| Adrienne Barbeau | ... | Jessica Valdemar (segment "The Facts in the Case of Mr. Valdemar") | |
| Ramy Zada | ... | Dr. Robert Hoffman (segment "The Facts in the Case of Mr. Valdemar") | |
| Bingo O'Malley | ... | Ernest Valdemar (segment "The Facts in the Case of Mr. Valdemar") | |
| Jeff Howell | ... | Policeman (segment "The Facts in the Case of Mr. Valdemar") | |
| E.G. Marshall | ... | Steven Pike (segment "The Facts in the Case of Mr. Valdemar") | |
| Harvey Keitel | ... | Roderick Usher (segment "The Black Cat") | |
| Madeleine Potter | ... | Annabel (segment "The Black Cat") | |
| John Amos | ... | Det. Legrand (segment "The Black Cat") | |
| Sally Kirkland | ... | Eleonora ("The Black Cat") | |
| Kim Hunter | ... | Mrs. Pym (segment "The Black Cat") | |
| Holter Graham | ... | Christian (segment "The Black Cat") (as Holter Ford Graham) | |
| Martin Balsam | ... | Mr. Pym (segment "The Black Cat") | |
| Chuck Aber | ... | Mr. Pratt (segment "The Facts in the Case of Mr. Valdemar") | |
| Jonathan Adams | ... | Hammer (segment "The Facts in the Case of Mr. Valdemar") | |
| Tom Atkins | ... | Det. Grogan (segment "The Facts in the Case of Mr. Valdemar") | |
| Mitchell Baseman | ... | Boy at Zoo (segment "The Facts in the Case of Mr. Valdemar") | |
| Julie Benz | ... | Betty (segment "The Black Cat") | |
| Barbara Bryne | ... | Martha (segment "The Black Cat") | |
| Mario Caputo | |||
| Lanene Charters | ... | Bonnie (segment "The Black Cat") | |
| Bill Dalzell | ... | Detective (as Bill Dalzell III) | |
| Anthony Dileo Jr. | ... | Taxi Driver (segment "The Facts in the Case of Mr. Valdemar") | |
| Christine Forrest | ... | Nurse (segment "The Facts in the Case of Mr. Valdemar") (as Cristine Forrest) | |
| J.R. Hall | ... | 2nd Policeman (segment "The Black Cat") | |
| Scott House | ... | 3rd Policeman (segment "The Black Cat") | |
| James MacDonald | ... | Luke (segment "The Black Cat") (as James G. MacDonald) | |
| Charles McPherson | |||
| Larry John Meyers | ... | Old Man (segment "The Facts in the Case of Mr. Valdemar") | |
| Jeff Monahan | |||
| Fred Moore | |||
| Christina Romero | ... | Mother at Zoo (segment "The Facts in the Case of Mr. Valdemar") | |
| Peggy McIntaggart | ... | Young Policewoman (segment "The Black Cat") (as Peggy Sanders) | |
| Ben Tatar | |||
| Lou Valenzi | ... | Editor (segment "The Black Cat") | |
| Jeffrey Wild | ... | Delivery Man (segment "The Black Cat") | |
| Ted Worsley | ... | Desk Editor (segment "The Black Cat") | |
| rest of cast listed alphabetically: | |||
| Jonathan Sachar | ... | Officer Brian (segment "The Black Cat") (uncredited) | |
| Tom Savini | ... | The Monomaniac (segment "The Black Cat") (uncredited) | |
Directed by | |||
| Dario Argento | (segment "The Black Cat") | ||
| George A. Romero | (segment "The Facts in the Case of Mr. Valdemar") (as George Romero) | ||
Writing credits(in alphabetical order) | ||
| Dario Argento | segment "Black Cat, The" | |
| Franco Ferrini | segment "Black Cat, The" | |
| Peter Koper | uncredited | |
| Edgar Allan Poe | stories | |
| George A. Romero | segment "The Facts in the Case of Mr. Valdemar" | |
Produced by | |||
| Claudio Argento | .... | executive producer | |
| Dario Argento | .... | executive producer | |
| Achille Manzotti | .... | producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Peter Reniers | |||
Film Editing by | |||
| Pasquale Buba | (as Pat Buba, segment 'The Black Cat') | ||
Production Design by | |||
| Cletus Anderson | (segment "The Black Cat") | ||
Set Decoration by | |||
| Diana Stoughton | (as Diana L. Stoughton) | ||
Costume Design by | |||
| Barbara Anderson | |||
Makeup Department | |||
| Everett Burrell | .... | special makeup effects artist (as Everett Burrel) | |
| Terrie Godfrey | .... | assistant makeup artist | |
| Will Huff | .... | special makeup effects artist | |
| Jeannee Josefczyk | .... | hair stylist | |
| Jeannee Josefczyk | .... | makeup artist | |
| Tom Savini | .... | special makeup effects supervisor | |
| John Vulich | .... | special makeup effects artist | |
Production Management | |||
| Carol Cuddy | .... | production manager | |
| Fabrizio Diaz | .... | production manager: Rome (as Fabrizio Cico Diaz) | |
| Fernando Franchi | .... | general manager | |
| Andrea Tinnirello | .... | production supervisor | |
Art Department | |||
| Eloise Albrecht | .... | set dresser | |
| Lawrence Bailer | .... | assistant set designer | |
| Charles Ballew | .... | scenic artist | |
| Norman Beck | .... | props | |
| Francine Byrne | .... | set dresser | |
| Nora Cline | .... | scenic artist | |
| Eileen Garrigan | .... | set painter | |
| Marty Garrigan | .... | property master (as Martin Garrigan) | |
| Thomas J. Garrigan | .... | property department (as Thomas Garrigan) | |
| Frederika Gray | .... | first scenic artist | |
| Howard Jones | .... | chief carpenter | |
| Gary Kosko | .... | art department coordinator | |
| Paula Payne | .... | scenic artist | |
| Jim Schneider | .... | lead man | |
| Louis P. Taylor | .... | construction coordinator | |
| Mark Worthington | .... | art production assistant | |
Sound Department | |||
| Nick Alexander | .... | adr editor: Rome | |
| Luciano Anzellotti | .... | additional sound effects (as Luciano Anzelotti) | |
| Luciano Anzellotti | .... | foley artist (as Luciano Anzelotti) | |
| Massimo Anzellotti | .... | additional sound effects (as Massimo Anzelotti) | |
| Massimo Anzellotti | .... | foley artist (as Massimo Anzelotti) | |
| Felipe Borrero | .... | production sound mixer | |
| Romano Checcacci | .... | sound re-recording mixer | |
| Cesare D'Amico | .... | dialogue editor: Rome | |
| Tommy Louie | .... | boom operator | |
| Federico Savina | .... | stereo sound consultant: Dolby Stereo | |
Special Effects by | |||
| J.C. Brotherhood | .... | ram effects | |
| Kevin McTurk | .... | special effects makeup | |
| Tom Savini | .... | special effects | |
Stunts | |||
| Norman Douglass | .... | stunts | |
| Andy Duppin | .... | stunts | |
| David S. Lomax | .... | stunts (as David Lomax) | |
| Phil Neilson | .... | stunts | |
| Mick O'Rourke | .... | stunts (as Mike O'Rourke) | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Tom Savini | .... | stunts | |
Camera and Electrical Department | |||
| Joe Abeln | .... | electrician | |
| Erik L. Brown | .... | first assistant camera (as Erik Brown) | |
| Bart Flaherty | .... | grip | |
| Marcello Gabriele | .... | lighting director | |
| Brian Haughin | .... | electrician | |
| John Janusek | .... | best boy grip | |
| Barry Kessler | .... | electrician | |
| Beth Kukucka | .... | still photographer | |
| Michael J. Latino | .... | first assistant camera (as Michael Latino) | |
| Ed Letteri | .... | gaffer | |
| Fernando Massaccesi | .... | gaffer | |
| Frank McGough | .... | best boy electric | |
| John S. Moyer | .... | second assistant camera (as John Moyer) | |
| Nicola Pecorini | .... | Steadicam operator | |
| Joseph 'Bruno' Pelle | .... | grip | |
| Frank Perl | .... | camera operator | |
| Fred Pope Jr. | .... | generator operator (as Fred Pope) | |
| Rich Sieg | .... | grip | |
| Nick Tallo | .... | grip (as Nick 'Bomba' Tallo) | |
| Ted Wiegand | .... | electrician | |
Casting Department | |||
| Donna M. Belajac | .... | local casting (as Donna Belajac) | |
| Staci A. Blagovich | .... | extras casting (as Staci Blagovich) | |
| Christina Romero | .... | local casting | |
Costume and Wardrobe Department | |||
| Kathy Borland | .... | wardrobe supervisor | |
| Diane Collins | .... | seamstress | |
| Melinda Eshelman | .... | wardrobe assistant (as Mindy Eshelman) | |
| Debra Marks | .... | seamstress | |
| Nancy Palmentier | .... | wardrobe supervisor | |
Editorial Department | |||
| John S. Bich | .... | second assistant editor | |
| Ray Boniker | .... | assistant editor | |
| Pasquale Buba | .... | executive editor | |
| Lorenza Franco | .... | first assistant editor: Rome | |
Music Department | |||
| Sergio Marcotulli | .... | music mixer | |
| Natale Massara | .... | conductor | |
| Paolo Steffan | .... | musician: synthesizer | |
Transportation Department | |||
| Jon Bergholz | .... | transportation coordinator | |
| Edward J. France | .... | driver | |
| Anthony J. Yannone | .... | transportation captain | |
Other crew | |||
| Bert Bell | .... | interpreter | |
| Lisa Bradley | .... | production office coordinator | |
| Kathy Carthers-Wayne | .... | choreographer | |
| Greg Day | .... | public relations: international | |
| Carlo Du Bois | .... | production accountant: Rome | |
| Allegra Elson | .... | production secretary | |
| Kenneth Gargaro | .... | dialogue coach | |
| Kevin Halloran | .... | location consultant: PBS | |
| Enrico Lucherini | .... | unit publicist: Italy (as Lucherini-Fantoli) | |
| Aldo Mafera | .... | title designer | |
| Judy Matthews | .... | location manager | |
| Matthew Myers | .... | production assistant | |
| Chris Peworckik-Call | .... | cat wrangler | |
| Grant Rhinehart | .... | craft service | |
| Andrew Sands | .... | production assistant | |
| J.S. Shoe | .... | script supervisor | |
| Luciano Tartaglia | .... | production accountant | |
| Burton White | .... | dialogue coach | |
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When the two greatest Horror directors alive (and two of the greatest of all-time), George A. Romero and Dario Argento make a movie together, a fan of Horror might rightly hope for a masterpiece. "Due Occhi Diabolici" aka. "Two Evil Eyes" from 1990 features two separate 1 hour films based on the work of Edgar Alan Poe, "The Facts In The Case Of Mr. Valdemar", directed by Romero, and "The Black Cat" directed by Argento. "Two Evil Eyes" is certainly great entertainment and a pleasant Horror experience, however it does not quite come up to the high expectations one might have of a film by these two brilliant directors. It must be said, however, that it may be very difficult for a Poe-themed movie to impress me after Roger Corman's brilliant Poe-cycle from the sixties, starring my all-time favorite actor, the great Horror icon Vincent Price. These films, such as "Pit And The Pendulum", "The Haunted Palace" and "Masque Of The Red Death" (just to name the three most ingenious masterpieces of this brilliant cycle) are essential all-time Horror greats, no Poe-themed film has ever come close to those flicks, and it is very unlikely that any ever will.
The second segment, Argento's "The Black Cat" is, in my opinion, a lot better than Romero's "Mr. Valdemar", not only for the fact that one of the greatest living actors, Harvey Keitel, plays the lead, but also since it is far more twisted and atmospheric.
"The Facts In The Case Of Mr. Valdemar", mainly based on Poe's short story of the same name, tells the tale of a woman named Jessica (Adrienne Barbeau), who, alongside her ex-lover (Ramy Zada), is willing to do quite anything to inherit the entire property of her terminally ill older husband (Bingo O Malley)... The 1 hour segment has some very eerie moments, and a chilling atmosphere over-all. As mentioned above, however, Roger Corman handled the same topic with a lot more depth in 30 minutes as the final segment of "Tales Of Terror" (1962). Admittedly, Corman had a brilliant cast, Vincent Price, Basil Rathbone and Debra Paget.
"The Black Cat", is also mainly based on Poe's short of the same name. However, this second segment furthermore contains elements from certain other Poe works. A crime-scene photographer with a familiar name, Roderick Usher (Harvey Keitel) and his younger girlfriend Annabel (Madeleine Porter) live happily together in a nice old building. Until one day Anabel takes a black cat home... The second segment is highly atmospheric, nightmarish and very eerie, and crowned by Harvey Keitel's leading performance.
All said, "Two Evil Eyes" is neither a highlight of Romero's nor Argento's career, however it is still a good film. Let's not forget we're talking about two geniuses here! If you set your expectations too high and expect a masterpiece of the brilliance of "Night Of The Living Dead" Or "Suspiria" you'll be disappointed. Nevertheless, this is great Horror entertainment. Just keep in mind that you're not about to watch something comparable to Romero's or Argento's masterpieces in quality, and you will have a great time as a Horror fan. My rating: 6/10 for Romero's segment and 8/10 for Argento's segment, makes an overall 7/10. Recommended!