob Stephens | .... | stunts | |
Casting Department | |||
| Patricia Wilson | .... | principal casting assistant | |
| Ellen Jacoby | .... | casting: Florida (uncredited) | |
Costume and Wardrobe Department | |||
| Vivian Cocheo | .... | wardrobe supervisor (as Vivian J. Cocheo) | |
| Kathleen Gerlach | .... | assistant costume designer | |
| Linda Hamilton | .... | wardrobe supervisor | |
Editorial Department | |||
| Mark Ginsberg | .... | color timer | |
| Joel Hirsch | .... | apprentice editor | |
| Carolyn Horton | .... | apprentice editor (as Carolyn J. Horton) | |
| Nell Kelly | .... | assistant editor | |
| Lisa J. Levine | .... | assistant editor | |
| Cara Silverman | .... | first assistant editor | |
Music Department | |||
| Diana Barry | .... | assistant music editor | |
| Elmer Bernstein | .... | conductor | |
| Emilie A. Bernstein | .... | orchestrator | |
| Emile Charlap | .... | orchestra contractor | |
| Kathy Durning | .... | music editor | |
| Shawn Murphy | .... | music scoring mixer | |
| Christopher Palmer | .... | music consultant | |
Transportation Department | |||
| Walter 'Red' Bedell | .... | driver (as Red Bedell) | |
| Dick Boyles | .... | driver | |
| Connie Lee Brown | .... | driver (as Connie Brown) | |
| Ben Coney | .... | transportation co-captain | |
| Todd Dickison | .... | driver | |
| Pete Dilella | .... | driver | |
| Bill Girard | .... | driver | |
| Olga González | .... | driver (as Olga Gonzalez) | |
| Edward Haber | .... | driver (as Eddie Haber) | |
| George Hamilton | .... | driver | |
| Charlie Joe | .... | driver (as Joe Charlie) | |
| Clarence Lark III | .... | driver | |
| Joyce M. Lark | .... | transportation captain | |
| Eddie Manson | .... | driver | |
| Verdell Owen | .... | driver (as Verdell Owens) | |
| Richard P. Pecora | .... | driver (as Richie Pecora) | |
| Matt Watson | .... | driver | |
| Denny Caira | .... | transportation coordinator (uncredited) | |
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| Cape Fear | The Departed | Desperate Hours | Batman Begins | Fear |
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Martin Scorcese's filmography as director is one of the most accomplished in modern film history. While Cape Fear can't even hold a candle next to "Taxi Driver", "Raging Bull" and "Goodfellas", it is still a fabulous remake of the 1962 noir classic and it keeps the viewer on the edge right through until the closing credits.
Robert De Niro (in yet another brilliant teaming with Scorcese behind the camera) plays Max Cady, a psychopathic rapist who was sent to jail 14 years earlier for such crimes. He leaves prison with vengeance. Not for his victims or his prosecutor, but his defence councillor, Sam J. Bowden, played by Nick Nolte. It seems Bowden did not defend Cady to the best of his ability. Cady knows this and wants some payback.
Cady's initial return into Bowden's life could not have come at a worse time. Bowden has been forced to move his family to Florida after his infidelities threatened his marriage and career. His wife is distrustful and worst of all, Bowden is on the verge of beginning another affair with a female workmate. Added to that, his daughter is at the difficult age of 15.
Almost by ozmosis, Cady understands these problems in the Bowden household and acts on them. He begins terrorising Bowden and his whole family, taking it from one extreme to the next.
What makes Cape Fear such a good film is the rapidly increasing sense of claustrophobia. Scorcese makes a point of using almost only close up shots towards the end of the film. It is a great touch that makes the viewer that much more scared as the film goes on.
Along with that, Robert De Niro is superb as Cady. Only occasionally does the role slip into parody. Mostly he is expertly evil.
Nick Nolte is good if not great, the same for Jessica Lange as Leigh Bowden. It seems as if they were void of any great lines in this film, which is unfortunate given their immense talent. Julliette Lewis is absolutely brilliant as the young daughter, Danielle. She slips effortlessly between curious sexual awakenings, rebellious teen and straight thinking woman. Add in small roles for Robert Mitchum and Gregory Peck (the leads of the 1962 version) and you have a great ensemble cast.
So not the best Scorcese film ever, but some tight editing, great camerawork, a haunting theme and devilishly over-the-top acting help make this a frighteningly fun movie to watch. Strongly recommended.