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Directed by | |||
| David Lynch | |||
Writing credits(WGA) | ||
| Barry Gifford | (novel "Wild at Heart: The Story of Sailor and Lula") | |
| David Lynch | (screenplay) | |
Produced by | |||
| Steve Golin | .... | producer | |
| Michael Kuhn | .... | executive producer | |
| Monty Montgomery | .... | producer | |
| Sigurjon Sighvatsson | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Frederick Elmes | (director of photography) | ||
Film Editing by | |||
| Duwayne Dunham | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Patricia Norris | |||
Costume Design by | |||
| Amy Stofsky | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist (as Frida Aradottir) | |
| Brian Blair | .... | makeup effects assistant (as Bryan Blair) | |
| Michelle Bühler | .... | makeup artist (as Michelle Buhler) | |
| Denise Dellavalle | .... | hair assistant | |
| Denise Dellavalle | .... | makeup assistant | |
| Louis Lazzara | .... | special makeup effects | |
| David B. Miller | .... | special makeup effects | |
Production Management | |||
| Kool Lusby | .... | production manager (as Kool Marder) | |
Art Department | |||
| Charles Armstrong | .... | construction coordinator | |
| Gretchen Armstrong | .... | chief scenic artist (as Gretchen Adele Armstrong) | |
| Kenneth Berg | .... | construction foreman (as Kenneth J. Berg) | |
| Paul Burge | .... | carpenter | |
| David A. Carpender | .... | props assistant (as David Carpender) | |
| Daniel Kuttner | .... | on-set dresser | |
| Leonardo | .... | art department assistant | |
| Nancy Martinelli | .... | art department coordinator | |
| Adam Morris | .... | art department assistant | |
| J.K. Nageldinger | .... | carpenter | |
| Frank Silva | .... | property master | |
| Christopher Stone | .... | art department assistant | |
| Leslie Weimer | .... | scenic artist | |
| Marion C. Weimer-Mirley | .... | scenic artist (as Marion Weimer) | |
| Roger L.C. Williams | .... | art department assistant | |
| Deborah Winship | .... | set decorating assistant | |
Special Effects by | |||
| David Domeyer | .... | special effects/pyrotechnics | |
| Eddie Paul | .... | mechanical effects | |
| Don Power | .... | special effects | |
Stunts | |||
| Michael Adams | .... | stunts | |
| Mike Ceballos | .... | stunts | |
| Roydon Clark | .... | stunts | |
| Gregg Dandridge | .... | stunts | |
| Ousaun Elam | .... | stunts | |
| Donna Evans | .... | stunts | |
| Ralph Garrett | .... | stunts | |
| Orwin C. Harvey | .... | stunts (as Orwin Harvey) | |
| Loren Janes | .... | stunts | |
| Steve Kelso | .... | stunts | |
| Hannah Kozak | .... | stunts | |
| Bernie Pock | .... | stunts | |
| Wally Rose | .... | stunts | |
| Joseph Michael Roth | .... | stunts | |
| Jeff Smolek | .... | stunt coordinator | |
| Neil Summers | .... | stunts | |
| Bob Terhune | .... | stunts | |
| Eddie Wong | .... | stunts | |
| Hannah Kozak | .... | stunt double: Isabella Rossellini (uncredited) | |
| Joseph Michael Roth | .... | stunt double: Nicolas Cage (uncredited) | |
Casting Department | |||
| Dean Anthony | .... | extras casting | |
| Eric DaRe | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Cheri Reed | .... | wardrobe | |
Editorial Department | |||
| Brian Berdan | .... | first assistant film editor | |
| Deborah Gavlak | .... | second assistant film editor (as Debra Gavlak) | |
| Vivian Hengsteler | .... | negative cutter | |
| Jenny Hicks | .... | second assistant film editor (as Jennifer Hicks) | |
| Ute Leonhardt | .... | post-production coordinator | |
| Danielle Liekefet | .... | post-production coordinator | |
| Dan Muscarella | .... | color timer | |
| Mary Sweeney | .... | first assistant film editor | |
Music Department | |||
| Peter Afterman | .... | music consultant | |
| Jon Huck | .... | music consultant | |
| David Lynch | .... | composer: additional music | |
| G. Marq Roswell | .... | music supervisor (as Mark Roswell) | |
| David Slusser | .... | music editor | |
| Sharal Churchill | .... | music consultant (uncredited) | |
| Kevin Laffey | .... | music consultant (uncredited) | |
Transportation Department | |||
| Carol Autenrieth | .... | driver | |
| Elven Barrow | .... | driver: New Orleans (as Elvin Barrow) | |
| T. Bone | .... | driver: El Paso (as Bone) | |
| Dan Brizendine | .... | transportation captain | |
| Charles Burdette | .... | driver: New Orleans | |
| Chris Clark | .... | driver: art department | |
| Mike Clark | .... | driver | |
| Thomas P. Donovan | .... | driver | |
| Charles Franklin | .... | driver: New Orleans | |
| David Harrison | .... | driver: New Orleans | |
| Allan W. Herendeen | .... | driver | |
| Earl R. Hurst Sr. | .... | transportation captain: New Orleans (as Earl Hurst) | |
| Darwin Joston | .... | driver | |
| Steve Mann | .... | driver (as Steven Mann) | |
| David Milchen | .... | transportation captain: El Paso | |
| Shawn Solomon | .... | driver | |
| Allan Tietjen | .... | driver | |
| Russ Tolliver | .... | driver (as Russell Tolliver) | |
| John Yarbrough | .... | transportation coordinator (as John 'J.D.' Yarbrough) | |
Other crew | |||
| Susan Carney | .... | assistant to producers | |
| Beth Denton | .... | office production assistant: New Orleans | |
| Julie Duvic | .... | liaison (as Julie D. Duvic) | |
| Kimberly Edwards | .... | production accountant | |
| Christy Fiero | .... | production assistant (as Christy Susskind) | |
| Robin Ginsberg | .... | post-production accountant | |
| Arthur Girard | .... | set production assistant: New Orleans | |
| Kelly Hauser | .... | location assistant: El Paso | |
| James Intveld | .... | voice consultant | |
| Mike Johnson | .... | fire advisor | |
| Jon Juhlin | .... | office production assistant | |
| Cheryl Kurk | .... | assistant production coordinator (as Cheryl A. Kurk) | |
| Luis Lara | .... | caterer | |
| Mara Lee | .... | set production assistant | |
| Darren Leno | .... | set production assistant: New Orleans | |
| Steve Ligorio | .... | craft service: El Paso | |
| Bruce Loeb | .... | set security | |
| Maurice Lospinoso | .... | office production assistant (as Maurice 'Moe' Lospinoso) | |
| Patricia Serafina Madiedo | .... | production coordinator: New Orleans (as Pat Mediedo) | |
| Tara Martin | .... | location assistant: New Orleans | |
| Janet McMinn | .... | office production assistant: El Paso | |
| Richard Murken | .... | key production assistant (as Richard F. Murken) | |
| Robert A. Neft | .... | production assistant (as Robert Neft) | |
| Kathryn Powell | .... | production coordinator: El Paso | |
| Heidrun Reshöft | .... | assistant to producers (as Heidrun Reshoeft) | |
| Eric L. Roberts | .... | craft service | |
| Alessandro Rossellini | .... | set production assistant | |
| John Schluter | .... | police liaison: New Orleans | |
| Mildred Schluter | .... | first aid: New Orleans (as Millie Schluter) | |
| Mildred Schluter | .... | nurse: New Orleans (as Millie Schluter) | |
| Ivan E. Schwarz | .... | assistant liaison (as Ivan Schwarz) | |
| Bob Shapiro | .... | assistant accountant (as "Mr. Bob" Shapiro) | |
| Wayne Softley | .... | craft service: New Orleans | |
| Brian Steward | .... | production assistant (as Brian Stewart) | |
| Mary Sweeney | .... | script supervisor | |
| Debby Trutnik | .... | assistant: Mr. Lynch | |
| Ruth Turman | .... | set production assistant: New Orleans | |
| Mira Tweti | .... | unit publicist (as Mira S. Tweti) | |
| Kimberley Vashiell | .... | choreographer (as Kimberly Vashiell) | |
| Aron Warner | .... | completion bond | |
| Marjorie Webster | .... | production coordinator | |
| Rusty Wheaton | .... | first aid: El Paso | |
| Steven Wood | .... | set medic | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Brian McMillan | .... | head animal trainer (uncredited) | |
| Lenny Neimark | .... | location assistant (uncredited) | |
Thanks | |||
| Sidney J. Barthelemy | .... | special thanks (as New Orleans Mayor Sidney J. Barthelemy) | |
| Kimberly M. Carbo | .... | special thanks | |
| Rick Dinome | .... | special thanks | |
| Will Evans | .... | special thanks | |
| Tom McDermott | .... | special thanks | |
| Sheila Metzner | .... | special thanks | |
| Wingols Mielke | .... | special thanks | |
| Malcolm Ritchie | .... | special thanks | |
| Nigel Sinclair | .... | special thanks | |
| Jon Turtle | .... | special thanks (as John Turtle) | |
| Kurt Woolner | .... | special thanks | |
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| The Departed | Chik loh go yeung | Basic Instinct | La tarantola dal ventre nero | La coda dello scorpione |
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The most creative and controversial director in cinema is back with a road-movie! Wild at Heart is one rough roller coaster ride and a typical Lynch-cocktail of violence, sex and of course bizarre characters. I challenge you to find one personality in this film that could be referred to as a normal human being'. As usually, Lynch introduces a bunch of wicked individuals in his film who're all messed up in the head pretty bad. Yet, I feel like Wild at Heart might be Lynch's most accessible film (outside The Elephant Man and The Straight Story). The structure remains chronological and quite easy to follow. Unlike the previous Blue Velvet, I feel like the plot and development of Wild at Heart is a bit inferior to the wonderful photography. The greatest aspects in the screenplay are in fact the delicious side-chapters that are told without absolute necessity. Like the story about Lula's cousin Dell (Crispin Glover), the torture of Harry Dean Stanton's character and the nasty and disturbing images of a car accident the protagonists come across. These are the little sequences that truly prove Lynch's talent as a storyteller. Overall and simply put: this movie is COOL! It's a joy to watch and you really hate to love some of the offensive characters. Willem Dafoe takes the cake as Bobby Peru. His portrayal is a neat follow-up to Blue Velvet's Frank Booth. Peru is a filthy and despicable pervert with itchy-trigger-fingers! It's a damn shame he hasn't got any more screen time. Wild at Heart surely isn't the greatest masterpiece out there, but you should love it for what it is: an absurd and entertaining adventure with a couple of thought-provoking values and an extraordinary love-lesson.