| Photos (see all 44 | slideshow) |
| Billy Crystal | ... | Harry Burns | |
| Meg Ryan | ... | Sally Albright | |
| Carrie Fisher | ... | Marie | |
| Bruno Kirby | ... | Jess | |
| Steven Ford | ... | Joe | |
| Lisa Jane Persky | ... | Alice | |
| Michelle Nicastro | ... | Amanda Reese | |
| Gretchen Palmer | ... | Stewardess | |
| Robert Alan Beuth | ... | Man on aisle | |
| David Burdick | ... | Nine-year-old boy | |
| Joe Viviani | ... | Judge | |
| Harley Jane Kozak | ... | Helen Helson (as Harley Kozak) | |
| Joseph Hunt | ... | Waiter at wedding | |
| Kevin Rooney | ... | Ira Stone | |
| Franc Luz | ... | Julian | |
| Tracy Reiner | ... | Emily | |
| Kyle T. Heffner | ... | Gary (as Kyle Heffner) | |
| Kimberley LaMarque | ... | Waitress (as Kimberley Lamarque) | |
| Stacey Katzin | ... | Hostess | |
| Estelle Reiner | ... | Older customer in orgasm scene ("I'll have what she's having") | |
| John Arceri | ... | Christmas-tree salesman | |
| Peter Day | ... | Joke teller at wedding | |
| Kuno Sponholz | ... | Documentary couple #1 | |
| Connie Sawyer | ... | Documentary couple #1 | |
| Charles Dugan | ... | Documentary couple #2 | |
| Katherine Squire | ... | Documentary couple #2 | |
| Al Christy | ... | Documentary couple #3 | |
| Frances Chaney | ... | Documentary couple #3 | |
| Bernie Hern | ... | Documentary couple #4 | |
| Rose Wright | ... | Documentary couple #4 | |
| Aldo Rossi | ... | Documentary couple #5 | |
| Donna Hardy | ... | Documentary couple #5 | |
| Peter Pan | ... | Documentary couple #6 | |
| Jane Chung | ... | Documentary couple #6 | |
| rest of cast listed alphabetically: | |||
| Bob Ader | ... | Tap dancer (uncredited) | |
| David Giardina | ... | Extra (uncredited) | |
| Nicholas Glaeser | ... | Waiter (uncredited) | |
| Marilyn Spanier | ... | Tap dancer (uncredited) | |
Directed by | |||
| Rob Reiner | |||
Writing credits(WGA) | ||
| Nora Ephron | (written by) | |
Produced by | |||
| Nora Ephron | .... | associate producer | |
| Steve Nicolaides | .... | co-producer | |
| Rob Reiner | .... | producer | |
| Andrew Scheinman | .... | producer | |
| Jeffrey Stott | .... | co-producer | |
Cinematography by | |||
| Barry Sonnenfeld | (director of photography) | ||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Jane Musky | |||
Set Decoration by | |||
| George R. Nelson | |||
| Sabrina Wright | (as Sabrina Wright-Basile) | ||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist: Meg Ryan | |
| Joseph A. Campayno | .... | makeup artist: Meg Ryan | |
| Ken Chase | .... | makeup artist: Billy Crystal (as Kenneth Chase) | |
| William A. Farley | .... | hair stylist | |
| Barbara Lorenz | .... | hair stylist | |
| Peter Montagna | .... | makeup artist: Billy Crystal | |
Production Management | |||
| Mark A. Baker | .... | unit manager | |
| Steve Nicolaides | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Aaron Barsky | .... | first assistant director | |
| Forrest L. Futrell | .... | additional second assistant director | |
| Lucille Ouyang | .... | additional second assistant director (as Lucille A. Ouyang) | |
| Michael Waxman | .... | second assistant director | |
| Charles Zalben | .... | additional second assistant director | |
Art Department | |||
| James J. Archer | .... | props | |
| David L. Glazer | .... | property master | |
| Billy Puzo | .... | scenic artist | |
| Harold Thrasher | .... | art department coordinator | |
| Dick Tice | .... | property master | |
| Frank Viviano | .... | construction coordinator | |
| Mychael Bates | .... | set dresser (uncredited) | |
| Michael D. Costello | .... | scenic artist (uncredited) | |
| Clare Scarpulla | .... | assistant art director (uncredited) | |
| Chris Snyder | .... | construction foreman (uncredited) | |
Sound Department | |||
| George Baetz | .... | boom operator | |
| Charles L. Campbell | .... | supervising sound editor | |
| Paul Timothy Carden | .... | sound editor | |
| Larry Carow | .... | sound editor | |
| Dean Drabin | .... | foley mixer | |
| Robert Eber | .... | sound mixer | |
| Louis L. Edemann | .... | supervising sound editor | |
| Richard C. Franklin | .... | sound editor (as Richard C. Franklin Jr.) | |
| John Fundus | .... | boom operator (as John K. Fundus) | |
| David Gertz | .... | dubbing recordist | |
| David J. Hudson | .... | sound re-recording mixer | |
| Pamela G. Kimber | .... | assistant sound editor (as Pam Kimber) | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Chuck Neely | .... | sound editor | |
| Terry Porter | .... | sound re-recording mixer | |
| Rod Rogers | .... | assistant adr editor | |
| Larry Singer | .... | supervising adr editor | |
| Tim Song Jones | .... | sound transferer (uncredited) | |
Camera and Electrical Department | |||
| Brian W. Armstrong | .... | assistant camera (as Brian Armstrong) | |
| Bruce Birmelin | .... | still photographer | |
| Angelo Di Giacomo | .... | assistant camera (as Angelo DiGiacomo) | |
| Christopher Duskin | .... | assistant camera | |
| Russell Engels | .... | gaffer (as Russell W. Engels) | |
| Dennis Gamiello | .... | key grip | |
| M. Todd Henry | .... | camera operator | |
| Kevin Kelley | .... | gaffer | |
| Thomas Miligan | .... | assistant camera | |
| Andrew D. Schwartz | .... | still photographer (as Andy Schwartz) | |
| Michael Burke | .... | electrician (uncredited) | |
| Raymond Fortune | .... | electrician (uncredited) | |
| Paul Jacobsen | .... | rigging gaffer (uncredited) | |
| Maricella Ramirez | .... | assistant camera (uncredited) | |
Casting Department | |||
| Robin Joy Allan | .... | casting associate (as Robin Allan) | |
| Michael Hirshenson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jennifer L. Parsons | .... | costume supervisor | |
Editorial Department | |||
| Norman Buckley | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Debbie Goldsmith | .... | assistant editor | |
| Steven Nevius | .... | assistant editor (as Steve Nevius) | |
| J. Kathleen Gibson | .... | second assistant editor (uncredited) | |
| Dale E. Grahn | .... | color timer (uncredited) | |
Music Department | |||
| Harry Connick Jr. | .... | special musical performances and arrangements | |
| John Richards | .... | music scoring mixer | |
| Marc Shaiman | .... | music adaptor | |
| Marc Shaiman | .... | music arranger | |
| Marc Shaiman | .... | orchestrator | |
| Thomas Richard Sharp | .... | orchestrator (as Thom Sharp) | |
| Scott Stambler | .... | music supervisor | |
| Mahlon Clark | .... | musician: clarinet (uncredited) | |
Transportation Department | |||
| James Fanning | .... | transportation coordinator (as James E. Fanning) | |
| Tim Roslan | .... | transportation coordinator | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Jay L. Cooper | .... | thanks (as Jay Cooper) | |
| Ronnie Davis | .... | thanks | |
| Sol Horn | .... | special thanks | |
| Tina Nielsen | .... | thanks | |
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This is Billy Crystal's show. He has an understated, ordinary, humble screen presence. It's not the case that every single line HAS to be funny in order for us to like him - with Crystal, a joke can fall flat and somehow it doesn't make him personally look bad. But here every line IS funny, so he has charm to burn.
I know people like Meg Ryan - I guess I do, too, in this particular film - and I know that there are people who find her `orgasm' scene amusing, but Sally is really just someone for Harry to meet and ultimately fall in love with. She's completely clueless. Most of the jokes are at her expense rather than his. The genuine wit, the power of observation, the theoretical insight, all lie with Harry. Is this a problem? Not in the least. Unlike most romantic comedies this is not some kind of duel - it's the more realistic study of many, many separate encounters.
Also unlike most romantic comedies, this one is funny. I think I mentioned that.
The film benefits from its second rank support: good performances by Carrie Fischer and that guy whose name doesn't matter, locations someone actually went to some trouble to look for, and a song-score that is doesn't intrude and hit us repeatedly over the head. Allegedly `When Harry Met Sally' has been imitated by later productions, but I can't think of a case where the imitation is accurate enough to even be recognisable.