L'amant (1992)

User Rating:

6.7/10   

Director:

Jean-Jacques Annaud

Writers:

Jean-Jacques Annaud (writer)
Gérard Brach (writer)

Release Date:

30 October 1992 (USA)

Genre:

Biography | Drama | Romance

Tagline:

She gave her innocence, her passion, her body. The one thing she couldn't give was her love.

Plot:

In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.

Plot Keywords:

Chinese | Indochina | Vietnam | Sexual Desire | Limousine

Awards:

Nominated for Oscar. Another 2 wins & 6 nominations

Cast

Jane March	...	The Young Girl
Tony Leung Ka Fai	...	The Chinaman
Frédérique Meininger	...	The Mother
Arnaud Giovaninetti	...	The Elder Brother
Melvil Poupaud	...	The Younger Brother
Lisa Faulkner	...	Helene Lagonelle
Xiem Mang	...	The Chinaman's Father
Philippe Le Dem	...	The French Teacher
Ann Schaufuss	...	Anne-Marie Stretter
Quach Van An	...	The Driver
Tania Torrens	...	The Principal
Raymonde Heudeline	...	The Writer (end)
Yvonne Wingerter	...	The Writer (beginning)
Do Minh Vien	...	The Young Boy
Hélène Patarot	...	The Assistant Mistress

Also Known As:

The Lover (UK)

MPAA:

Rated R on appeal for graphic and explicit sexuality.

Runtime:

115 min | USA:103 min (R-rated version) | USA:115 min (unrated version) | Germany:111 min (25 fps)

Country:

France | UK | Vietnam

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby | LC-Concept Digital Sound

Certification:

Canada:R (Manitoba/Nova Scotia/Ontario) | Iceland:16 | Germany:12 | Italy:T | Argentina:16 | Australia:R | Canada:16+ (Quebec) | Finland:K-16 | France:U | Hong Kong:III | Portugal:M/18 | Singapore:R(A) (original rating) | Singapore:R21 (re-rating) | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:NC-17 (original rating) | USA:R (re-rating on appeal)

Filming Locations:

Ho Chi Min (Saigon), Vietnam

Company:

Films A2

Trivia:

Jane March denied that she and Tony Leung Ka Fai actually made love. (March: "I never had sex with Tony on or off the set. It's as simple as that.") All the sex scenes were done with careful choreography and body doubles. Director Jean-Jacques Annaud falsely implied the sex was real to boost publicity for the film, thus the sex-crazed English tabloid press trumpeted the rumor on its front pages for days, making life so miserable for March and her family that she got physically sick and had a nervous breakdown. March then fled to the Seychelles to escape. Annaud later stated the sex was not real, "At first I was flattered people believed [the sex]. But after that... I stopped doing press in Britain. Of course they didn't have sex."

Quotes:

The Elder Brother: Do you want to fight? Take care little buddy. It'd take two of you to do the job.
The Chinaman: Oh no. A lot more than that. Four of me. You have no idea how weak I am...

Movie Connections:

Referenced in Too Tired to Die (1998)

THE HEAT IS PALPABLE!

The Lover is not just a movie, it is sensual, breathtaking and intimate sometimes bordering on voyeurism. From the outset the scenery directs the action taking the viewer into a world of a young girl and a Chinese man that embark on a doomed love affair in 1929 Colonial Vietnam. Jane March plays the young 15 year old 'girl'. That is all we know of her as she stands on the front of a ferry cruising the Mekong Dekta. She dressed in a cheap short sleeved dress, straw hat and high heels and heavily rouged lips that belie her age. She is on her way back to a girls' school in Saigon when she is first 'seen'. The second time she is summoned to a black sedan where she meets The Chinaman, smouldering Tony Leung, sitting in the back seat of the car attired elegantly in a tailored white suit. He offers her a ride to her school where a simple, impulsive kiss on the window leads to a frustrating passionate love story laced with cultural misunderstandings. This movie is fueled right from the start with sexual tension. March and Leung are perfect as the two nameless leads who are taken on this journey of first discovery, through latent but palpable lust, then finally to ruin. She cannot love him and he cannot commit without betraying his family's honour and heritage. She will be nothing but his lover, never his wife. I felt a deep sadness for these people, their isolation evident as they silently scream for their individuality in a world that will not accept either of them together, or apart. Jean-Jacques Annaud has done for The Lover what he did for The Bear and The Name of the Rose, gave us characters that are haunting and memorable. The cinematography here is sparse, pale so as to give the story a poignant futility. Gabriel Yared's score is sensual almost brutally so as these characters' bodies come together while their souls never connect. This movie is not for the faint of heart. It IS sexual. The scenes border on artful pornography. Annaud never quite goes that far as to allow it to delve into hard-core, but the scenes are hard to watch. They are so intimate that we believe the leads are making love before our eyes...but we are compelled to watch, transfixed by the intimacy. Throughout we are reminded of the toll the affair has had on the young girl with the tremulous grosgrain narration of the always excellent Jeanne Moreau. She underscores the events and emotions of the sometimes perversely detached lead character. The Lover is based partly on the life of Marguerite Duras of whom March's young girl is almost a dead-ringer. Annaud imbues this story with every emotional nuance forcing us to use its characters as a mirror of our own hidden desires. This is a movie that made me long for what is hidden deep within my secret heart...and a little afraid of what I might find there.