| Photos (see all 11 | slideshow) |
| John Hurt | ... | Dr. Joe Buchanan / Narrator | |
| Raul Julia | ... | Dr. Victor Frankenstein | |
| Nick Brimble | ... | The Monster | |
| Bridget Fonda | ... | Mary Wollstonecraft Godwin | |
| Catherine Rabett | ... | Elizabeth Levenza, Victor's Fiancee | |
| Jason Patric | ... | Lord George Gordon Byron | |
| Michael Hutchence | ... | Percy Byshee Shelley | |
| Catherine Corman | ... | Justine Moritz, Woman tried & condemmed as a witch | |
| William Geiger | ... | Lab Technician | |
| Mickey Knox | ... | General Reade | |
| Myriam Cyr | ... | Information Officer | |
| Terri Treas | ... | Buchanan's car (voice) | |
| Cynthia Allison | ... | Newswoman | |
| Isabella Rocchietta | ... | Dorrie | |
| Matt Cassidy | ... | Boy #1 | |
| Hauck Bjorck | ... | Boy #2 | |
| Olga Angelo | ... | Girl #2 | |
| Geoffrey Copleston | ... | Secheron Innkeeper | |
| John Karlsen | ... | Parson | |
| Donald Hodson | ... | Old Man | |
| Bruce McGuire | ... | Prosecutor | |
| Grady Clarkson | ... | Judge | |
| Andrew Newton | ... | Head Juror | |
| Paul Weston | ... | Watchman | |
| Christopher Robertson | ... | Urchin #2 | |
| Peter Goetz | ... | Man #1 | |
| Nick Gillard | ... | Man #2 / Man #3 | |
| Cyrus Elias | ... | Werner, Levenza's Butler |
Directed by | |||
| Roger Corman | |||
Writing credits(WGA) | ||
| Brian Aldiss | (novel) (as Brian W. Aldiss) | |
| Roger Corman | (screenplay) and | |
| F.X. Feeney | (screenplay) | |
Produced by | |||
| Jay Cassidy | .... | associate producer | |
| Roger Corman | .... | producer | |
| Kobi Jaeger | .... | producer | |
| Laura J. Medina | .... | associate producer | |
| Thom Mount | .... | producer | |
Original Music by | |||
| Carl Davis | |||
Cinematography by | |||
| Armando Nannuzzi | |||
| Michael Scott | |||
Film Editing by | |||
| Mary Bauer | |||
| Jay Cassidy | (as Jay Lash Cassidy) | ||
Casting by | |||
| Caro Jones | |||
Production Design by | |||
| Enrico Tovaglieri | |||
Set Decoration by | |||
| Ennio Michettoni | |||
Costume Design by | |||
| Franca Zucchelli | |||
Makeup Department | |||
| Guiliana DeCarli | .... | makeup artist | |
| Nick Dudman | .... | special makeup effects | |
| Romana Piolanti | .... | hair stylist | |
| Suzanne Reynolds | .... | prosthetic makeup | |
Production Management | |||
| Luciano Balducci | .... | unit production manager | |
| Bruno Mancinelli | .... | unit manager | |
| Laura J. Medina | .... | unit production manager | |
Art Department | |||
| Barbara Anne Bock | .... | storyboard artist | |
| Keith Crossley | .... | storyboard artist | |
| Giuseppe Mancarella | .... | property master | |
| Gary Randall | .... | production designer: second unit | |
Sound Department | |||
| Gary Alper | .... | sound mixer | |
| Stefano Bausano | .... | boom operator | |
| Harry Cohen | .... | digital sound effects designer | |
| Terry Fiyalko | .... | dialogue editor | |
| Tim Gedemer | .... | digital sound effects editor | |
| Lewis Goldstein | .... | adr editor (as Lew Goldstein) | |
| Greg Hodge | .... | digital sound effects editor | |
| George Johnsen | .... | post-production sound supervisor | |
| Patrick Johnston | .... | post-production sound supervisor | |
| Ossama Khuluki | .... | foley artist | |
| Tanya McGinnis-Potvin | .... | foley recordist (as Tanya McGinnis) | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Katie Rowe | .... | foley artist | |
| Ann Scibelli | .... | digital sound effects editor | |
| Ken Teaney | .... | sound re-recording mixer | |
| Jeff Vaughn | .... | foley editor | |
Special Effects by | |||
| Renato Agostini | .... | set special effects | |
Visual Effects by | |||
| Syd Dutton | .... | visual effects | |
| Bruno George | .... | optical effects | |
| Bret Mixon | .... | rotoscoping | |
| Mark Sawicki | .... | matte photography | |
| Robert Stromberg | .... | matte artist | |
| Bill Taylor | .... | visual effects | |
| David S. Williams Jr. | .... | optical effects | |
Stunts | |||
| Corrado Burletta | .... | stunts | |
| Domenico Cianfriglia | .... | stunts | |
| Giovanni Cianfriglia | .... | stunts | |
| Steve Dent | .... | stunts | |
| Nick Gillard | .... | stunts | |
| Chrissy Monk | .... | stunts | |
| Marco Stefanelli | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Silvano Zuddas | .... | stunts | |
Casting Department | |||
| John Leamer | .... | additional casting (uncredited) | |
Editorial Department | |||
| Phil Hetos | .... | color timer | |
| Brian Ralph | .... | negative cutter | |
Music Department | |||
| Carl Davis | .... | conductor | |
| Peter Fuchs | .... | score recordist | |
| Robert Hathaway | .... | music editor | |
| Nic Raine | .... | orchestrator | |
Transportation Department | |||
| Alessandro Gatti | .... | transportation captain | |
Other crew | |||
| Thomas 'Doc' Boguski | .... | production coordinator: USA | |
| Robert C. Campion | .... | production controller | |
| Clarita DiGiovanni | .... | script supervisor | |
| Geoff Freeman | .... | unit publicist | |
| Roberto Gallarati | .... | location manager | |
| Anne Nevin | .... | production coordinator | |
| Raymond Tricker | .... | prosthetic mould designer | |
| Ian Whittaker | .... | animatronics engineer | |
| Wharton Winstead | .... | assistant to producer | |
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| Frankenstein | Son of Frankenstein | Demolition Man | Frankenstein | Young Frankenstein |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I have to admit, I enjoyed this film, and I enjoyed it more than I thought I would. This is only the second Roger Corman film I've seen so far, and therefore I can only really compare it to the other film I saw by him, The Terror. I can clearly recognize the directing style, and basic film-making style, but I must say that this is better than The Terror. The plot is pretty good, and fairly interesting, and more original than most other films dealing with Frankenstein. It has a decent enough pace; I wasn't bored for the 90 minutes it lasted. The script is fairly good too, a good twist on the original Frankenstein story, though I guess some fans of the original story wouldn't like the various changes. The acting is good enough, both John Hurt and Raul Julia gives pretty good performances, and the rest of the cast is decent. The characters are fairly well-written and credible. The film has a fairly bad name, it seems; yes, the monster does look more like the result of genetic mutation or something similar, rather than a creature built together by human bodies, and, arguably, the film has several violent scenes that seem to be there mainly to add violence rather than substance to the film, but apart from that, the film is pretty good, at least worth a watch, if only one watch. The effects are decent enough, at least for a film from 1990. The makeup effects and such were also pretty good, I must say that the monster's face, especially the eyes, did send a chill through my spine, the first time he was shown. I liked the various science fiction aspects of the film, and the social commentary was very good, too. The ending was a little weird, but it was a fairly good climax. All in all, a decent enough science fiction/horror drama, and worth one watch, if you can catch it for free. I recommend it to fans of Roger Corman and open-minded fans of Frankenstein and/or horror films in general; just be prepared that it won't be an incredible or very memorable film, just an entertaining 90 minutes, if you're into violent movies without any real purpose. 6/10