IMDb on iPhone and iPod touch Learn more Learn more Download from the App Store
IMDb > Pump Up the Volume (1990) > Amazon.com reviews
Pump Up the Volume
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany creditstv schedule
Awards & Reviews
user reviewsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage board
Plot & Quotes
plot summarysynopsisplot keywordsAmazon.com summarymemorable quotes
Fun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Amazon.com reviews for
Pump Up the Volume (1990) More at IMDbPro »

Pump up the Volume (dvd):

Amazon.com video review: In the suburban hinterlands of Arizona, pirate-radio DJ Hard Harry wages a one-man war against boredom from his bedroom transmitter by night. In between great Lenny Bruce-style stream-of-consciousness rants, Harry attacks the airwaves with the likes of the Descendents, Bad Brains, and Concrete Blonde, as well as occasionally kickin' it old school with some early hip-hop. By day, though, Hard Harry is Mark Hunter, a painfully shy new kid who's anonymous to the point of being invisible at Hubert Humphrey High School. Completely misunderstood by his '60s-era parents, Mark is desperate to keep his radio alter ego separate from his day-to-day persona, especially as his radio shows draw more attention from the authorities. Fellow misfit Nora (Samantha Mathis, in her first feature role) eventually discovers Hard Harry's true identity, much to Mark's chagrin, and the two of them become torchbearers against the stifling status quo of the town as they dodge the police, the school administration, and the FCC. There are familiar high school authority archetypes (the assistant principal with clip-on tie, lemon-yellow K-Mart short-sleeved dress shirt, military flattop, and bulky key ring) and a rather strained subplot of a corrupt school administration. Mainly, though, this is a rousing teen call-to-arms that showcases Slater's talents as he developed the cynical, sarcastic neo-Jack Nicholson delivery that would become his trademark. He's at his best during his radio monologues (making them truly seem ad-libbed), and his influences become clear as he checks out a copy of How to Talk Dirty and Influence People from the library. --Jerry Renshaw