| John Waters | ... | Johnny Dysart | |
| Rebecca Gilling | ... | Annie Dysart | |
| Kim Gyngell | ... | Baz Schultz | |
| Sean Scully | ... | Tim Robbins | |
| Guy Pearce | ... | Paul Dysart | |
| Sarah De Teliga | ... | Robbins' Secretary | |
| Gary Adams | ... | Roadie | |
| Matthew Quartermaine | ... | Stevo | |
| Takahito Masuda | ... | Toshio | |
| Tibor Gyapjas | ... | Trevor | |
| Neil Schenider | ... | Man at Pub | |
| James Borods | ... | Paul at 18 Months | |
| Edward Hepple | ... | Caretaker | |
| Reg Evans | ... | Norm Jenkins | |
| Lisa Colonna | ... | Robbins' Receptionist | |
| Bryan Dawe | ... | Stewart Murchison | |
| Robert Morgan | ... | Carl Bracken | |
| Bruce Venables | ... | Detective #1 | |
| Tim Sullivan | ... | Detective #2 | |
| Nick Lathouris | ... | Hot dog man (as Nic Lathouris) | |
| Geoff Collins | ... | Service Station Attendant | |
| David Glazebrook | ... | Owner of Car | |
| Anthony Fletcher | ... | Policeman #1 | |
| Mark Morris | ... | Policeman #2 | |
| Syd Conabere | ... | Priest | |
| Brad Robinson | ... | M.C. at Nightclub | |
| Mike Ryan | ... | Dee Jay | |
| rest of cast listed alphabetically: | |||
| Mark Clarke | ... | Journalist (uncredited) | |
Directed by | |||
| Pino Amenta | |||
Writing credits | ||
| Frank Howson | written by and | |
| Alister Webb | writer | |
Produced by | |||
| Peter Boyle | .... | executive producer | |
| Frank Howson | .... | producer | |
| Barbi Taylor | .... | line producer | |
| James Michael Vernon | .... | co-producer | |
Original Music by | |||
| John Capek | |||
Cinematography by | |||
| David Connell | |||
Film Editing by | |||
| Philip Reid | |||
Casting by | |||
| Gregory Apps | |||
Art Direction by | |||
| Bernadette Wynack | |||
Set Decoration by | |||
| Hamish Alderson-Hicks | |||
| Trish Keating | |||
Costume Design by | |||
| Jeanie Cameron | |||
Makeup Department | |||
| Pam Murphy | .... | hair stylist | |
| Amanda Rowbottom | .... | makeup artist | |
Production Management | |||
| Colin Robertson | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Brett Popplewell | .... | second assistant director | |
| John Powditch | .... | first assistant director | |
| Max Thomas | .... | third assistant director | |
Art Department | |||
| Brian Lang | .... | stand-by props | |
| Daryl Mills | .... | property buyer | |
Sound Department | |||
| Craig Carter | .... | sound editor | |
| Phil Heywood | .... | sound effects mixer | |
| Steve Murphy | .... | stereo sound consultant: Dolby (as Stephen Murphy) | |
| Andrew Ramage | .... | sound recordist | |
| Scott Rawlings | .... | boom operator | |
| Livia Ruzic | .... | dialogue editor | |
| John Simpson | .... | foley recordist | |
Stunts | |||
| Russell Allan | .... | stunts | |
| Chris Anderson | .... | stunts | |
| Mitch Deans | .... | stunts | |
| Arch Roberts | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ian Benallack | .... | key grip | |
| Terry Howells | .... | second assistant camera | |
| Greg Noakes | .... | still photographer | |
| Nick Payne | .... | additional electrician | |
| Roy Pritchett | .... | generator operator | |
| Gregory Ryan | .... | first assistant camera | |
| Robbie Young | .... | gaffer | |
Casting Department | |||
| Kelly O'Shea | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marion Boyce | .... | stand-by wardrobe | |
Editorial Department | |||
| Peter McBain | .... | assistant editor | |
Music Department | |||
| Peter D. Smith | .... | music mixer | |
Other crew | |||
| Lynn Howson | .... | production executive | |
| Lionel Midford | .... | unit publicist | |
| Deborah Samuels | .... | production coordinator | |
| Oliver Streeton | .... | title designer | |
| John Suhr | .... | location manager | |
| Jenni Tosi | .... | script supervisor | |
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| Slaves to the Underground | Sid and Nancy | Stunt Rock | Bring on the Night | Artie Shaw: Time Is All You've Got |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Australia section | Add this title to MyMovies |
*** This comment may contain spoilers ***
There may be some people who will not agree with my comments about this film, but i believe that it is one of John Waters' best.
This film is a bit obscure as not many people know of it but I think it deserves a lot more credit.
It is a story of a washed up rock star (Johnny Dysart) who just will not give up even though he has no chance at all of ever being able to sell records again. He refuses to give in to modern trends/sounds and sticks with his heart and keeps on trying, falsely believing that there is light at the end of the tunnel.
What makes things worse for Johnny is that his son is an up and coming pop star and is generating a lot of interest. This causes a lot of tension between them because he cannot accept his son using modern music systems adapting to new technology.
His wife has also had to suffer a lot due to his dreams of a comeback. She has stuck by him for a long time but her patience is running out.
In the end he has to face the sad reality that his son can get a record deal and will sell records and that johnny will never sell records again and he eventually decides to accept it and look to a new career path.
This film is very similar to Boulevard Of Broken Dreams. Both films are made in Melbourne, have the same director and some of the same actors.
I would strongly urge you to watch this film if you come across it. Hopefully one day it will be released on DVD.