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Monte Merrick (written by)
12 October 1990 (USA) more
The "Memphis Belle" is a World War II bomber, piloted by a young crew on dangerous bombing raids into Europe... more | full synopsis
Nominated for BAFTA Film Award. Another 1 win & 2 nominations more
Melanie Robel ('Post Mortem America 2021', 'The Perfect Serial Killer', 'Bikini Monsters')
(From pretty-scary. 26 August 2009, 7:34 PM, PDT)
Bandit's At Five O'clock more (74 total)
| Matthew Modine | ... | Capt. Dennis Dearborn | |
| Eric Stoltz | ... | Sgt. Danny "Danny Boy" Daly | |
| Tate Donovan | ... | 1st Lt. Luke Sinclair | |
| D.B. Sweeney | ... | Lt. Phil Lowenthal | |
| Billy Zane | ... | Lt. Val "Valentine" Kozlowski | |
| Sean Astin | ... | Sgt. Richard "Rascal" Moore | |
| Harry Connick Jr. | ... | Sgt. Clay Busby | |
| Reed Diamond | ... | Sgt. Virgil Hoogesteger (as Reed Edward Diamond) | |
| Courtney Gains | ... | Sgt. Eugene McVey | |
| Neil Giuntoli | ... | Sgt. Jack Bocci | |
| David Strathairn | ... | Col. Craig Harriman | |
| John Lithgow | ... | Lt.Col. Bruce Derringer | |
| Jane Horrocks | ... | Faith | |
| Mac McDonald | ... | Les (as Mac Macdonald) | |
| Jodie Wilson | ... | Singer | |
| Keith Edwards | ... | S-2 | |
| Steven Mackintosh | ... | Stan the Rookie | |
| Greg Charles | ... | Adjutant | |
| Bradley Lavelle | ... | Sergeant (as Bradley Lavell) | |
| Ben Browder | ... | Rookie Captain | |
| Mitch Webb | ... | Group Navigator | |
| Paul Birchard | ... | Lieutenant | |
| Bill Cullum | ... | Farmer | |
| Eric Loren | ... | Cook | |
| Cathy Murphy | ... | Jitterbugger | |
| Morag Siller | ... | Jitterbugger | |
| Steve Elm | ... | Footballer | |
| Jason Salkey | ... | Footballer | |
| Martin McDougal | ... | Footballer | |
| rest of cast listed alphabetically: | |||
| Greg Francis | ... | Bandleader (uncredited) | |
Directed by | |||
| Michael Caton-Jones | |||
Writing credits(WGA) | ||
| Monte Merrick | (written by) | |
Produced by | |||
| David Puttnam | .... | producer | |
| Eric Rattray | .... | associate producer | |
| Catherine Wyler | .... | producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Jim Clark | |||
Casting by | |||
| Marion Dougherty | |||
| Juliet Taylor | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Norman Dorme | (supervising art director) | ||
| John King | |||
| Alan Tomkins | |||
Set Decoration by | |||
| Ian Giladjian | |||
Costume Design by | |||
| Jane Robinson | |||
Makeup Department | |||
| Anna Cobley | .... | makeup artist | |
| Pamela Haddock | .... | hair stylist | |
| Maureen Hannaford-Naisbitt | .... | hair stylist | |
| Joan Hills | .... | key makeup artist | |
| Meinir Jones-Lewis | .... | chief hair stylist | |
| Anne McEwan | .... | makeup artist | |
Production Management | |||
| Mary Richards | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Devis | .... | second unit director: aerial unit | |
| Anthony Ford | .... | third assistant director: aerial unit | |
| Cliff Lanning | .... | third assistant director | |
| Terry Needham | .... | assistant director: aerial unit | |
| Adam Somner | .... | third assistant director: aerial unit | |
| Gerry Toomey | .... | second assistant director | |
| Bill Westley | .... | first assistant director | |
| Kevin Westley | .... | second assistant director | |
| Natasha Ross | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Alan Adams | .... | prop storeman | |
| Brian Bishop | .... | scenic artist | |
| Doug Bishop | .... | scenic artist | |
| Laurence Burns | .... | stand-by crew | |
| Anthony Caccavale | .... | stand-by crew | |
| Cloe Chloerty | .... | scenic artist | |
| Stan Cook | .... | dressing props | |
| Miranda Diamond | .... | art department researcher | |
| Peter Dorme | .... | art department assistant | |
| Bob Douglas | .... | dressing props | |
| Michael R. Driscoll | .... | supervising stagehand (as Michael Driscoll) | |
| Colin Fox | .... | drapes | |
| George Gibbons | .... | stand-by crew | |
| Peter Hancock | .... | property master | |
| Brian Hartnoll | .... | stand-by crew | |
| Robert Hill | .... | stand-by props | |
| Brian Humphrey | .... | dressing props | |
| Clive Ingleton | .... | lettering artist | |
| Michael Lamont | .... | assistant art director | |
| Leonard Lawrence | .... | supervising rigger | |
| Joe Lear | .... | supervising plasterer | |
| Bert Long | .... | assistant construction manager | |
| Steve Macdonald | .... | stand-by props (as Steve McDonald) | |
| Dave Midson | .... | dressing props (as David Midson) | |
| John Moore | .... | dressing props | |
| Jim Morahan | .... | draughtsman (as James Morahan) | |
| John O'Shaughnessy | .... | production buyer | |
| Gordon Phillips | .... | dressing props | |
| Michael G. Ploog | .... | storyboard artist (as Michael Ploog) | |
| Tony Rimmington | .... | draughtsman | |
| Ron Seers | .... | stand-by crew | |
| Arthur Smith | .... | supervising painter | |
| Bill Stallion | .... | storyboard artist | |
| Don Taylor | .... | stand-by crew | |
| Bob Walker | .... | lettering designs (as Robert Walker) | |
| Peter Wallis | .... | dressing props | |
| Bill Welch | .... | construction manager | |
| Paul Wescott | .... | supervising painter | |
| Alan Williams | .... | stand-by crew | |
| Tony Youd | .... | assistant construction manager (as Anthony Youd) | |
Sound Department | |||
| Paul Cridlin | .... | boom operator | |
| Michael Crouch | .... | sound effects editor | |
| Martin Evans | .... | dialogue editor | |
| Richard Finney | .... | sound maintenance | |
| Ian Fuller | .... | supervising sound editor | |
| Mark Holding | .... | sound recordist: aerial unit | |
| David John | .... | sound mixer | |
| Ray Merrin | .... | sound re-recording engineer | |
| Bill Rowe | .... | sound re-recording engineer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Andy Kennedy | .... | synclavier operator (uncredited) | |
Special Effects by | |||
| Richard Conway | .... | special effects supervisor | |
| Martin Grant | .... | special effects floor supervisor | |
| Bob Hollow | .... | senior special effects technician | |
| Brian Mann | .... | special effects editor | |
| Trevor Wood | .... | aerial rigs: aerial unit | |
| Andrew Eio | .... | special effects technician (uncredited) | |
| Dave Eltham | .... | special effects technician (uncredited) | |
| Steve Hamilton | .... | special effects floor supervisor (uncredited) | |
| David McCall | .... | special effects technician (uncredited) | |
| Nigel Nixon | .... | special effects model maker (uncredited) | |
Visual Effects by | |||
| John Addison | .... | stand-by crew: model unit | |
| Dennis Bartlett | .... | blue screen supervisor: model unit | |
| Nigel Brackley | .... | modeller and technician: model unit | |
| Terry Bridle | .... | modeller and technician: model unit | |
| Nicholas Brooks | .... | visual effects | |
| Mark Challenor | .... | assistant director: model unit (as Mark Challoner) | |
| Frank Clissold | .... | electrician: model unit | |
| Richard Conway | .... | director: model unit | |
| Peter Davy | .... | modeller and technician: model unit | |
| Steve Drevett | .... | travelling matte coordinator (as Steve Drewett) | |
| David Eithim | .... | modeller and technician: model unit | |
| Nick Finlayson | .... | modeller and technician: model unit | |
| Steve Hamilton | .... | modeller and technician: model unit (as Stephen Hamilton) | |
| John Holmes | .... | modeller and technician: model unit | |
| Bill Howe | .... | stand-by crew: model unit | |
| Alan Johnson | .... | stand-by crew: model unit | |
| David Jones | .... | focus puller: model unit | |
| Andrew Kelly | .... | modeller and technician: model unit | |
| Stuart King | .... | electrician: model unit | |
| Brian Lince | .... | modeller and technician: model unit | |
| David Litchfield | .... | camera operator: model unit | |
| Ray Lovell | .... | modeller and technician: model unit | |
| Roy Masters | .... | modeller and technician: model unit | |
| David McCall | .... | modeller and technician: model unit | |
| Ed McDermott | .... | electrician: model unit | |
| Mike McGillivray | .... | gaffer: model unit (as Michael McGillivray) | |
| Kaye Moss | .... | modeller and technician: model unit | |
| Keith Muir | .... | stand-by crew: model unit | |
| Terry Newvell | .... | stand-by crew: model unit | |
| Harry Oakes | .... | cameraman: model unit | |
| Stephen Onions | .... | modeller and technician: model unit | |
| Wally Parker | .... | stand-by crew: model unit | |
| Peter Pickering | .... | modeller and technician: model unit | |
| William Poynter | .... | stand-by crew: model unit (as Bill Poynter) | |
| Jonathan Richardson | .... | model unit trainee | |
| Mike Smith | .... | stand-by crew: model unit | |
| Vic Smith | .... | electrician: model unit | |
| Tony Strachan | .... | additional photographer: model unit | |
| Peter Talbot | .... | focus puller: model unit | |
| Jamie Thomas | .... | modeller and technician: model unit | |
| Keith Thomas | .... | focus puller: model unit | |
| Leslie Wheeler | .... | modeller and technician: model unit (as Les Wheeler) | |
| Tim Willis | .... | modeller and technician: model unit | |
| Ken Worringham | .... | blue screen technician: model unit (as Ken Warringham) | |
| Martin Body | .... | optical cameraman (uncredited) | |
| Zoe Cain | .... | optical effects technician (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Alan Church | .... | optical cameraman (uncredited) | |
| Andrew Coates | .... | assistant optical camera (uncredited) | |
| Mark Gardiner | .... | motion control camera operator (uncredited) | |
| Antony Hunt | .... | executive producer: The Magic Camera Company (uncredited) | |
| Stuart Pitcher | .... | rostrum cameraman (uncredited) | |
| Janek Sirrs | .... | visual effects (uncredited) | |
| Val Wardlaw | .... | visual effects (uncredited) | |
Casting Department | |||
| Owens Hill | .... | additional casting: USA | |
| Patsy Pollock | .... | additional casting: UK | |
Costume and Wardrobe Department | |||
| Ken Crouch | .... | wardrobe assistant (as Kenny Crouch) | |
| Peter Edmonds | .... | wardrobe assistant: aerial unit | |
| Catherine Halloran | .... | wardrobe assistant | |
| David Murphy | .... | costume coordinator | |
| Philip Rainforth | .... | wardrobe assistant | |
| David Whiteing | .... | wardrobe assistant | |
| Kirsten Wing | .... | wardrobe mistress | |
| Bob Worth | .... | advisor: military costumes | |
| Richard Thomas | .... | costume painter (uncredited) | |
Editorial Department | |||
| Jude Andrews | .... | editor trainee | |
| Nick Moore | .... | first assistant editor | |
| Cressida Shaffer | .... | editor trainee | |
| Debbi Slater | .... | editor trainee (as Debbie Slater) | |
| Steve Spencer | .... | assistant editor (as Steven Spencer) | |
| Andy Stears | .... | assistant editor | |
| Len Tremble | .... | assistant editor | |
| Michael Trent | .... | assistant editor | |
| Bettina Woolgar | .... | assistant editor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| George Fenton | .... | orchestrator | |
| Keith Grant | .... | music recording engineer | |
| Geoff Young | .... | music recording engineer | |
| George Fenton | .... | conductor (uncredited) | |
| Greg Francis | .... | musical director: dance music (uncredited) | |
| Gerry O'Riordan | .... | assistant music engineer (uncredited) | |
Transportation Department | |||
| Mark White | .... | transportation (uncredited) | |
Other crew | |||
| Andy Andrews | .... | location cashier | |
| Simon Atherton | .... | armorer | |
| Barbara Back | .... | location manager: aerial unit | |
| Chris Bevan | .... | pilot: fighter | |
| Tania Blunden | .... | production coordinator (as Tania Windsor) | |
| Peter Brown | .... | consultant aeronautical engineer | |
| Paul Chaplin | .... | pilot: fighter | |
| Jean-Phillipe Chivot | .... | provider: B-17 Flying Fortress F-AZDX | |
| Don Clark | .... | pilot: B-17 Flying Fortress N-17W | |
| Sue Clegg | .... | assistant continuity | |
| Susan d'Arcy | .... | unit publicist (as Susan D'Arcy) | |
| Allen Davies | .... | assistant accountant (as Allan Davies) | |
| Rob Dean | .... | pilot: fighter | |
| Walter Eichorn | .... | pilot: Messerschmitt 109 | |
| Andrew Fletcher | .... | armorer | |
| Roger A. Freeman | .... | technical advisor (as Roger Freeman) | |
| Tommy Garcia | .... | technical advisor | |
| Jean-Pierre Gattegno | .... | pilot: B-17 Flying Fortress F-BEEA | |
| Jo Gregory | .... | production accountant | |
| Stephen Grey | .... | pilot: P-51 Mustang | |
| Reg Hallam | .... | pilot: P-51 Mustang | |
| Mark Hanna | .... | aerial coordinator | |
| Mark Hanna | .... | pilot: fighter | |
| Ray Hanna | .... | chief pilot | |
| David Hillman | .... | title designer | |
| Allan James | .... | location manager | |
| Peter Jarvis | .... | pilot: fighter | |
| Peter John | .... | pilot: P-51 Mustang | |
| Tim Knatchbull | .... | production runner: aerial unit | |
| Rolf Meum | .... | pilot: P-51 Mustang | |
| Richard Morrison | .... | provider: titles | |
| Bruce Orriss | .... | technical advisor | |
| Julia Overton | .... | production assistant | |
| Hoof Proudfoot | .... | pilot: P-51 Mustang | |
| Bob Richardson | .... | pilot: B-17 Flying Fortress N-17W | |
| Julie Robinson | .... | continuity: aerial unit | |
| Anders Saether | .... | pilot: P-51 Mustang | |
| Jean Salis | .... | provider: B-17 Flying Fortress F-AZDX (as Jean Sallis) | |
| Elly Sallingboe | .... | provider: B-17 Flying Fortress G-BEDF | |
| Carl Schofield | .... | pilot: fighter (as Carl Scofield) | |
| Keith Sisson | .... | pilot: B-17 Flying Fortress G-BEDF (as Keith Sissons) | |
| Brian Smith | .... | pilot: fighter | |
| Alan Steele | .... | computer operator | |
| David Tallichet | .... | pilot: B-17 Flying Fortress N3703G | |
| David Tallichet | .... | provider: B-17 Flying Fortress N3703G | |
| Peter Thompson | .... | helicopter pilot | |
| David Toguri | .... | choreographer | |
| Alan Walker | .... | pilot: B-17 Flying Fortress G-BEDF | |
| Rebecca West | .... | publicity assistant | |
| Angela Wharton | .... | script supervisor (as Angela Noakes) | |
| Alan White | .... | photographic transparencies | |
| Marc Wolff | .... | helicopter pilot | |
| Mike Woodley | .... | aviation ground coordinator | |
| Jerry Grayson | .... | helicopter pilot (uncredited) | |
| Ray Hanna | .... | pilot: Messerschmitt 109 (uncredited) | |
| Jay Lance | .... | publicity assistant (uncredited) | |
| Natasha Ross | .... | production assistant (uncredited) | |
| Art Smith Jr. | .... | researcher (uncredited) | |
Thanks | |||
| Keith Ansell | .... | acknowledgment | |
| Leonard Cheshire | .... | acknowledgment (as Group Captain Leonard Cheshire) | |
| Harry Friedman | .... | acknowledgment (as Dr. Harry Friedman) | |
| James W. Gavin | .... | acknowledgment (as Jim Gavin) | |
| R.J. Howard | .... | acknowledgment (as Group Captain R.J. Howard) | |
| Skip Lehmann | .... | acknowledgment | |
| Marc Pierre | .... | acknowledgment | |
| M.J. Pilkington | .... | acknowledgment (as Air Vice Marshal M.J. Pilkington) | |
| Margaret Polk | .... | acknowledgment | |
| Christian Roy | .... | acknowledgment | |
| J.D. Spottiswood | .... | acknowledgment (as Air Vice Marshal J.D. Spottiswood) | |
| Colin Waterworth | .... | acknowledgment | |
107 min
1.66 : 1 more
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
UK:12 (cinema release) | UK:PG (video rating) (cut) | Iceland:L | Norway:10 (theatrical rating) | Australia:M (original rating) | Australia:PG (cable rating) | Finland:K-12 | France:U | Germany:12 | South Korea:15 (DVD rating) | Sweden:11 | USA:PG-13 | Singapore:PG
Imperial War Museum, Duxford, Cambridgeshire, England, UK more
The navigator of the real Memphis Belle was Charles Leighton. From Flint Michigan, he retired as a teacher and counselor. He saved the Belle and more B-17's after identifying false German radio beacons designed to lure unwary B-17s into harms way. more
Continuity: When the Memphis Belle takes off, interior shots show Virge standing just behind the pilot/co-pilot seats. In exterior shots, no one is standing there. more
Luke Sinclair:
Fuel gauge is shot. How long can we fly on one engine?
Dennis Dearborn:
I don't know. I guess we'll find out.
more
Referenced in The 100 Greatest War Films (2005) (TV) more
I Know Why (and So Do You) more
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True story of the valiant B-17 bomber "Memphis Belle's" 25th and last bombing run over the German port city of Bremen on May 17, 1943. Having flown 24 bombing missions over Nazi occupied Europe since it's first bombing run on November 7, 1942 over the city of Brest France this if successful, it's 25th bombing run, would be the planes and crews ticket out of WWII.
It had been determined by the US general staff that 25 bombing and combat missions over Europe were the limit that a bomber crew, in order to keep casualties down, can take before they start to fall apart from the stress and cease to be effective. The crew of the "Memphis Belle" are the first to almost reach that goal, 25 successful bombing missions.
The unbelievably ferocious German resistance from it vaunted Luftwaffa and ground anti-aircraft batteries over the skies of Europe cost the USAAF and RAF some 35,000 planes, fighters and bombers, and their crews, over 150,000 airmen, during the bombing of Germany and German controlled Europe from 1942 to 1945. Thats just how savage and bitter the fighting was for air supremacy over that war-torn continent.
Stirring story with fine performances from the "Memphis Belle's" Captain Dennis Dearborn, Matthew Modine, on down. As the legendary bomber weathers wave after wave of deadly German ME 109 Messershmitt fighter planes from the sky and massive and murderous German AK AK anti-aircraft fire from the ground. As the "Memphis Belle" flies over Bremen and drops it's bomb payload and then limps back to England. With it's crew battered and bloody but safe and alive to be the first bomber crew to survive 25 missions over German controlled Europe.
The spectacular air combat photography was the best I've ever seen in a war movie and the cast was on par with the "Memphis Belle" with no one outshining the others but all equal up to their task just like the famed bomber was.
Back on the ground there was another drama played out with officer Col. Harriman, David Strathaim, who sent out the "Memphis Belle" and the other 23 B-17's of his bomber squadron on their mission over Bremen Germany. Col. Harriman didn't go along with Col. Derringer, John Lithgow, the US public relation officer who seemed too eager to reward the "Memphis Belle" crew with honors and glory even before they successfully finished their 25th mission. Not realizing that he was making the bombers crew and Col. Harriman very nervous with his not understanding how dangerous their mission was and even possibly jinxing them.
Tense and terrific the movie has already become a war classic without the false heroics that was so common in war movies made during WWII by Hollywood in order to boost the US morale at home and on the battlefield. The crew of the "Memphis Belle" were just as normal and scared as anyone of us would be if we were in the same situation that they were in. But it was that very fear that brought the best in strength and courage out of them and made them the hero's that they eventually became.