| Photos (see all 4 | slideshow) |
| J.C. Quinn | ... | Newman | |
| Billy Zane | ... | Palinov / Jensen | |
| John Lantz | ... | Heller | |
| Pamela Hastings | ... | D.A.L. Girl | |
| Daniel J. Travanti | ... | Duprell | |
| Stefan Gierasch | ... | Dr. Vogel | |
| Grace Zabriskie | ... | Mrs. Panilov | |
| Al Strobel | ... | Speaker | |
| Vincent Guastaferro | ... | Hotel Clerk | |
| Kristen Cloke | ... | Christine | |
| Bryan Clark | ... | President Hughes | |
| Michelle Roth | ... | Anchorwoman | |
| Jim O'Doherty | ... | TV Reporter (as James O'Doherty) | |
| Leslie Morris | ... | Vargas | |
| Raymond O'Connor | ... | Taylor | |
| Hamilton Camp | |||
| rest of cast listed alphabetically: | |||
| Whitney Scott Bain | ... | Media Police Lieutenant | |
| Jonathon Robinson | ... | The Real Palinov (uncredited) | |
Directed by | |||
| Peter Lehner | |||
Writing credits(in alphabetical order) | ||
| Samuel Benedict | writer | |
| Gordon Chavis | writer | |
| Peter Lehner | writer | |
Produced by | |||
| Cynthia Hill | .... | associate producer | |
| Peter Lehner | .... | executive producer | |
| Andres Pfäffli | .... | producer | |
| Christina Schmidlin | .... | producer | |
| Robert Michael Steloff | .... | executive producer | |
Original Music by | |||
| Stacy Widelitz | |||
Cinematography by | |||
| Zoltán David | |||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Michael Cutler | |||
Production Design by | |||
| Milo | (as Milo Needles) | ||
Art Direction by | |||
| Troy Myers | |||
Costume Design by | |||
| Shawna Trpcic | (as Shawna Leavell) | ||
Production Management | |||
| Cynthia Hill | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marshall Crosby | .... | assistant director | |
| Hubie Kerns Jr. | .... | second unit director | |
Art Department | |||
| Ramsey Smith | .... | carpenter | |
Sound Department | |||
| Clifford 'Kip' Gynn | .... | production sound mixer | |
| Anthony Milch | .... | sound editor | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
| Timothy Pearson | .... | foley mixer | |
Stunts | |||
| Hubie Kerns Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Brian 'Wheat' Villegas | .... | gaffer | |
Editorial Department | |||
| F. Paul Benz | .... | first assistant editor | |
| Jeffrey Cooper | .... | apprentice editor | |
Other crew | |||
| Robin Anderson | .... | script supervisor | |
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| Timecop | Donnie Darko | Clear and Present Danger | The Running Man | Suspect Zero |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section | Add this title to MyMovies |
A seedy production throughout, not helped by a manifest lack of funding, this unrefined attempt at making a cyberpunk noir film relates events in an unrevealed future when, in a locale referred to as The Hemisphere (and sometimes as The Zone), it is illegal to view television or movies, including those on video tape, thereby naturally causing a thriving market in bootleg recordings. Billy Zane portrays a member of the Media Police, Raymond Palinov, selected by the "CKS" (Internal Security) to infiltrate into a neighbouring city-state called Megaville wherein "media" is legal, in an ostensible attempt to assist in discouraging the continuance of a conduit of media products into the Hemisphere, and who has been recipient of a remote control transmitter installed in his brain, from which he will receive instructions from the CKS head, played by Daniel J. Travanti. There is a good deal of raw material here for application of satire, but the work is poorly written, directed and executed, with bafflement rampant as to what is transpiring during a majority of scenes, while poor Zane, charismatic under strong direction, is permitted in this instance his full range of fey mannerisms, and with contemporary street scenes of the Los Angeles Civic Center dolefully failing to impress as a future anything, at all.