Absolute Strangers (1991) (TV)

User Rating:

6.0/10   

Director:

Gilbert Cates

Writer (WGA):

Robert Anderson (written by)

Release Date:

14 April 1991 (USA)

Genre:

Drama

Plot:

A husband tries to keep his comatose wife alive by allowing doctors to terminate her pregnancy. Hearing about this, anti-abortion protesters start a legal campaign to gain legal custody of the fetus.

Plot Keywords:

Abortion | Based On True Story

Awards:

Nominated for Primetime Emmy.

Cast

Henry Winkler	...	Marty Klein
Patty Duke	...	Judge Ray
Richard Kiley	...	Doctor R.J. Cannon
Audra Lindley	...	Anne Zusselman
Karl Malden	...	Fred Zusselman
Jennifer Hetrick	...	Nancy Klein
Jayne Atkinson
Doris Belack	...	Fran
Vasili Bogazianos
Ron Frazier	...	Davis
Steven Gilborn	...	Dr. Dalton
Tony Jay	...	Weisfeld
James Karen	...	Doctor X
Mitchell Laurance	...	Stan
Alan Oppenheimer
Nancy Youngblut	...	Barbara Rice
Joel Anderson	...	Reporter #1
Kirk Baily	...	Arnie
Adilah Barnes	...	Nurse Lawson
Peter Boyden	...	Dr. Paul Syrmopoulous
Lucy Butler	...	Dr. Ruth Williams
Lynne Cormack	...	Joan Garner
Pierre Epstein	...	Dr. Roland Pierson
Richard Fancy	...	Justice Richard Marino
Joe Farago	...	Reporter Bradley
Alexander Folk	...	Guard #1
Cassy Friel	...	Arielle
William Glover	...	Committee Man
Michael Hampton-Cain	...	County Policeman
Susan Merson	...	Dr. Natalie Kay
Jordan Myers	...	Doctor #1
Loyda Ramos	...	Committee Woman
Gordana Rashovich	...	Kay Ford
Ray Reinhardt	...	Dr. Tim Casey
Sylvia Short	...	Nice Lady
Deborah Strang	...	Tracy Jordan
Andrew Walker	...	Reporter #2
Joseph Whipp	...	Doctor #2
Dan Ziskie	...	T.V. Show Host (as Daniel Ziskie)
Rene Auberjonois	...	Quinn

Directed by
Gilbert Cates

Writing credits (WGA)
Robert Anderson		(written by)

Produced by
Gilbert Cates	....	executive producer
Dennis E. Doty	....	producer
Peggy Griffin	....	associate producer

Original Music by
Charles Fox

Cinematography by
Mark Irwin

Film Editing by
Millie Moore

Casting by
Penny Ellers

Art Direction by
Lisa Smithline

Set Decoration by
Lisa Monti

Costume Design by
Evelyn Thompson

Makeup Department
N. Kristine Chadwick	....	hair stylist
N. Kristine Chadwick	....	makeup artist
Marina Torpin	....	hair stylist
Marina Torpin	....	makeup artist

Production Management
Vicki Niemi	....	unit production manager
Robert Z. Shapiro	....	executive in charge of production

Second Unit Director or Assistant Director
Peter C. Graupner	....	second assistant director
Stephen Lofaro	....	first assistant director
Patrick Regan	....	second second assistant director

Art Department
Kevin Davis	....	construction coordinator
Tommy Estridge	....	property master

Sound Department
Richard Lightstone	....	sound mixer
Forest Williams	....	boom operator

Camera and Electrical Department
Darwin Montana Browne	....	best boy grip (as Dar 'Montana' Browne)
Loren Corl	....	key grip
Pascal Franchot	....	dolly grip
Eric J. Goldstein	....	second assistant camera
Austin Goss	....	chief lighting technician
Neil Holcomb	....	best boy electric
Dawn Jones	....	second assistant camera (as Dawn Laurel)
Robert Kositcheck Jr.	....	second assistant camera
Stephen Wong	....	first assistant camera

Costume and Wardrobe Department
Sharon Rosenberg	....	costume supervisor

Transportation Department
Ken Peterson	....	transportation coordinator
Larry Stelling	....	driver
Bob Wachs	....	driver

Other crew
Andree Juviler	....	location manager
Diane Katz	....	production coordinator
Michael Sandknop	....	assistant location manager
Larry Stelling	....	mechanic
Barbara Thaxton	....	script supervisor

Production Companies

• Absolute Strangers Company
• Gilbert Cates Productions

Distributors

• Columbia Broadcasting System (CBS) (1991) (USA) (TV) (original airing)

Runtime:

96 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Australia:M | Iceland:L

Company:

Absolute Strangers Company

Should a woman in a coma give birth?

Henry Winkler, who stars as Marty Klein, whose pregnant wife is in a coma, has a limited range as an actor and he does not try to exceed it here. Looking paunchy with a fleshy second chin and a mop of styled hair, the Fonz nonetheless does a creditable job.

This is a pro-choice TV movie. The "absolute strangers" of the title are two intruding pro-life politicos who try to gain control of Klein's wife and/or the fetus to prevent an abortion that might save her life. Both the lifers and the choicers try to use helpless Nancy Klein to further their agendas. Marty Klein fights against that. His only concern is for his wife. He believes that the birth may kill his wife, and he has two historical cases to support his view, cases in which both comatose mothers died giving birth.

The issue is real. The war is real. The spin here is clearly on the side of pro-choice. Strange but I found myself divided. I've always considered abortion not an issue that I want to get involved in; indeed I believe it is not an issue that can be decided "in general." I think every single case is unique and individual. I would only venture an opinion on a specific case that was my responsibility. I abhor the tactics and the self-righteous stupidity of the pro-lifers, but I also think abortion ought to be the instrument of last choice. Here the real question is does the pregnancy and the trauma of birth endanger the woman's life?

Director Gilbert Gates presents the evidence and the legal issues and the politics in a clear and comprehensive manner. Still, what is right is not clear. Perhaps it is only my perception, but the film seemed to suggest that Nancy Klein would never regain consciousness whether she gave birth or not. Perhaps the real issue of the film is who is to make the decision to abort or not, the husband or the state or some third party? That issue was resolved. Whether the right decision on abortion was made will never be known.

Karl Malden, not looking more than a decade or two older than I remember him in A Streetcar Named Desire (1951), is genuine in a supporting role as Nancy Klein's father, and Audra Lindley (Helen Roper from TV's "Three's Company" and "The Ropers") is excellent as the mother. Patty Duke is a little too earnest and listens a little too well to be a real judge, but then maybe not: this was undoubtedly a big case.

Gates is to be commended for presenting the story in a fashion that neither sensationalizes nor euphemizes the gruesome dilemma that Marty Klein faced.

Cassy Friel as the little girl is adorable.