Black Robe (1991)

User Rating:

7.2/10   

Director:

Bruce Beresford

Writers (WGA):

Brian Moore (novel)
Brian Moore (screenplay)

Release Date:

4 October 1991 (USA)

Genre:

Adventure | Drama | History

Plot:

In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec...

Plot Keywords:

Jesuit | Priest | Journey | Mission | Quebec

Awards:

10 wins & 13 nominations

Cast

Lothaire Bluteau	...	Father Laforgue
Aden Young	...	Daniel
Sandrine Holt	...	Annuka
August Schellenberg	...	Chomina
Tantoo Cardinal	...	Chomina's Wife
Billy Two Rivers	...	Ougebmat
Lawrence Bayne	...	Neehatin
Harrison Liu	...	Awondoie
Wesley Cote	...	Oujita
Frank Wilson	...	Father Jerome
François Tassé	...	Father Bourque
Jean Brousseau	...	Champlain
Yvan Labelle	...	Mestigoit
Raoul Trujillo	...	Kiotseaton
James Bobbish	...	Ondesson

Also Known As:

Robe noire (Canada: French title)

Runtime:

101 min | Germany:97 min

Country:

Canada | Australia

Language:

Cree | English | Mohawk | Algonquin | Latin

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:13+ (Quebec) | UK:15 | Canada:A (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | South Korea:15 | Netherlands:12 (DVD rating) | Australia:M | Sweden:15 | USA:R | Germany:12 | Iceland:16

Filming Locations:

Saguenay Region, Québec, Canada

Company:

Alliance Communications Corporation

Trivia:

The ferocity of the torture scenes prompted accusations of racism from Native Americans. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay.

Goofs:

Continuity: When Mestigoit the Sorcerer meets Laforgue, Laforgue is reading the Breviary (daily prayer of a priest). The page is clearly at DOMINICA V POST PASCHA, the fifth Sunday of Easter which falls between 3rd May and 6th June. Yet the action is supposed to be taking place in the autumn-winter of 1634.

Quotes:

Chomina: If we had kept our promise to Champlain, there would be no problem.
Ougebmat: Promise? For axes, pots, and flints? Not even one musket.
Chomina: But we accepted their gifts! We have come to need them. This is our undoing - and it will be our ending.
Mestigoit: They are not gifts. There are no gifts given by the French that aren't paid for.

Movie Connections:

Referenced in The Lonely Passion of Brian Moore (1986)

Significantly softened

This film made major concessions to political correctness in its portrayal of the Indians, who are depicted in a considerably more flattering light here than they are in Brian Moore's novel. This could also be considered the romanticizing "Dances With Wolves" effect. The novel drew some (unjust) criticism here in Canada for its uncompromising approach.

The actual history is fairly readily available. "The Jesuits in North America in the 17th Century" by the great American historian Francis Parkman is the standard 19th c. work on the proselytizing efforts of the French Récollet and Jesuit fathers.

Still, if you are not very familiar with the subject, this film is a strong, and quite gruesome, introduction. I'm not aware of a lot of films about the colonial period which are as tough. Not "Last of the Mohicans", or the adult westerns from the '50's, in my opinion. "Little Big Man", perhaps. Or possibly "A Man Called Horse", which I haven't seen. The priest in the story is a composite of actual missionaries, and the impact of this historical adventure thriller is heightened for me knowing that everything in this film happened, and often a whole lot worse.

The rights and wrongs, the pros and cons, of the cultural collision of Europeans with the autochthonous peoples are still too contentious, so I would rather not get into them. There is a lot here to brood about afterwards, and chances are good that you'll seek out a copy of the novel -- it's not very long, and a lot easier to read than James Fenimore Cooper. If you're American or Canadian, this is an important part of our shared past.

"Black Robe" is one of the very best Canadian feature films, with a solid cast led by Lothaire Bluteau with August Schellenberg and Tantoo Cardinal in support. The presence of an Australian director, Bruce Beresford, perhaps kept the film from turning into a well-meaning but dry Canadian history lesson.