Pacific Heights (1990)

User Rating:

6.2/10   

Director:

John Schlesinger

Writer (WGA):

Daniel Pyne (written by)

Release Date:

28 September 1990 (USA)

Genre:

Mystery | Thriller

Tagline:

Where terror lives.

Plot:

A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.

Plot Keywords:

Tenant | Landlord | Rent | Yuppie | Apartment

Cast

Melanie Griffith	...	Patty Palmer
Matthew Modine	...	Drake Goodman
Michael Keaton	...	Carter Hayes
Mako	...	Toshio Watanabe
Nobu McCarthy	...	Mira Watanabe
Laurie Metcalf	...	Stephanie MacDonald
Carl Lumbly	...	Lou Baker
Dorian Harewood	...	Dennis Reed
Luca Bercovici	...	Greg
Tippi Hedren	...	Florence Peters
Sheila McCarthy	...	Liz Hamilton
Guy Boyd	...	Warning Cop
Jerry Hardin	...	Bennett Fidlow
Dan Hedaya	...	Loan Officer
James Staley	...	District Attorney

Runtime:

102 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:14 | Iceland:16 (video rating) | France:U | South Korea:15 | Portugal:M/12 | Argentina:16 | Australia:M | Finland:K-16 | Germany:16 | Singapore:NC-16 | Sweden:15 | UK:15 | USA:R

Filming Locations:

Canon Drive, Beverly Hills, California, USA

Company:

Morgan Creek Productions

Trivia:

The home of Melanie Griffith and Matthew Modine is not in Pacific Heights at all, but right across town in San Francisco's Potrero Hill district at the corner of Texas & 19th Street.

Goofs:

Continuity: Carter's briefcase when Patty is sneaking through his room.

Quotes:

[initiating sex with Drake]
Patty Palmer: I wish I had spurs.

Movie Connections:

Referenced in Perdona bonita, pero Lucas me quería a mí (1997)

Soundtrack:

MOZART: PIANO CONCERTO #19 IN F, K.459

underrated film

I saw this movie again recently, and I have to say that upon reconsideration I think this film is a bit underrated. There are a few deeper sociological issues being explored here that I perceive but are quite subtle in their appearance in the film.

It is a study about the law to some degree, and it has some critical things to say about the ability for one who knows the law and its loopholes and thus exploits others with tools that were originally intended to preserve civil society. Keaton plays a psycho, but one who is highly educated and quite adept at his craft of fraud and deceit.

Further, Modine's character is irrational, befuddled, and ultimately marginalized. I wonder if the director took some liberties with him (as this is a true story, I don't know everything about the real person he portrays) to bring out a few of his close-minded tendencies that may have contributed to the awful situation in which he finds himself. Obviously, there is the closet racism which keeps him from renting to a black man (this is thrown in the viewer's face later and is quite obvious), but there is also the way he perceives a man's role as the solver of problems and his wife as nothing more than a spectator.

That she ends up being the one to calmly and coolly affect a search for and investigate Keaton's character, assaults the traditional notions of a man's role as a protector. Her temperament is ultimately more appropriate for the solution to the problem, and I think it is no accident that the director portrays it in this way.