| Videos (see all 7) |
Directed by | |||
| Francis Ford Coppola | |||
Writing credits(WGA) | ||
| Mario Puzo | (written by) & | |
| Francis Ford Coppola | (written by) | |
Original Music by | |||
| Carmine Coppola | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Lisa Fruchtman | |||
| Barry Malkin | |||
| Walter Murch | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Roger Mussenden | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Alex Tavoularis | (supervising art director) | ||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Giusy Bovino | .... | hair stylist (as Giusi Bovino) | |
| Thomas R. Burman | .... | additional makeup effects artist | |
| Iole Cecchini | .... | assistant hair stylist: Italy | |
| Grazia De Rossi | .... | hair stylist | |
| Bari Dreiband-Burman | .... | additional makeup effects artist (as Bari Dreiband Burman) | |
| William A. Farley | .... | hair stylist: New York | |
| Carl Fullerton | .... | makeup artist: New York | |
| Enrico Jacoponi | .... | makeup artist: Italy | |
| Tom Lucas | .... | makeup artist for Ms. Keaton | |
| Maurizio Lupi | .... | assistant hair stylist: Italy | |
| Antonio Maltempo | .... | additional makeup artist | |
| Fabrizio Sforza | .... | makeup supervisor | |
| Alfredo Tiberi | .... | makeup artist: Italy | |
| Brian Wade | .... | makeup effects technician (uncredited) | |
Production Management | |||
| Franco Ballati | .... | production manager: Italy | |
| Lorenzo Errico | .... | assistant unit manager: Italy | |
| Lynn Kamern | .... | unit manager: Italy | |
| Bruce S. Pustin | .... | unit manager: New York | |
| Alessandro von Norman | .... | production supervisor (as Alessandro von Normann) | |
Art Department | |||
| Daniel Acon | .... | props: Italy | |
| Elio Altamura | .... | property master: Italy | |
| Joseph Badalucco Jr. | .... | props: New York (as Joe Badalucco) | |
| Michael Badalucco | .... | prop buyer: New York | |
| Maria-Teresa Barbasso | .... | set designer: Italy (as Maria Teresa Barbasso) | |
| Mauro Borrelli | .... | production illustrator | |
| Emilia Burchiellaro | .... | prop department production assistant: Italy | |
| Giuseppe Cancellara | .... | swing gang: Italy | |
| Roberto Cancellara | .... | props: Italy | |
| Natasza Chroscicki | .... | set dressing production assistant: Italy | |
| Giulia Chiara Crugnola | .... | graphic artist: Italy | |
| Vittorio Cuccia | .... | prop runner: Palermo | |
| Franckie Diago | .... | assistant art director | |
| Lucio Di Domenico | .... | draftsperson: Italy | |
| Antonella Di Marco | .... | set dressing production assistant: Italy | |
| Anthony Dimeo | .... | props: New York | |
| William Durnin Sr. | .... | set dresser: New York (as William R. Durnin) | |
| Gary Fettis | .... | supervising set decorator | |
| Giovanni Fiumi | .... | swing gang: Italy | |
| Franco Fumagalli | .... | set decorator: Italy | |
| Daniel K. Grosso | .... | chief set dresser: New York (as Dan Grosso) | |
| Patrizia La Vecchia | .... | art department production assistant: Palermo | |
| Phillis Lehmer | .... | art department coordinator | |
| Renato Lori | .... | swing gang supervisor: Italy | |
| Douglas E. Madison | .... | property master (as Douglas Madison) | |
| Liliana Marceno | .... | art department production assistant: Palermo | |
| Norma Marie Mascia | .... | art department production assistant: Palermo | |
| Felice Mazza | .... | set dressing storekeeper: Italy | |
| James Mazzola | .... | prop consultant: New York | |
| Daphne McCurdy | .... | art department production assistant: Italy | |
| Paolo Morales | .... | storyboard artist: Italy | |
| Bill Murphy | .... | stand-by scenic artist: New York | |
| Maria Cristina Pantoni | .... | set dressing storekeeper: Italy | |
| Ron Petagna | .... | head carpenter: New York (as John Petagna) | |
| Louis Petraglia | .... | chief construction grip: New York | |
| Nazzareno Piana | .... | set designer: Italy | |
| Michael Saccio | .... | set dresser: New York | |
| Philip Saccio | .... | set dresser: New York | |
| Sabina Segatori | .... | property buyer: Italy | |
| Luca Tentellini | .... | draftsman: Italy | |
| Margot Therre | .... | scenic charge person: New York | |
| Sandro Tranchina | .... | prop department production assistant: Palermo | |
| Marco Trentini | .... | draftsman: Italy | |
| Raffaele Vincenti | .... | swing gang: Italy | |
| Ron von Blomberg | .... | assistant set decorator: New York | |
| Stephanie Ziemer | .... | set dressing buyer: Italy | |
| Paolo Morante | .... | assistant set decorator (uncredited) | |
| Massimiliano Paonessa | .... | assistant property master (uncredited) | |
| Alessandro Santucci | .... | draftsman (uncredited) | |
| Angelo Santucci | .... | set coordinator: Italy (uncredited) | |
| Michael Scarola | .... | construction grip (uncredited) | |
| Louis Zamora | .... | labor foreman (uncredited) | |
Special Effects by | |||
| Renato Agostini | .... | special effects technician | |
| Danilo Bollettini | .... | special effects technician | |
| Casey Cavanaugh | .... | special effects: Italy | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Lawrence James Cavanaugh) | |
| Giovanni Corridori | .... | special effects armament: Italy | |
| Ron Ottesen | .... | special effects: New York (as Ronald Ottesen Jr.) | |
| Claudio Quaglietti | .... | special effects: Italy | |
| Franco Ragusa | .... | special effects technician | |
| Isidoro Raponi | .... | special effects: Italy | |
| R. Bruce Steinheimer | .... | special effects supervisor | |
| Bob Wilson | .... | special effects: New York | |
| Karin Hanson | .... | special effects hair (uncredited) | |
Visual Effects by | |||
| John Goodson | .... | model maker (uncredited) | |
| Tony Hudson | .... | modeler: ILM (uncredited) | |
Stunts | |||
| Steve M. Davison | .... | stunt performer (as Steve Davison) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Chad Randall | .... | stunt performer | |
| Pat Romano | .... | stunt performer | |
| Alessandro Borgese | .... | stunt performer (uncredited) | |
| Omero Capanna | .... | stunts (uncredited) | |
| Umberto De Luca | .... | stunts (uncredited) | |
| Benito Pacifico | .... | stunts (uncredited) | |
| Claudio Pacifico | .... | stunts (uncredited) | |
| Gianluca Petrazzi | .... | stunts (uncredited) | |
| Pee Wee Piemonte | .... | stunts (uncredited) | |
| Angelo Ragusa | .... | stunts (uncredited) | |
| Sergio Smacchi | .... | stunts (uncredited) | |
| Claudio Zucchet | .... | stunts (uncredited) | |
Casting Department | |||
| Aleta Chappelle | .... | casting: Italy | |
| Michela Giorelli | .... | extras casting assistant: Italy | |
| Rosalie Joseph | .... | additional casting: New York | |
| Boyana Sutic | .... | extras casting assistant: Italy | |
| Jan McGill | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Antonia Barbitta | .... | wardrobe shop: Italy | |
| Elisabetta Beraldo | .... | assistant costume designer | |
| Ezio Maria Bruno | .... | additional assistant to costume designer | |
| William A. Campbell | .... | wardrobe supervisor | |
| Jaqueline De La Fontaine | .... | wardrobe assistant (as Jacqui De La Fontaine) | |
| Augusto Grassi | .... | wardrobe shop: Italy | |
| Giampiero Grassi | .... | wardrobe shop: Italy (as Giampietro Grassi) | |
| Michele Michel | .... | wardrobe shop: Italy | |
| Jane E. Myers | .... | wardrobe assistant: New York (as Jane Myers) | |
| Anna Orazi | .... | wardrobe shop: Italy | |
| Ingrid Price | .... | wardrobe assistant: New York | |
| Cristiana Ricceri | .... | wardrobe shop: Italy | |
| Irene Santarelli | .... | wardrobe shop: Italy | |
| Richard Shissler | .... | assistant costume designer | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
| Vicki Graef | .... | costume design assistant (uncredited) | |
Editorial Department | |||
| Delia Apolloni | .... | second assistant editor: Italy | |
| Diane Asnes | .... | assistant film editor | |
| Debra Bard | .... | assistant film editor | |
| Laurie Bernard | .... | assistant film editor | |
| Edie Bleiman | .... | assistant film editor (as Edie Sei Ichioka) | |
| Gus Carpenter | .... | first assistant editor: montage | |
| Luis Colina | .... | first assistant editor: film | |
| Dana Congdon | .... | apprentice editor: New York | |
| Tina Fallani | .... | assistant film editor | |
| John Ganem | .... | assistant film editor | |
| Ruth Hasty | .... | assistant film editor | |
| Daniel Charles Hoffman | .... | second assistant editor: Italy | |
| Kerie Kimbrell | .... | assistant film editor | |
| Jennifer Myers | .... | assistant film editor | |
| Greg Pestoni | .... | assistant editor: montage | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Louise Rubacky | .... | additional film editor | |
| Glen Scantlebury | .... | additional film editor | |
Music Department | |||
| Mark Adler | .... | music editor | |
| Carmine Coppola | .... | composer: theme song "Promise Me You'll Remember" | |
| Carmine Coppola | .... | conductor | |
| Carmine Coppola | .... | music arranger | |
| Tony Cucchiara | .... | composer: song "Santa Rosalia" | |
| Joanie Diener | .... | additional music editor | |
| Paolo Gavanelli | .... | soloist | |
| Stephan R. Goldman | .... | music supervisor | |
| Robin Lee | .... | additional music editor | |
| Joel Moss | .... | music scoring mixer (as Joel W. Moss) | |
| Nino Rota | .... | composer: theme and additional music | |
| Jeffery Stephens | .... | associate music editor (as Jeffrey Stephens) | |
| John Walko | .... | music associate | |
| John Walko | .... | musician: organ | |
| Bob Bornstein | .... | music preparation (uncredited) | |
Transportation Department | |||
| Thomas Langmann | .... | Driver of Mr Al Pacino | |
| Thomas Langmann | .... | Driver of Mr Al Pacino | |
| Byron Pierotti | .... | transportation captain: Italy | |
| Charles Spillane | .... | driver | |
Other crew | |||
| Walter Alford | .... | publicist | |
| Cecilia Alvarenga | .... | production secretary: Italy | |
| Roberto Andò | .... | liaison: Palermo | |
| Kim Aubry | .... | technical supervisor: Zoetrope Studios | |
| Paola Barbaglia | .... | silverfish liaison: Italy | |
| Victoria Berry | .... | assistant to executive producer | |
| Rafe Blasi | .... | publicist | |
| Sergio Bologna | .... | first assistant accountant: Italy | |
| Otello Campanelli | .... | city permits: Rome | |
| Jim Carrington | .... | dialogue coach: Italy | |
| Anton Coppola | .... | opera advisor | |
| Bruno Coppola | .... | financial technical advisor | |
| Gustavo Coscarella | .... | payroll clerk: Italy | |
| Daniel Coss | .... | location associate: New York | |
| Kathy Cossu | .... | medical coordinator: New York | |
| Andrea Damiano | .... | assistant to producers: Italy | |
| Matteo De Laurentiis | .... | production assistant: Italy | |
| Loolee DeLeon | .... | assistant: F. Coppola | |
| Stel Deleon | .... | US contact | |
| Gianna Di Michele | .... | auditor: Italy (as Giovanna Di Michele) | |
| Tony Dingman | .... | defensive coordinator | |
| Joe Drago | .... | set assistant: Italy (as Joseph Drago) | |
| Rose Ferraro | .... | assistant to producer | |
| Flaviana Ferri | .... | liaison: Taormina | |
| John Fischer | .... | production assistant: New York | |
| Wayne Fitzgerald | .... | title designer | |
| Tom Fox | .... | silverfish operator | |
| Leigh French | .... | looping coordinator | |
| Rita Gaccioppo | .... | city permits: Palermo | |
| Wilma Garscadden-Gahret | .... | script supervisor | |
| Michele Giordano | .... | production office associate: New York | |
| Joanne S. Grant | .... | assistant accountant (as Joanne Grant) | |
| Maurizio Graziosi | .... | cashier: Italy | |
| Rachel Hall | .... | production assistant | |
| Catherine Hand | .... | assistant to executive producer | |
| Jane Hartwell | .... | set assistant: Italy | |
| Barbara Heller | .... | location manager: New York | |
| Amy Herman | .... | location associate: New York | |
| Kevin Kavanaugh | .... | production assistant | |
| Phyllis King | .... | voice coach: Italy | |
| Ron King | .... | production assistant: New York | |
| Eddee Kolos | .... | production assistant: New York | |
| Norma Marie Mascia | .... | production assistant: Italy | |
| Christienne Metropole | .... | production assistant | |
| Paolo Morante | .... | set production assistant | |
| Nick Muglia | .... | equine coordinator: New York | |
| Anahid Nazarian | .... | researcher | |
| Maureen Newman | .... | production accountant | |
| Giovanni Pallavicino | .... | dialogue coach: Sicilian | |
| Lou Phillips | .... | production controller (as Louis B. Phillips) | |
| Antonia Proscia | .... | assistant accountant: New York | |
| Jane Raab | .... | production coordinator: New York | |
| Thomas Reilly | .... | teamster captain: New York | |
| Luigi Riitano | .... | cashier: Italy | |
| Lisa Rome | .... | defensive coordinator | |
| Reid Rosefelt | .... | publicist | |
| Juan Ros | .... | production assistant: New York | |
| Sacha Sarchielli | .... | interpreter: Italy | |
| Greta Seacat | .... | dialogue coach: New York | |
| Frank Silvestri | .... | company physician: Italy | |
| Mark Steiner | .... | craft service: New York | |
| Peter Tavis | .... | teamster co-captain: New York | |
| Richard Tedesco | .... | parking coordinator: New York | |
| Riccardo Terlizzi | .... | silverfish assistant: Italy | |
| Daniela Vecchi | .... | production coordinator: Italy | |
| Benedetta Von Normann | .... | production assistant: Italy | |
| Frederick Vreeland | .... | voice coach: Italy | |
| Jody Washington | .... | production assistant | |
| Tim Watkins | .... | production assistant: New York | |
| Gilbert S. Williams | .... | shop manager: New York (as Gilbert Williams) | |
| Armando Zappi | .... | crowd marshall: Italy | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Christopher Gambale | .... | production assistant (uncredited) | |
| Luigi Riitano | .... | production accountant (uncredited) | |
| Tim Sullivan | .... | production assistant (uncredited) | |
| Rick Washburn | .... | weapons coordinator (uncredited) | |
Thanks | |||
| Anna Anni | .... | thanks | |
| Charlie Bluhdorn | .... | dedicatee | |
| Yance George | .... | special thanks | |
| George Lucas | .... | special thanks | |
| Franco Platania | .... | thanks | |
| Gianna Platania | .... | thanks | |
| Franco Zeffirelli | .... | thanks (as F. Zeffirelli) | |
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| The Godfather: Part II | The Godfather | Carlito's Way | Goodfellas | Batman Begins |
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Michael Corleone has sold his illegal business in an attempt to win back his family. However he must still contend with up and coming mobsters such as Vincent, who wants to work for him and Joey Zasa, who wants to fully take over the Corleone family's territory. When the Corleone family begin to deal with the Vatican and plan to buy out their share of an multinational corporation he finds that the Vatican is just as corrupt as his illegal operations were. Despite his best efforts he finds himself sucked back into the world he has tried to leave behind.
Easily one of the most hated films ever made or at least you'd think it was by the critical mauling it got for a raft of reasons. However watching it now it isn't that bad and really it only suffers from comparison with the two films before it. But lets be fair, Coppola has made 3 or 4 of the best films ever made did we really expect another one from him?
The film has a reasonable plot and brings the trilogy to a logical end. The plot however does have it's weaknesses for example it starts well with Michael's attempt to `get out' being hampered by other families on their way up. But when it starts to get involved with money laundering through the Vatican and the corruption therein, it starts to lose it's way and it's focus on Michael.
The main weakness comes in the characters. Would Michael really go straight just to get his family back and how come he managed to do it so easily up till the time of the film? Worse still is Connie who seems to have become some sort of Mafia widow when that was not part of her character in the previous films would she really have got that twisted or influential? Little problems like these just bugged me and they also fed into the performances.
For such a great cast the acting was very average. Pacino is good but I sensed he didn't see Michael turning out this way and he didn't convince occasionally. Keaton has little to do and again I felt that her approach to Michael was too forgiving, although maybe I'm not allowing for time. As I Siad before Shire was doing some sort of `Bride of Frankenstein' act as Connie and I didn't buy it for a moment. Garcia was OK and faces like Wallach, Hamilton and the like helped. The two worst performances were sadly two of the main ones. First Joe Mantegna ..now it wasn't that it was bad it was more that I've seen him do so much better. Here all I could think of when I watched him was how his character and his acting was very like his Simpsons' character of ` Fat Tony'. Bare in mind Fat Tony is meant to be a spoof of the Mafioso characters and you'll see why I didn't like it.
The worse performance was Sofia Coppola. Now she was vilified at the time for her role a bit unfairly and cruelly but she was still bad. She has this strange scowl on her face for most of the film and she acts like a spoil little girl. She also has no realism in her voice and speaks in the same constant tone that Vincent would fall for her was just a leap of faith too far to accept. The cast does have others who are unused or underused Fonda being the best example. Why did she bother with that role!?
Overall, this is miles behind the other two Godfathers and it has plenty of weaknesses. However at it's heart it's a good try as the concluding part and the story is watchable. It's not bad, it just is average and it feels like the director and large sections of the cast felt they just had to turn up to make a third classic film.