| Photos (see all 3 | slideshow) |
| Starr Andreeff | ... | Susan Valentine | |
| Mitchell Laurance | ... | Nick Cary | |
| David Gale | ... | Carter Brown | |
| Charles Lucia | ... | Stan Armbrewster | |
| Riva Spier | ... | Paul Gorski | |
| Jeff Doucette | ... | David Greenwait | |
| Bill Gratton | ... | Lt. Leo Rosselli | |
| Lewis Arquette | ... | Ethan Valentine | |
| Jon Korkes | ... | Tim Calhoun | |
| Melanie Shatner | ... | Bonnie Brown | |
| Kenneth Zavayna | ... | Sam Krebs (as Ken Zavayna) | |
| Roy Fegan | ... | Donnie | |
| Julie Kris | ... | Candy | |
| Kate Romero | ... | Brandy | |
| Christopher Burgard | ... | Scott | |
| Kathryn Noble | ... | Receptionist | |
| Merritt Yohnka | ... | Guard | |
| Tim Trella | ... | Guard |
Directed by | |||
| George Elanjian Jr. | |||
Writing credits(in alphabetical order) | ||
| Michael Carmody | story | |
| Brent V. Friedman | writer | |
Produced by | |||
| William G. Dunn | .... | line producer | |
| Marcel R. Elanjian | .... | executive producer | |
| Jack F. Murphy | .... | producer | |
| Eldon Nygaard | .... | associate producer | |
Original Music by | |||
| Thomas Chase | |||
| Steve Rucker | |||
Cinematography by | |||
| James Mathers | |||
Film Editing by | |||
| Ellen Keneshea | |||
Casting by | |||
| Cathy Henderson | |||
Production Design by | |||
| R. Clifford Searcy | |||
Costume Design by | |||
| Rhona Meyers | |||
Production Management | |||
| Patricia Mastorakos | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fred H. Dresch | .... | assistant director | |
| Kelly Kiernan | .... | second assistant director | |
Sound Department | |||
| Mark A. Rozett | .... | sound re-recording mixer | |
| Steve Sollars | .... | sound | |
Special Effects by | |||
| Theresa Burkett | .... | special effects | |
| Yancy Calzada | .... | special effects | |
| William Malone | .... | creature design | |
| Margaret Prentice | .... | special effects (as Margaret Beserra) | |
| Mark Williams | .... | special makeup effects | |
Visual Effects by | |||
| Larry Arpin | .... | optical effects | |
| Austin McKinney | .... | special effects camera operator | |
| Dennis Skotak | .... | visual effects consultant | |
| Robert Skotak | .... | visual effects consultant | |
Stunts | |||
| Gregg Smrz | .... | stunts | |
Camera and Electrical Department | |||
| Bryan Godwin | .... | assistant camera | |
| Geza Sinkovics | .... | camera operator: second unit | |
Animation Department | |||
| Mike Hyatt | .... | rotoscope artist | |
Editorial Department | |||
| Amy Tompkins | .... | first assistant editor | |
| Norman R. Walker | .... | assistant editor | |
Music Department | |||
| Stephen C. Marston | .... | composer: additional music (uncredited) | |
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Norton Cyberdyne is a multinational company in the business of manufacturing military technology. Their pet project is the title creature, designed to be the perfect soldier. Young Susan Valentine (Starr Andreeff) gets wind of all of this when one of these things kills her uncle Ethan (Lewis Arquette), who was the brains behind the project. She teams up with goofy reporter Nick Cary (Mitchell Laurance) to take down the creature - designed to be impervious to most weaponry and to asexually reproduce every 24 hours - and the company, whose boss Carter Brown (David Gale) is going absolutely bonkers.
This is undeniably a very silly movie, but it's got some things going for it. First of all, there's a tongue-in-cheek quality to the proceedings. The actors (especially Laurance and Gale) wisely don't take it all that seriously. (Charles Lucia is also funny in a key supporting role as a weaselly executive.) The creature is a recycling of the monster designed by director William Malone for his own 1981 movie "Scared to Death", so it's cool that it was allowed a second go-round here. The film looks good enough, with some highly amusing special effects and fairly decent pacing.
The lovely Andreeff is appealing in the lead, with the sexy Riva Spier entertaining as the conniving Paula and cute Melanie Shatner (William's daughter) as the ill-fated Bonnie. But David Gale pretty much becomes the whole show. He hams it up to the nth degree, and is downright hysterical at times. If you loved him in the "Re-Animator" movies, you should get a kick out of what he does here.
"Syngenor" (as in SYNthesized GENetic ORganism) is just ridiculous enough to be a good time for those who enjoy bad B movies. I know I do, and I found it pretty entertaining.
5/10