Amazon.com video review:
Darkman
When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real
estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake
(Liam Neeson). Left for dead after his lab is detonated, he miraculously
survives but at a city hospital is unknowingly submitted to radical therapy that
numbs his nerves to feeling--but heightens his strength and his emotions.
Horribly burned and scarred, he uses synthetic skin to impersonate his would-be
murderers and seek retribution for their evil deeds. While the film has an
average script, it is overcome by the flashy cinematography of Bill Pope, the
bombastic score by Danny Elfman, and the well-choreographed direction of Sam
Raimi. The director confidently walks the line between suspense, action, comedy,
and romance as he examines a bitter, victimized antihero who risks becoming as
monstrous on the inside as he appears on the outside. --Bryan Reesman
Darkman II
Sam Raimi created Darkman with a potential franchise in mind, and his
original movie had enough flair to suggest a sequel was warranted. Unfortunately
(or perhaps wisely--for Raimi), he handed over the straight-to-video sequel
duties to rookie director Bradford May, and nobody bothered to come up with much
of a screenplay. As a result, Darkman II plays like a bad pilot for a
proposed Darkman TV series, with Arnold Vosloo (The Mummy) doing
his best to replace Liam Neeson in the title role. Sporting a dastardly scar and
delivering lackluster punch lines as he kills his many enemies, Larry Drake
returns from the first film as the villainous Durant, who wreaks havoc in his
attempt to finance and manufacture the world's most destructive automatic
weapons. As he supports the synthetic skin experiments of a like-minded
scientist, the scarred hero known as Darkman thwarts Durant's ruthless plot, but
the case proves costly for the intrepid crime reporter (Kim Delaney, pre-NYPD
Blue) who allies herself with Darkman's efforts. Basically, this
by-the-numbers plot serves as a tissue-thin vehicle for lots of explosions and
gratuitous violence, and it's all about as inspired as a bad syndicated action
show. Of interest only to those who were dazzled by the original Darkman,
and even then it's a disappointment. --Jeff Shannon
Amazon.com video review: When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman