| Photos (see all 68 | slideshow) | Videos (see all 14 NEW) |
| Johnny Depp | ... | Edward Scissorhands | |
| Winona Ryder | ... | Kim | |
| Dianne Wiest | ... | Peg | |
| Anthony Michael Hall | ... | Jim | |
| Kathy Baker | ... | Joyce | |
| Robert Oliveri | ... | Kevin | |
| Conchata Ferrell | ... | Helen | |
| Caroline Aaron | ... | Marge | |
| Dick Anthony Williams | ... | Officer Allen | |
| O-Lan Jones | ... | Esmeralda | |
| Vincent Price | ... | The Inventor | |
| Alan Arkin | ... | Bill | |
| Susan Blommaert | ... | Tinka (as Susan J. Blommaert) | |
| Linda Perri | ... | Cissy (as Linda Perry) | |
| John Davidson | ... | Host-TV | |
| Biff Yeager | ... | George | |
| Marti Greenberg | ... | Suzanne | |
| Bryan Larkin | ... | Max | |
| John McMahon | ... | Denny | |
| Victoria Price | ... | TV Newswoman | |
| Stuart Lancaster | ... | Retired Man | |
| Gina Gallagher | ... | Granddaughter | |
| Aaron Lustig | ... | Psychologist | |
| Alan Fudge | ... | Loan Officer | |
| Steven Brill | ... | Dishwasher Man | |
| Peter Palmer | ... | Editor | |
| Marc Macaulay | ... | Reporter | |
| Carmen J. Alexander | ... | Reporter | |
| Brett Rice | ... | Reporter | |
| Andrew B. Clark | ... | Beefy Man (as Andrew Clark) | |
| Kelli Crofton | ... | Pink Girl | |
| Linda Jean Hess | ... | Older Woman / TV | |
| Rosalyn Thomson | ... | Young Woman / TV | |
| Lee Ralls | ... | Red-Haired Woman / TV | |
| Eileen Meurer | ... | Teenage Girl / TV | |
| Bea Albano | ... | Rich Widow / TV | |
| Donna Pieroni | ... | Blonde / TV | |
| Ken DeVaul | ... | Policeman | |
| Michael Gaughan | ... | Policeman | |
| Tricia Lloyd | ... | Teenage Girl | |
| Kathy Dombo | ... | Other Teen | |
| Rex Fox | ... | Police Sergeant | |
| Sherry Ferguson | ... | Max's Mother | |
| Tabetha Thomas | ... | Little Girl on Bike | |
| Tammy Boalo | ... | Neighborhood Extra | |
| Jackie Carson | ... | Neighborhood Extra | |
| Carol Crumrine | ... | Neighborhood Extra | |
| Suzanne Chrosniak | ... | Neighborhood Extra | |
| Ellin Dennis | ... | Neighborhood Extra | |
| Kathy Fleming | ... | Neighborhood Extra | |
| Jalaine Gallion | ... | Neighborhood Extra | |
| Miriam Goodspeed | ... | Neighborhood Extra | |
| Dianne L. Green | ... | Neighborhood Extra | |
| Mary Jane Heath | ... | Neighborhood Extra | |
| Carol D. Klasek | ... | Neighborhood Extra | |
| Laura Nader | ... | Neighborhood Extra | |
| Doyle Anderson | ... | Neighborhood Extra | |
| Harvey Bellman | ... | Neighborhood Extra | |
| Michael Brown | ... | Neighborhood Extra | |
| Gary Clark | ... | Neighborhood Extra | |
| Roland Douville | ... | Neighborhood Extra | |
| Russell E. Green | ... | Neighborhood Extra | |
| Cecil Hawkins | ... | Neighborhood Extra | |
| Jack W. Kapfhamer | ... | Neighborhood Extra | |
| Bill Klein | ... | Neighborhood Extra | |
| Phil Olson | ... | Neighborhood Extra | |
| Joe Sheldon | ... | Neighborhood Extra | |
| James Spicer | ... | Neighborhood Extra | |
| rest of cast listed alphabetically: | |||
| Nick Carter | ... | Neighborhood Extra (uncredited) | |
| Tim Rerucha | ... | Van Friend (uncredited) | |
| L.A. Rothman | ... | Girl in Diner (uncredited) | |
Directed by | |||
| Tim Burton | |||
Writing credits(WGA) | ||
| Tim Burton | (story) & | |
| Caroline Thompson | (story) | |
| Caroline Thompson | (screenplay) | |
Produced by | |||
| Tim Burton | .... | producer | |
| Denise Di Novi | .... | producer | |
| Richard Hashimoto | .... | executive producer | |
| Caroline Thompson | .... | associate producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Stefan Czapsky | (director of photography) | ||
Film Editing by | |||
| Richard Halsey | |||
Casting by | |||
| Victoria Thomas | |||
Production Design by | |||
| Bo Welch | |||
Art Direction by | |||
| Tom Duffield | |||
Set Decoration by | |||
| Cheryl Carasik | |||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Irene Aparicio | .... | hair stylist | |
| Fern Buchner | .... | makeup artist: Dianne Wiest (as Fern Buckner) | |
| Bridget Cook | .... | set hair stylist | |
| Selena Evans-Miller | .... | makeup artist (as Selena Miller) | |
| Matthew W. Mungle | .... | makeup artist | |
| Ve Neill | .... | makeup department head | |
| Rick Provenzano | .... | hair stylist | |
| Kim Santantonio | .... | set hair stylist | |
| Susan Schuler-Page | .... | set hair stylist | |
| Werner Sherer | .... | hairdresser: Dianne Wiest | |
| Liz Spang | .... | hair stylist | |
| Rick Stratton | .... | makeup artist | |
| Yolanda Toussieng | .... | hair designer | |
| Mary Ann Valdes | .... | assistant hair stylist | |
| Lynda Kyle Walker | .... | hair stylist | |
| Brad Wilder | .... | makeup artist | |
| Stan Winston | .... | special makeup and scissorhands effects producer | |
| Steve LaPorte | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Bill Scott | .... | unit production manager (as Bill P. Scott) | |
Second Unit Director or Assistant Director | |||
| Francis Conway | .... | second assistant director | |
| Jerry Fleck | .... | first assistant director | |
| Margaret Nelson | .... | second second assistant director | |
Art Department | |||
| Steven Lee Baer | .... | draperyman (as Steven Baer) | |
| Michael R. Blaich | .... | construction paint foreman | |
| Gary Clause | .... | construction foreman | |
| Tandova Ecenia | .... | assistant props | |
| John R. Elliott | .... | construction foreman | |
| Stephen I. Erdberg | .... | set dresser | |
| Michael R. Gannon | .... | assistant props | |
| Daniel J. Gillooly | .... | assistant greensman | |
| Ann Harmon | .... | art department researcher (as Anne Harmon) | |
| Ann Harris | .... | set designer | |
| Rick Heinrichs | .... | set designer | |
| Chris Herrington | .... | construction paint foreman | |
| David Howland | .... | plasterer foreman | |
| Jack Johnson | .... | illustrator | |
| Michael Harry Kerr | .... | assistant greensman | |
| Shane Mahan | .... | art department coordinator: Stan Winston Studio (as Shane Patrick Mahan) | |
| Kevin Mangan | .... | standby greensman | |
| David Manhan | .... | set dresser | |
| Chuck McSorley | .... | leadman | |
| Dan Ondrejko | .... | master greensman (as Danny Ondrejko) | |
| Paul Paleveda | .... | assistant greensman | |
| Tim Paleveda | .... | assistant greensman | |
| Dan Pemberton | .... | construction foreman | |
| William A. Petrotta | .... | property master (as Bill Petrotta) | |
| Diane Phelps | .... | art department researcher | |
| Leo Rijn | .... | art department sculptor | |
| William Robertson | .... | topiary frame construction | |
| John Rosengrant | .... | art department coordinator: Stan Winston Studio | |
| Stephanie Schwartzman | .... | art department researcher | |
| Alex Scutti Jr. | .... | head plasterer | |
| Alex Scutti Jr. | .... | plasterer gang boss (as Alexander Scutti) | |
| Anne Sidaris-Reeves | .... | assistant props (as Anne Reeves) | |
| Paul Sonski | .... | set designer | |
| John Villarino | .... | construction coordinator | |
| Mike Villarino | .... | general construction foreman | |
| Chris Zimmerman | .... | construction paint foreman | |
| Clyde Zimmerman | .... | paint supervisor | |
| Randy L. Childs | .... | propmaker gangboss (uncredited) | |
Visual Effects by | |||
| Yarek Alfer | .... | lead sculptor: Stetson Visual Services, Inc. (as Jaroslav G. Alfer) | |
| Leslie Ekker | .... | key model maker: Stetson Visual Services, Inc. | |
| Henry Gonzales | .... | key model maker: Stetson Visual Services, Inc. (as Henry Gonzalez) | |
| Ron Gress | .... | lead model painter: Stetson Visual Services, Inc. | |
| Tom Griep | .... | key model maker: Stetson Visual Services, Inc. (as Thomas Griep) | |
| Ian Hunter | .... | key model maker: Stetson Visual Services, Inc. | |
| Terry W. King | .... | lead miniture special effects: Stetson Visual Services, Inc. (as Terry King) | |
| Peter Kuran | .... | visual effects: VCE | |
| Laurel Lichten | .... | key model maker: Stetson Visual Services, Inc. | |
| Bill Neil | .... | effects director of photography | |
| Bradford Plows | .... | key model maker: Stetson Visual Services, Inc. | |
| Dennis Schultz | .... | key model maker: Stetson Visual Services, Inc. | |
| Robert Spurlock | .... | miniature effects: Stetson Visual Services, Inc. | |
| Mark Stetson | .... | miniature effects: Stetson Visual Services, Inc. | |
| George Trimmer | .... | chief model maker: Stetson Visual Services, Inc. | |
| Thomas Valentine | .... | stage crew chief: Stetson Visual Services, Inc. (as Tom Valentine) | |
| George Willis | .... | key model maker: Stetson Visual Services, Inc. | |
| Dana Yuricich | .... | key model maker: Stetson Visual Services, Inc. | |
| Paul Gentry | .... | director of photography: miniatures (uncredited) | |
| Laurel Schneider | .... | miniature effects production coordinator (uncredited) | |
| Scott Schneider | .... | model maker (uncredited) | |
| Pam Vick | .... | rotoscope animation: VCE (uncredited) | |
Stunts | |||
| Greg Anderson | .... | stunts | |
| Todd Bryant | .... | stunts | |
| David Burton | .... | stunts | |
| Tammy Brady Conrad | .... | stunts (as Tammy Brady-Conrad) | |
| Gary Price | .... | stunts (as Gary Rev. Price) | |
| Lori Lynn Ross | .... | stunts | |
| Gar Stephen | .... | stunts | |
| Bill Suiter | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator | |
| Scott Wilder | .... | stunts | |
| John Zimmerman | .... | stunts | |
Casting Department | |||
| Tina M. Boergesson | .... | extra casting coordinator: Florida | |
| Rose Rosen | .... | extra casting coordinator: Florida | |
| Jory Weitz | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kathy Bird | .... | wardrobe: women (as Kathryn 'Bird') | |
| David Davenport | .... | key costumer: men | |
| Nancy McArdle | .... | key costumer: women | |
| Ray Summers | .... | costume supervisor | |
Editorial Department | |||
| Catherine Best | .... | first assistant editor | |
| Jonathan Chibnall | .... | assistant editor | |
| Colleen Halsey | .... | film editor | |
| Dennis McNeill | .... | color timer | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Steve Bartek | .... | orchestrator | |
| Margaret Goodspeed | .... | assistant music editor (as Margie Goodspeed) | |
| O-Lan Jones | .... | composer/musician: organ | |
| Jo Ann Kane | .... | music copyist | |
| Nathan Kaproff | .... | orchestra contractor | |
| Susan McLean | .... | music scoring recordist | |
| Shawn Murphy | .... | music scoring mixer | |
| Sharon Rice | .... | assistant recording engineer | |
| Sally Stevens | .... | choral contractor | |
| Shirley Walker | .... | conductor | |
| Jon Wattenbarger | .... | choir director: Paulist Boys Choir of California (as Dr. Jon Wattenbarger) | |
Transportation Department | |||
| Dan Anglin | .... | transportation coordinator (as Danny Anglin) | |
| John Hood | .... | transportation captain (as John H. Hood) | |
| Wanda N. Kestner | .... | transportation co-captain | |
| R. Randy Pines | .... | transportation captain | |
| Stanley R. Webber | .... | transportation captain | |
Other crew | |||
| David Allsberry | .... | animal trainer | |
| Marilyn Bailey | .... | script supervisor | |
| Michael J. Burmeister | .... | location manager | |
| Robert Dawson | .... | main title sequence designer | |
| Kelly Rae Fry | .... | office production assistant | |
| Doris Hellmann | .... | production accountant | |
| Ellen Hofstadter | .... | assistant production accountant | |
| Mary Cay Hollander | .... | production coordinator | |
| Jill Jacobs | .... | assistant: Denise Di Novi | |
| Marcia Klemm | .... | production liaison: Los Angeles | |
| Richard J. Landon | .... | mechanical department coordinator: Stan Winston Studio | |
| Diane Minter Lewis | .... | assistant: Tim Burton (as Diane Minter) | |
| Robert Maharis | .... | location manager | |
| Boone Narr | .... | animal trainer (as Boone Nar) | |
| Jon Curtis Price | .... | on set coordinator: Stan Winston Studio | |
| Paul 'Sled' Reynolds | .... | animal trainer (as Sled Reynolds) | |
| Susan Spencer Robbins | .... | assistant: Richard Hashimoto | |
| Letitia Rogers | .... | assistant: Danny Elfman | |
| Andy Schoneberg | .... | on set coordinator: Stan Winston Studio | |
| Jay Sedrish | .... | production accountant | |
| Jacqueline A. Shea | .... | assistant production coordinator | |
| Phyllis Thurber-Moffit | .... | textile artist (as Phyllis Thurber-Moffitt) | |
| Eden Ashley Umber | .... | unit publicist (as Eden Ashley) | |
| Steven C. Ward | .... | office production assistant | |
| Glenn Williamson | .... | set production assistant | |
| Dawn Barkan | .... | animal trainer (uncredited) | |
| Granville Greene | .... | production assistant (uncredited) | |
| Thomas J. Healy IV | .... | double: Anthony Michael Hall (uncredited) | |
| Thomas J. Healy IV | .... | production assistant (uncredited) | |
| Darin Raney | .... | production assistant (uncredited) | |
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Tim Burton is a brilliant visual director but with Edward Scissorhands he managed to combine these talents with pure, classic storytelling Scissorhands is his best overall film, abandoning the slight characterizations and special effects-driven spectacle of the (albeit hugely enjoyable) Batman and serving up a convincingly detailed left-of-center fairytale romance.
The story is fairly basic, being the standard Frankenstein-esque tale of alienation and the empowerment of love. Edward (Johnny Depp) is a lonely man with scissors for hands, crafted by an eccentric inventor (magnificently played by Vincent Price in flashbacks) prior to his death. After Edward witnesses the death of his creator he stays locked away inside his mansion all day, which is located atop the otherwise cheerfully picture-perfect local neighborhood community.
Then one day a nosy neighbor decides to investigate, and ends up bringing Edward to reality. He falls in love with a local girl (Winona Ryder), and is witness first-hand to the joys of life, until accidentally injuring a young boy and becoming the enemy of the overzealous town. Soon everyone is out to get him for no good reason the climax is beautifully done and, because Burton has allowed his characters to expand so much, it's also very touching.
The movie is decidedly odd but in a good way the only problem is that it is occasionally quite thin when it comes to actual depth. Burton's never been as good at telling believable stories as he has mythical, exciting fables (see Sleepy Hollow for a similar example). Even Burton's Big Fish arguably his most story-oriented film of his career was somewhat shady. The mix of screwball dark comedy, horror, drama, romance and elements and familiar happenings of other genres results in a very different combination. You can literally "feel" the vibe of this picture, its heart pulsing black blood.
The movie was a childhood project of Burton, who drew sketches of Edward as a boy and used to alienate himself from his hostile surroundings by taking refuge in fictional stories involving the scissor-handed hero. As a result Burton's true affinity for the subject is evident it's clear that he takes this entire project very seriously.
The acting is marvelous Depp's performance is one of his finest and, arguably, one of the most convincing and fun of all-time. Depp has formed a Scorsese/De Niro-like companionship with Burton over the years, teaming up for various pictures (including Sleepy Hollow and the upcoming Charlie and the Chocolate Factory). He's always had fun relishing his over-the-top and absurdly dark roles, such as Ichabod Crane in particular. In Scissorhands he gives the equivalent of a Travis Bickle a man who feels shunned by society, only to open his heart and have it feel crushed again. This is possibly one of the reasons the film is able to affect its audience so well to this very day. The tale does not grow old because the values are timeless.
Edward Scissorhands, despite its occasional flaws, finally gave Burton the chance to unleash his talents as a visual filmmaker along with a pretty solid story mold the result being a sublimely dark rom-com-drama that never conforms to the typical genre clichés and becomes quite a unique film in its own little world.
4.5/5