| Videos |
| Michel Piccoli | ... | Edouard Frenhofer | |
| Jane Birkin | ... | Liz | |
| Emmanuelle Béart | ... | Marianne | |
| Marianne Denicourt | ... | Julienne | |
| David Bursztein | ... | Nicolas | |
| Gilles Arbona | ... | Porbus | |
| Marie Belluc | ... | Magali | |
| Marie-Claude Roger | ... | Françoise | |
| Leïla Remili | ... | La servante | |
| Daphne Goodfellow | ... | Deux touristes | |
| Susan Robertson | ... | Deux touristes | |
| Bernard Dufour | ... | La main du peintre |
Directed by | |||
| Jacques Rivette | |||
Writing credits | ||
| Pascal Bonitzer | (scenario) and | |
| Christine Laurent | (scenario) and | |
| Jacques Rivette | (scenario) | |
| Honoré de Balzac | (inspired by novella "Le chef-d'oeuvre inconnu") (as Balzac) | |
| Pascal Bonitzer | (dialogue) and | |
| Christine Laurent | (dialogue) | |
Produced by | |||
| Martine Marignac | .... | producer | |
| Maurice Tinchant | .... | associate producer | |
Cinematography by | |||
| William Lubtchansky | |||
Film Editing by | |||
| Nicole Lubtchansky | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
Costume Design by | |||
| Laurence Struz | |||
Makeup Department | |||
| Susan Robertson | .... | makeup artist | |
Production Management | |||
| Olivier Guespin | .... | assistant unit manager | |
| Catherine Martin | .... | assistant unit manager | |
| Clément Sentilhes | .... | assistant unit manager | |
| Janou Shammas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Anne Billiotte | .... | second assistant director | |
| Lorraine Groleau | .... | first assistant director | |
Art Department | |||
| Denis Busson | .... | assistant art director | |
| Thomas Pitre | .... | assistant art director | |
| Valérie Segond | .... | assistant art director (as Valérie Second) | |
| Jean-Michel Simonet | .... | assistant art director | |
Sound Department | |||
| Florian Eidenbenz | .... | sound | |
| Brice Leboucq | .... | sound assistant | |
| Bernard Le Roux | .... | sound mixer | |
Camera and Electrical Department | |||
| Barry Davis | .... | electrician | |
| Laurent Duquesnoy | .... | grip | |
| Thierry Fonteny | .... | grip | |
| Philippe Gibier | .... | electrician | |
| Jim Howe | .... | electrician | |
| Moune Jamet | .... | still photographer | |
| Jean-Bernard Josko | .... | grip | |
| Laetitia Masson | .... | assistant camera | |
| Christophe Pollock | .... | assistant camera | |
| Stéphane Thiry | .... | electrician | |
Editorial Department | |||
| Anne Mills | .... | assistant editor | |
Other crew | |||
| Danièle Gain | .... | press agent (as Danielle Gain) | |
| Odile Huhardeux | .... | production secretary | |
| Sylvie Magnac | .... | production secretary | |
| Lydie Mahias | .... | script | |
| Jean Talvat | .... | production administrator | |
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| Tous les matins du monde | Broken Flowers | L'ennui | Mr. & Mrs. Bridge | The Pillow Book |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
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This is one of those films which remains etched in the memory and can even change a person's life in a subtle way; certainly it can offer an insight into the art of painting unlike any other film I've seen. It is long, in the sense that classics of world literature can be lengthy - in other words, in an epic sense. I simply cannot restrain my enthusiasm for this film, which is ultimately nothing less than a psychological study of the creative process and its effect on human relationships. Every frame of those 4 hours of viewing is in its own way intriguing and inviting, and of course Beart is very beautiful. But the scenery, too, the old estate on which Frenhofer lives, is a character in the film, reflecting the artists own genteel, yet restless seniority perfectly. Shall I say more? Buy a good bottle of French red wine and sip it with relish, while immersing yourself free of preconceptions (about long movies or artistic pretentiousness) in this masterpiece! It is not about showing off, it is about the human condition. Nothing is entirely infallible, of course, so 9 out of 10.