| Videos (see all 4) |
| Patrick Swayze | ... | Sam Wheat | |
| Demi Moore | ... | Molly Jensen | |
| Tony Goldwyn | ... | Carl Bruner | |
| Stanley Lawrence | ... | Elevator Man | |
| Christopher J. Keene | ... | Elevator Man | |
| Susan Breslau | ... | Susan | |
| Martina Deignan | ... | Rose (as Martina Degnan) | |
| Rick Kleber | ... | Mover (as Richard Kleber) | |
| Macka Foley | ... | Mover | |
| Rick Aviles | ... | Willie Lopez | |
| Phil Leeds | ... | Emergency Room Ghost | |
| John Hugh | ... | Surgeon | |
| Sam Tsoutsouvas | ... | Minister | |
| Sharon Breslau | ... | Cemetery Ghost (as Sharon Breslau Cornell) | |
| Vincent Schiavelli | ... | Subway Ghost | |
| Angelina Estrada | ... | Rosa Santiago | |
| Armelia McQueen | ... | Oda Mae's Sister | |
| Gail Boggs | ... | Oda Mae's Sister | |
| Whoopi Goldberg | ... | Oda Mae Brown | |
| Thom Curley | ... | Workman in Loft | |
| Stephen Root | ... | Police Sgt. | |
| Laura Drake | ... | Policewoman | |
| Augie Blunt | ... | Orlando | |
| Alma Beltran | ... | Woman Ghost | |
| Vivian Bonnell | ... | Ortisha | |
| Derek Thompson | ... | Ortisha's Friend | |
| J. Christopher Sullivan | ... | Man Ghost | |
| Charlotte Zucker | ... | Bank Officer | |
| Tom Finnegan | ... | Bank Guard | |
| Bruce Jarchow | ... | Lyle Furgeson | |
| Sondra Rubin | ... | Nun | |
| Faye Brenner | ... | Nun | |
| William Cort | ... | Bank Co-Worker | |
| Minnie Summers Lindsey | ... | Apartment Woman (as Minnie Lindsey) | |
| Mabel Lockridge | ... | Apartment Woman | |
| Said Faraj | ... | Cab driver | |
| Mike Jittlov | ... | Dark Spirits |
Directed by | |||
| Jerry Zucker | |||
Writing credits(WGA) | ||
| Bruce Joel Rubin | (written by) | |
Produced by | |||
| Steven-Charles Jaffe | .... | executive producer | |
| Bruce Joel Rubin | .... | associate producer | |
| Lisa Weinstein | .... | producer | |
| Howard W. Koch | .... | producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Adam Greenberg | (director of photography) | ||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Mark W. Mansbridge | (as Mark Mansbridge) | ||
Set Decoration by | |||
| Joe D. Mitchell | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Marietta Carter-Narcisse | .... | makeup artist: Ms. Goldberg (as Marietta A. Carter) | |
| Ben Nye Jr. | .... | supervising makeup artist | |
| Dione Taylor | .... | supervising hair stylist | |
| Julia L. Walker | .... | hair stylist: Ms. Goldberg | |
Production Management | |||
| Dirk Petersmann | .... | unit production manager | |
| Michael Tadross | .... | unit production manager | |
Art Department | |||
| Richard T. Allen | .... | construction foreperson: second unit | |
| Leslie Bloom | .... | set decorator: second unit | |
| Dennis Bradford | .... | art director: second unit | |
| Oscar Flores | .... | assistant propmaster | |
| Horst Grandt | .... | property master | |
| Bill 'Kauhane' Hoyt | .... | production painter (as William Hoyt) | |
| Gary Kudroff | .... | lead person | |
| Michael Lessa | .... | illustrator (as Mike Lessa) | |
| Robert Lindsey | .... | constrution foreperson (as Bob Lindsey) | |
| David J. Negron | .... | storyboard artist | |
| Larry Phillips | .... | assistant propmaster | |
| Thomas Saccio | .... | property master: second unit (as Tom Saccio) | |
| Stan Tropp | .... | set designer | |
| Butch West | .... | construction coordinator | |
| Steven Braund | .... | property maker (uncredited) | |
| Randy L. Childs | .... | propmaker (uncredited) | |
| Paul Ecker | .... | painter (uncredited) | |
| Kelly Lepkowsky | .... | special creative props (uncredited) | |
| Brick Mason | .... | storyboard artist (uncredited) | |
| Michael Saccio | .... | assistant property master (uncredited) | |
| D.A. Zingelewicz | .... | painter (uncredited) | |
Special Effects by | |||
| Eugene Crum | .... | special effects | |
| Donald Frazee | .... | special effects | |
| Logan Frazee | .... | special effects | |
| Terry D. Frazee | .... | special effects supervisor (as Terry Frazee) | |
| Michael Meinardus | .... | special effects (as Mike Meinardus) | |
| Donald Myers | .... | special effects (as Donald Myers Jr.) | |
| Robert DeVine | .... | special effects (uncredited) | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
| Mike Smithson | .... | body effects: Patrick Swayze (uncredited) | |
Visual Effects by | |||
| Jon Alexander | .... | optical camera operator: ILM | |
| William L. Arance | .... | digital artist: dark ghosts (as W.L. Arance) | |
| Gordon Baker | .... | visual effects animator: ILM | |
| Randall Balsmeyer | .... | motion control supervisor | |
| Kathleen Beeler | .... | rotoscope artist: ILM | |
| Jennifer C. Bell | .... | visual effects coordinator | |
| Jil-Sheree Bergin | .... | visual effects coordinator: ILM | |
| Beverly Bernacki | .... | opticals | |
| Tom Bertino | .... | rotoscope supervisor: ILM | |
| Beth Block | .... | opticals | |
| Barbara Brennan | .... | rotoscope artist: ILM | |
| Marty Brenneis | .... | engineering service: ILM | |
| Laura Buff | .... | visual effects production supervisor | |
| Charlie Canfield | .... | special effects camera operator: ILM | |
| Don Canfield | .... | motion control assistant: New York (as Donald Canfield) | |
| Marsha Gray Carrington | .... | digital artist: ink artist (as Marsha Carrington) | |
| Marsha Gray Carrington | .... | digital artist: paint artist (as Marsha Carrington) | |
| Marsha Gray Carrington | .... | rotoscope artist (as Marsha Carrington) | |
| Lanny Cermak | .... | engineering service: ILM | |
| Doug Chiang | .... | visual effects art director: ILM | |
| Donald Clark | .... | optical camera operator: ILM | |
| Charlie Clavadetscher | .... | animator supervisor: ILM | |
| Michael Cooper | .... | optical lineup: ILM | |
| Tom Cranham | .... | visual effects illustrator | |
| Peter Crosman | .... | visual effects animator: ILM | |
| Ron Diggory | .... | stage technician: ILM | |
| Mark A.Z. Dippé | .... | computer graphics: ILM (as Mark E.R. Dippé) | |
| Jeff Doran | .... | optical camera operator: ILM | |
| Loring Doyle | .... | visual effects animator: ILM | |
| Richard Edlund | .... | visual effects supervisor: Boss Film Studios | |
| Harrison Ellenshaw | .... | visual effects technical consultant | |
| Susan Fritz-Monahan | .... | visual effects co-producer: ILM | |
| George Gambetta | .... | optical lineup: ILM | |
| John Gazdik | .... | visual effects camera assistant: ILM | |
| Brian Gernand | .... | model maker: ILM | |
| Michael Gleason | .... | visual effects editor: ILM | |
| Ned Gorman | .... | visual effects producer: ILM | |
| Joanne Hafner | .... | rotoscope artist: ILM | |
| Rebecca Heskes | .... | rotoscope artist: ILM (as Rebecca Petrulli) | |
| Robert Hill | .... | visual effects camera assistant: ILM | |
| Sandy Houston | .... | rotoscope artist: ILM | |
| Lincoln Hu | .... | computer graphics: ILM | |
| Peg Hunter | .... | optical lineup: ILM | |
| Nancy Jencks | .... | assistant editor: ILM | |
| Mike Jittlov | .... | digital artist: dark ghosts | |
| Keith Johnson | .... | optical camera operator: ILM | |
| Ed Jones | .... | executive in charge of post-production: ILM (as Ed. L. Jones) | |
| David Karpman | .... | optical lineup: ILM | |
| Katherine Kean | .... | visual effects supervisor: Good Spirits and Dark Spirits (as Kathy Kean) | |
| Steven Kosakura | .... | motion control operator | |
| Jennifer Lee | .... | optical line-up: ILM | |
| Liz Lord | .... | digital artist: ink artist | |
| Liz Lord | .... | digital artist: paint artist | |
| Liz Lord | .... | rotoscope artist | |
| Rob Maine | .... | motion control operator: ILM (as Robert Maine) | |
| Greg Maloney | .... | optical lineup: ILM | |
| Roberto McGrath | .... | assistant editor: ILM | |
| Virgil Mirano | .... | special elements photographer | |
| Craig Mohagen | .... | stage technician: ILM | |
| Terry Molatore | .... | rotoscope artist: ILM | |
| Jack Mongovan | .... | rotoscope artist: ILM | |
| Jim Morris | .... | executive in charge of production: ILM | |
| Ed Moyer | .... | motion control assistant: Los Angeles (as Edward Moyer) | |
| Ellen Mueller | .... | rotoscope artist: ILM | |
| Bill Neil | .... | visual effects consultant | |
| Lori J. Nelson | .... | optical lineup: ILM | |
| Bruce Nicholson | .... | visual effects supervisor: ILM | |
| January Nordman | .... | scene coordinator | |
| Sarah Pasanen | .... | opticals | |
| Alan Peterson | .... | model maker: ILM | |
| Lorne Peterson | .... | modelshop supervisor: ILM | |
| Steve Price | .... | video effects artist | |
| Carolyn Ensle Rendu | .... | rotoscope artist: ILM (as Carolyn Rendu) | |
| Pat Repola | .... | optical camera operator: ILM | |
| Stuart Robertson | .... | optical photography supervisor: ILM | |
| Martin Rosenberg | .... | visual effects camera: ILM | |
| Thomas Rosseter | .... | optical lineup: ILM (as Tom Rosseter) | |
| Scott Ross | .... | general manager: ILM | |
| Susan Ross | .... | model maker: ILM | |
| Jim Rygiel | .... | digital effects supervisor | |
| Nina Salerno | .... | digital artist: ink artist | |
| Nina Salerno | .... | digital artist: paint artist | |
| Nina Salerno | .... | rotoscope artist | |
| Christine Sellin | .... | visual effects production coordinator | |
| Kenneth Smith | .... | optical camera operator: ILM | |
| Thomas J. Smith | .... | optical camera operator: ILM (as Tom Smith) | |
| Ellen Somers | .... | visual effects production supervisor | |
| Anthony Stacchi | .... | visual effects animator: ILM | |
| Howard Stein | .... | visual effects editor | |
| Eric Swenson | .... | special effects camera operator: ILM | |
| Joseph Thomas | .... | motion control operator | |
| Sean Turner | .... | visual effects animator: ILM | |
| John T. Van Vliet | .... | visual effects supervisor: Good Spirits and Dark Spirits (as John Van Vliet) | |
| Robert Wait | .... | visual effects editor | |
| Gary Waller | .... | special elements photographer (as Garry Waller) | |
| Judith Weaver | .... | animation coordinator: ILM | |
| Byron Werner | .... | digital artist: ink artist | |
| Byron Werner | .... | digital artist: paint artist | |
| Byron Werner | .... | rotoscope artist | |
| David S. Williams Jr. | .... | additional composites: Illusion Arts (as David S. Williams) | |
| Susan Adele Colletta | .... | post production coordinator: ILM (uncredited) | |
| Philip Crescenzo | .... | visual effects: technical supervisor (uncredited) | |
| Mimi Everett | .... | motion control camera: Post Group (uncredited) | |
| Jenny Fulle | .... | visual effects coordinator (uncredited) | |
| Jack Gallagher | .... | plate photography coordinator: ILM (uncredited) | |
| Don Lee | .... | digital compositor (uncredited) | |
| Jeff Nicholson | .... | optical effects (uncredited) | |
| Chris Walas | .... | special creatives projects (uncredited) | |
| Larry Weiss | .... | CG animator: VIFX (uncredited) | |
| David Wiezer | .... | model maker (uncredited) | |
Stunts | |||
| Sandy Berumen | .... | stunts | |
| Bob K. Cummings | .... | stunts | |
| Gary Davis | .... | stunt coordinator (as Gary Charles Davis) | |
| Shane Dixon | .... | stunts | |
| Andy Duppin | .... | stunts | |
| Ramiro González | .... | stunts (as Ramiro Gonzalez) | |
| Peter Hock | .... | stunts | |
| William James | .... | stunts | |
| Harry Madsen | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Gene McLaughlin | .... | stunts | |
| Charlie Picerni | .... | stunt coordinator (as Charles Picerni) | |
| James Thompson | .... | stunts | |
| Jeff Ward | .... | stunts | |
| Kym Washington | .... | stunts | |
Animation Department | |||
| Jeff Howard | .... | animator | |
| Candace Lewis | .... | animator | |
| Martine Tomczyk | .... | animator | |
Casting Department | |||
| Sylvia Fay | .... | extras casting: second unit | |
| Jan McGill | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Kendall Errair | .... | costumer | |
| Eric Harrison | .... | costumer | |
| Dawn J. Jackson | .... | costume supervisor (as Dawn Jackson) | |
| Mark Peterson | .... | key costumer (uncredited) | |
Editorial Department | |||
| Elisa Cohen | .... | apprentice editor | |
| Meredith Gold | .... | assistant film editor | |
| Agnes Grandits | .... | assistant editor: second unit (as Agnes Challe-Grandits) | |
| Tom Shaffer | .... | color timer | |
| John Watson | .... | first assistant editor | |
Music Department | |||
| Robert Fernandez | .... | music scoring mixer | |
| Maurice Jarre | .... | orchestrator | |
| Shawn Murphy | .... | music scoring mixer | |
| Patrick Russ | .... | orchestrator (uncredited) | |
Transportation Department | |||
| William Hogue | .... | transportation captain (as Bill Hogue) | |
| Gene R. Johnson | .... | transportation coordinator (as Gene Johnson) | |
| Richard Curry | .... | driver: Ms. Moore (uncredited) | |
Thanks | |||
| Lindsay Doran | .... | special thanks | |
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| Basic Instinct | Frequency | Sleeping with the Enemy | Disturbia | Alone |
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The imaginative idea of writing a romance upon lovers communicating spiritually for one of them is dead, was first filmed by Steven Spielberg 8 months before the Ghost's silver screen release. His movie Always(1989) had its visuals fulfilling the needs of viewers with action-based expectations. Yet, Always was lack of the sense of romance, despite having the same plot and even the same storyline of the Ghost. Originally the idea has been created by Chandler Sprague and David Boehm.
However, Ghost accomplished of what "Always" tried and failed. There were indelible moments in Ghost, which were lessons to whom wants to be loved. It is scraped in our memory how Molly and Sam kept their thoughts off each others' feelings, that taught us: "Love begins with emotions, ends with thoughts". On this account, they never called off their faith on believing to last endlessly together. There were also indelible scenes in Ghost, where the editing was so impressive that instead of trying to make the story more plausible, it empowered the devotion of lovers onto their relation. The scene which Sam's ghost drew upon Oda Mae's body to break the longing with Molly by kissing her is eternal.
I was in love with someone, and it was February,2005; we were both watching the Ghost on TV, both talking on the phone. Then that scene came upon(Sam's ghost kissing Molly in Oda Mae's body), I felt lost deep in my heart seeking the girl I'm talking on the phone. I heard she was crying and sobbing, and keep saying to me: "I will never forget the first time you kissed me, the next would be the end of my life" Ghost is one timeless romantic masterpiece that had its moments. For me the kissing scene was the best kiss of all time. MTV had honored this kiss as well, several years after the release of the movie, as the best kiss in a movie of the last decade of the 20th century. Superimposing that, the scenes that Oda Mae Brown convinces Molly that Sam is around her and then Molly reasons with police that Oda Mae knows nobody is able to know but Sam and herself only; are the scenes that deliver the magic beyond eyes and beyond ears.
To watch Ghost is in the to do list of what to do when you're on a date.