| Videos |
| Demi Moore | ... | Marina Lemke | |
| Jeff Daniels | ... | Dr. Alex Tremor | |
| George Dzundza | ... | Leo Lemke | |
| Mary Steenburgen | ... | Stella Keefover | |
| Frances McDormand | ... | Grace | |
| Margaret Colin | ... | Robyn Graves | |
| Max Perlich | ... | Eugene | |
| Miriam Margolyes | ... | Gina | |
| Helen Hanft | ... | Molly | |
| Christopher Durang | ... | Mr. Liddle | |
| Luis Avalos | ... | Luis | |
| Charles Pierce | ... | Beau | |
| Elizabeth Lawrence | ... | Grammy D'Arbo | |
| Stephanie Laurence | ... | Choir Student | |
| Barry Neikrug | ... | Bicyclist | |
| Ed Kenney | ... | Uncle Chauncy | |
| Diane Salinger | ... | Trendoid | |
| Cameron Milzer | ... | Customer | |
| Thomas Mikal Ford | ... | Transvestite | |
| Scott Thompson Baker | ... | Fire Eater (as Scott Baker) | |
| Sam Menning | ... | Doorman | |
| Steve Love | ... | Skater in the Park | |
| Sara Noel Herring | ... | Young Marina | |
| Ken Fritz | ... | Street Sweeper | |
| rest of cast listed alphabetically: | |||
| Frank Tidy | |||
Directed by | |||
| Terry Hughes | |||
Writing credits(WGA) | ||
| Ezra Litwak | (written by) & | |
| Marjorie Schwartz | (written by) | |
Produced by | |||
| Lauren Lloyd | .... | producer | |
| Wallis Nicita | .... | producer | |
| Arne Schmidt | .... | executive producer | |
Original Music by | |||
| Michael Gore | |||
| Steven Jae Johnson | |||
Cinematography by | |||
| Frank Tidy | |||
Film Editing by | |||
| Donn Cambern | |||
Casting by | |||
| Gail Levin | |||
Production Design by | |||
| Charles Rosen | |||
Art Direction by | |||
| Diane Yates | |||
Set Decoration by | |||
| Donald J. Remacle | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| K.G. Ramsey | .... | hair stylist | |
| Gail Rowell-Ryan | .... | hair stylist | |
| Robert Ryan | .... | makeup artist | |
| Rick Sharp | .... | makeup artist | |
Production Management | |||
| Stephen Lim | .... | unit production manager (as Steve Lim) | |
Art Department | |||
| James R. Bayliss | .... | set designer | |
| Gary Clark | .... | head paint foreperson | |
| Bruce J. Gfeller | .... | construction coordinator | |
| Jeffery J. Jenkins | .... | painter | |
| Martha Johnston | .... | set designer | |
| C.J. Maguire | .... | property master | |
| Peter Olexiewicz | .... | construction foreman | |
| Robert Van Dyke | .... | propmaker foreman | |
| Dianne Wager | .... | set designer | |
Sound Department | |||
| Bob Baron | .... | adr mixer | |
| Pamela Bentkowski | .... | foley editor | |
| Anne Couk | .... | first assistant sound editor | |
| Greg Curda | .... | foley mixer | |
| Ken Dufva | .... | foley artist | |
| Juno J. Ellis | .... | adr editor | |
| David Lee Fein | .... | foley artist | |
| Cecelia Hall | .... | supervising sound editor | |
| Steve Maslow | .... | sound re-recording mixer | |
| Kathy McCart | .... | sound recordist | |
| Gary Ritchie | .... | sound recordist | |
| Art Rochester | .... | production sound mixer | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Douglas J. Schulman | .... | boom operator | |
| Beth Sterner | .... | supervising sound editor | |
| Marcy Stoeven | .... | sound assistant (as Marcy Stoeven Gibbens) | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Jack Tucker | .... | foley editor (uncredited) | |
Special Effects by | |||
| David P. Kelsey | .... | special effects supervisor | |
Visual Effects by | |||
| Mannix Bennett | .... | matte artist | |
| Mark Sawicki | .... | matte photography | |
| Robert Stromberg | .... | matte artist | |
Stunts | |||
| Gregory J. Barnett | .... | stunt coordinator | |
| Steve Boyum | .... | stunts | |
| Shane Dixon | .... | stunts | |
| David Draves | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Allan Graf | .... | stunts | |
| John Hateley | .... | stunts | |
| R.A. Rondell | .... | stunts | |
| Steve Wolf | .... | utility stunts | |
Camera and Electrical Department | |||
| Audie Aragon | .... | dolly grip | |
| Bobby Brown | .... | first assistant camera: "b" camera | |
| Bobby Brown | .... | second assistant camera: "a" camera | |
| Ken Fisher | .... | Steadicam assistant | |
| Earl Gilbert | .... | chief lighting technician | |
| Brian C. Glover | .... | first assistant camera | |
| Elliott Marks | .... | still photographer | |
| David Norris | .... | camera operator: Wescam camera | |
| Robert C. Thomas | .... | camera operator | |
| Charles A. Vogeler | .... | video assist operator | |
| Elizabeth Ziegler | .... | Steadicam operator | |
Casting Department | |||
| Paul Garnica | .... | background casting | |
| Barbara Harris | .... | voice casting | |
| Mark Fincannon | .... | casting: North Carolina (uncredited) | |
Costume and Wardrobe Department | |||
| Rhona Meyers | .... | set costumer | |
| Eric H. Sandberg | .... | costume supervisor | |
Editorial Department | |||
| David Bryden | .... | color timer | |
| Jeff Etcher | .... | assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Charles Martin Inouye | .... | music editor | |
| George A. Martin | .... | music editor | |
| Shirley Walker | .... | conductor | |
| Shirley Walker | .... | orchestrator | |
Transportation Department | |||
| Greg Stancil | .... | driver | |
| Tom F. Thomas | .... | transportation coordinator | |
Other crew | |||
| Paul Bode | .... | key production assistant | |
| Kevin Richard Buxbaum | .... | production accountant | |
| Pamela Carter | .... | location manager | |
| Al Cerullo | .... | helicopter pilot | |
| Bret Culpepper | .... | stand-in | |
| Vic Heutschy | .... | unit publicist | |
| Cress Horne | .... | helicopter pilot | |
| Jennifer Irvine | .... | production coordinator: Los Angeles | |
| Rosemary Lombard | .... | production office coordinator: New York | |
| Bonnie Prendergast | .... | script supervisor | |
| David M. Rodriguez | .... | production accountant | |
| Debbie Schwab | .... | production coordinator | |
| Pamela Thur | .... | assistant location manager: New York | |
| Susan Towner | .... | production accountant | |
| Michael Williams | .... | production assistant | |
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| On a Clear Day You Can See Forever | Feast of Love | Ghost | Stardust | Visions of Murder |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
This is the best performance Demi Moore has ever given in my opinion. She shows that despite her long time film career she is not the cookie cutter actress most people seem to want her to be. The accent she uses for this character is wonderfully eccentric and brings a realness to her that really makes her shine in this role. I loved her in the long blonde hair and flowy summer dresses much more then her typical costumes designed to show off her body. She was perfect as an out of whack psychic who can divine others fortunes accurately but not her own. This is a typical problem with true psychics by the way. The emotions they feel and the needs they have make it near impossible to accurately see their own future, hint: this is why you never see a psychic win the lottery. Demi is sweet and totally alluring in this film and anyone who says otherwise just has a grudge against her.
This is a wonderfully whimsical romantic comedy with great acting on all parts. Mary Steenburgen plays a perfect shut in turned night club singer and sings beautifully in my opinion. Jeff Daniels is perfect as the semi neurotic psychiatrist whose life is being turned inside out by this lovely psychic. George Dzundza is a great comic butcher and shows that he really has the chops to be a great actor. I think the problem with this film is just that some people tend to take it to seriously and want too much from it. I have watched it over 30 times now and I love it more every single time I watch it. I wish Demi Moore would play more roles like this instead of crap like GI Jane and Charlie's Angels. As for the lesbianism add in, I don't agree with homosexuality but I'm not going to force my sensibilities on other people. There are people that are homosexual, there is no getting around it, and as long as there are there will be some of that life style written into films. If you can't deal with it then just change the channel. Don't complain that Hollywood is trying to convert everyone because it simply isn't true. There is no homosexual conspiracy. Deal with it.