| Photos (see all 20 | slideshow) | Videos (see all 2) |
| Jeffrey Combs | ... | Dr. Herbert West | |
| Bruce Abbott | ... | Dr. Dan Cain | |
| Claude Earl Jones | ... | Lt. Leslie Chapham | |
| Fabiana Udenio | ... | Francesca Danelli | |
| David Gale | ... | Doctor Carl Hill | |
| Kathleen Kinmont | ... | Gloria | |
| Mel Stewart | ... | Dr. Graves | |
| Irene Forrest | ... | Nurse Shelley | |
| Michael Strasser | ... | Ernest | |
| Mary Sheldon | ... | Meg Halsey | |
| Marge Turner | ... | The Re-Animated: Elizabeth Chapham | |
| Johnny Legend | ... | The Re-Animated: Skinny Corpse | |
| David Bynum | ... | The Re-Animated: Black Corpse | |
| Noble Craig | ... | The Re-Animated: Crypt Creature | |
| Kim Parker | ... | The Re-Animated: Crypt Creature | |
| Charles Schneider | ... | The Re-Animated: Crypt Creature | |
| Rebeca Scott | ... | The Re-Animated: Crypt Creature (as Rebeca Recio) | |
| Jay Evans | ... | The Re-Animated: Crypt Creature |
Directed by | |||
| Brian Yuzna | |||
Writing credits(in alphabetical order) | ||
| Rick Fry | writer | |
| Woody Keith | writer | |
| H.P. Lovecraft | characters | |
| Brian Yuzna | writer | |
Produced by | |||
| Hidetaka Konno | .... | executive producer | |
| Michael Muscal | .... | co-producer | |
| Keith Walley | .... | executive producer | |
| Paul White | .... | executive producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Richard Band | |||
Cinematography by | |||
| Rick Fichter | |||
Film Editing by | |||
| Peter Teschner | |||
Casting by | |||
| Billy DaMota | |||
Production Design by | |||
| Philip Duffin | |||
Art Direction by | |||
| Joseph Ressa | |||
Set Decoration by | |||
| Simon Dobbin | |||
Costume Design by | |||
| Robin Lewis-West | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| Gail Brubaker | .... | key hair stylist | |
| Gail Brubaker | .... | key makeup artist | |
| John Carl Buechler | .... | special makeup effects artist | |
| Anthony Doublin | .... | special makeup effects | |
| Kathleen M. Hagan | .... | makeup artist | |
| Richard Kilroy | .... | special makeup effects artist | |
| Robert Kurtzman | .... | special makeup effects artist | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Karen Scherer | .... | makeup artist | |
| Michael Spatola | .... | makeup effects crew: K.N.B. EFX Group | |
| Julie Travis-Socash | .... | assistant hair stylist | |
| Julie Travis-Socash | .... | assistant makeup artist | |
| Brian Wade | .... | special makeup effects artist shop supervisor: K.N.B. Effects Group | |
| Scott Oshita | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Dean Ramser | .... | executive in charge of production | |
| Gary Schmoeller | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Skot Bright | .... | second assistant director | |
| Tom Lowe | .... | first assistant director | |
Art Department | |||
| Ernie Alvarez | .... | carpenter | |
| Rick M. Atwell | .... | carpenter | |
| Joneva Barry | .... | painter | |
| Gene Bishop | .... | lead man | |
| Todd McCune Bray | .... | scenic artist | |
| Jerry Casillas | .... | carpenter | |
| Bernard Griesz | .... | construction coordinator (as Rocky Grisez) | |
| Steve Guerino | .... | assistant property master | |
| Leza Ingalls | .... | painter | |
| Douglas Kieffer | .... | props | |
| Peter Mark | .... | props | |
| Warren Sewell | .... | set dresser | |
| James R. Shumaker | .... | carpenter | |
| Blanche Sindelar | .... | property master | |
| Don G. Smith | .... | on-set dresser | |
| Steven C. Voll | .... | carpenter | |
| Pete von Sholly | .... | storyboards | |
| Leslie Weimer | .... | painter | |
Sound Department | |||
| Michael P. Cook | .... | sound editor | |
| Mary Jo Devenney | .... | production sound mixer | |
| Steve Evans | .... | boom operator | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
Special Effects by | |||
| Dave Allen | .... | special effects supervisor: David Allen Productions | |
| Dave Allen | .... | special effects (as David Allen) | |
| Dave Allen | .... | special makeup effects: David Allen Productions | |
| Dave Allen | .... | stop-motion animation and miniatures: David Allen Productions | |
| Ron Althoff | .... | special effects crew: SPFX Inc. | |
| Bill Basso | .... | makeup artist and crew: K.N.B. EFX Group | |
| Eric Beauchamp | .... | special effects crew: SPFX Inc. | |
| Wayne Beauchamp | .... | special effects supervisor: SPFX Inc. | |
| Wayne Beauchamp | .... | special mechanical effects: SPFX Inc. | |
| Nick Benson | .... | special effects | |
| Howard Berger | .... | special makeup effects and bride effects creator: K.N.B. EFX Group | |
| Cynthia Buccieri | .... | assistant puppeteer: Doublin EFX | |
| John Carl Buechler | .... | Dr. Hill's head and bat-wing effects: Magical Media Industries Inc. | |
| John Carl Buechler | .... | executive supervisor: Magical Media Industries Inc. | |
| John Carl Buechler | .... | special makeup effects: Magical Media Industries Inc. | |
| Ron Buhler | .... | special effects | |
| John P. Cazin | .... | special effects crew: SPFX Inc. | |
| John Criswell | .... | additional animatronics: Magical Media Industries Inc. | |
| Jim Davidson | .... | assistant puppeteer: Doublin EFX | |
| Michael Deak | .... | effects designer and supervisor: Magical Media Industries Inc. | |
| Michael Deak | .... | location supervisor: Magical Media Industries Inc. | |
| Michael Deak | .... | on-set effects supervisor | |
| Anthony Doublin | .... | finger creature and dog effects: Doublin EFX | |
| Anthony Doublin | .... | special effects supervisor: Doublin EFX | |
| Anthony Doublin | .... | special makeup effects: Doublin EFX | |
| Theresa Harding Doublin | .... | floppy dog: Doublin EFX | |
| Keith Edmier | .... | key effects supervisor: Screaming Mad George Inc. | |
| Jay Evans | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Yuri Everson | .... | SMG lab assistant: Screaming Mad George Inc. | |
| John Foster | .... | production manager: Magical Media Industries Inc. | |
| Bruce Spaulding Fuller | .... | makeup artist and crew: K.N.B. EFX Group | |
| Roy Garcia | .... | makeup effects technician: Screaming Mad George Inc. | |
| Screaming Mad George | .... | designer: Screaming Mad George Inc. | |
| Screaming Mad George | .... | special effects | |
| Screaming Mad George | .... | special makeup effects and crypt sequence: Screaming Mad George Inc. | |
| Dennis Gordon | .... | miniatures: David Allen Productions | |
| Ross Hahn | .... | special effects crew: SPFX Inc. | |
| Cary Howe | .... | dog sculptor and hairwork: Doublin EFX | |
| Shimpei Kitamura | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Anne Winky Kraus | .... | production coordinator: K.N.B. EFX Group | |
| Yasuko Kudo | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Robert Kurtzman | .... | special makeup effects and bride effects creator: K.N.B. EFX Group | |
| Rob Lynn | .... | lab technician and makeup assistant: Magical Media Industries Inc. | |
| Mark Maitre | .... | makeup artist and crew: K.N.B. EFX Group | |
| Nick Marra | .... | lab technician and makeup assistant: Magical Media Industries Inc. | |
| Rodd Matsui | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Harvey Mayo | .... | special effects assistant: David Allen Productions | |
| Alan McFarland | .... | special lighting effects | |
| Takashi Morishima | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Gregory Nicotero | .... | special makeup effects and bride effects creator: K.N.B. EFX Group | |
| Scott Oshita | .... | makeup artist and crew: K.N.B. EFX Group | |
| Joe Podnar | .... | lab technician and makeup assistant: Magical Media Industries Inc. | |
| Thomas C. Rainone | .... | special effects coordinator | |
| Kevin Remington | .... | makeup effects technician: Screaming Mad George Inc. | |
| Chris Robbins | .... | key sculptor and painter: Magical Media Industries Inc. | |
| Tod Ryan | .... | SMG lab assistant: Screaming Mad George Inc. | |
| Tod Ryan | .... | assistant special makeup effects | |
| Erik Schaper | .... | assistant effects supervisor: Screaming Mad George Inc. | |
| Jordu Schell | .... | makeup effects technician: Screaming Mad George Inc. | |
| Alan Scott | .... | makeup effects technician: Screaming Mad George Inc. | |
| Rebeca Scott | .... | production coordinator: Screaming Mad George Inc. (as Rebeca Recio) | |
| Mel Slavick | .... | special effects crew: SPFX Inc. | |
| Shaun Smith | .... | makeup effects technician: Screaming Mad George Inc. | |
| Robert Stromberg | .... | assistant puppeteer: Doublin EFX | |
| Mark Tavares | .... | makeup artist and crew: K.N.B. EFX Group | |
| Wayne Toth | .... | effects designer and supervisor: Magical Media Industries Inc. | |
| Wayne Toth | .... | key prosthetics and animatronics: Magical Media Industries Inc. | |
| Mike Tristano | .... | pre-production creature prototypes | |
| Brian Wade | .... | special makeup effects shop supervisor: K.N.B. EFX Group | |
| Stacy Wexler | .... | special effects assistant: Doublin EFX | |
| Scott Oshita | .... | miniatures (uncredited) | |
Visual Effects by | |||
| Jim Davidson | .... | creature effects | |
| Paul Gentry | .... | camera: David Allen Productions | |
Stunts | |||
| Mike Ceballos | .... | stunts (as Michael Ceballos) | |
| Chuck Hicks | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Mary Peters | .... | stunts | |
| Cherie Tash | .... | stunts (as Cherie L. Tash) | |
Camera and Electrical Department | |||
| Victor Abbene | .... | chief lighting technician | |
| Mike Bienstock | .... | second assistant camera | |
| John S. Campbell | .... | grip | |
| Byron J. Cohen | .... | still photographer | |
| Steve Crosland | .... | first assistant camera | |
| Mickey Freeman | .... | camera operator | |
| John Grillo | .... | assistant camera: "b" camera | |
| Chuck Larson | .... | electrician | |
| Jeff Murrell | .... | electrician | |
| Victor Nelli Jr. | .... | key grip | |
| Robert Neville | .... | best boy electric | |
| Cameron Smith | .... | electrician | |
| Glenn Whiteford | .... | electrician | |
| Gerd Zimmermann | .... | swing grip | |
Costume and Wardrobe Department | |||
| Norma-Jean Austin | .... | wardrobe | |
| Kelly O'Gurian | .... | key costumer | |
| Andrea Von Sholly | .... | bride costume creator | |
Editorial Department | |||
| Laura M. Grody | .... | assistant editor | |
Music Department | |||
| Nick Vidar | .... | music engineer | |
| Nick Vidar | .... | music programmer | |
Other crew | |||
| Loretta Abata | .... | production accountant | |
| Dawn C. Dreiling | .... | script supervisor | |
| Caterina N. Fiordellisi | .... | production coordinator | |
| Flint Maloney | .... | location manager | |
Thanks | |||
| Dennis Paoli | .... | special thanks | |
| Mary Shelley | .... | special thanks (as Mary Wollenscraft Shelly) | |
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| Re-Animator | Beyond Re-Animator | Giallo a Venezia | Non si deve profanare il sonno dei morti | Halloween II |
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Such a hard act to follow. The original Re-Animator was amazing for two reasons: it was a knockout horror flick smack in the middle of the 80's, and it was a knockout horror flick based on the writings of HP Lovecraft. Loaded with daring ideas and sexual energy, it took everyone by surprise. The sequel could have been more of a failure. After all, just the weight of trying to follow such a grand film as the original is daunting. Yuzna and his crew perform admirably, and much of the film is nicely twisted. I especially like Dr. West's couplings of various appendages and organs to make all sorts of weird ambulatory critters. Much of Lovecraft's pulp mechanations (he disliked the finished stories) remain, just as in the first film. Essentially, the grander the experiments West and his colleague contrive, the more costly (and gory)the failure. Screaming Mad George's effects certainly are the highlights. The film moves at a decent clip, but ultimately just can't come together. The humor is far more showy--a bit too much winking and nudging--and detracts from the horror. I would have liked to have seen more hunger in this film, more of a desire to really do a job on the audience. Yuzna and co. make a film that's just a bit too content for my tastes. If you see this flick, by all means check it out. It certainly doesn't fall on its face. The first film just had more of a swagger to it, is all.