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Kline slips easily into the role of Hamlet, displaying the humor that Shakespeare gave the character even in the midst of a tragedy, while maintaining elegant poise in tragic scenes.Unlike the dark sets and Elizabethan costume that dominate many versions of this play, the modern costumes (women in evening gowns, men in military uniform) and sparse sets used by Kline emphasize the interpretation of the script via the actors, not the setting. The actors seize this opportunity vigorously along with Kline, interpreting Shakespeare to provide new insights into age-old characters that have on several occasions slipped into strict stereotypes.I found this version a bit confusing the first time I watched it as it broke new ground and interpreted in ways that I'd never thought upon to interpret a Shakespearean tragedy. Upon my second viewing, I was able to catch the minute nuances that I had failed to see the first time, adding to the richness and excellence of this version. I look forward to future endeavors by Kline in the realm of Shakespeare (notably: A Midsummer Night's Dream to be released in May 1999)
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