| Photos (see all 6 | slideshow) | Videos |
| Colin Firth | ... | Valmont | |
| Annette Bening | ... | Merteuil | |
| Meg Tilly | ... | Madame de Tourvel | |
| Fairuza Balk | ... | Cecile | |
| Siân Phillips | ... | Madame de Volanges (as Sian Phillips) | |
| Jeffrey Jones | ... | Gercourt | |
| Henry Thomas | ... | Danceny | |
| Fabia Drake | ... | Madame de Rosemonde | |
| T.P. McKenna | ... | Baron | |
| Isla Blair | ... | Baroness | |
| Ian McNeice | ... | Azolan | |
| Aleta Mitchell | ... | Victoire | |
| Ronald Lacey | ... | José | |
| Vincent Schiavelli | ... | Jean | |
| Sandrine Dumas | ... | Martine | |
| Sébastien Floche | ... | Priest (as Sebastien Floche) | |
| Antony Carrick | ... | President de Tourvel | |
| Murray Gronwall | ... | Flea Market Salesman | |
| Alain Frérot | ... | 1st thug | |
| Daniel Laloux | ... | 2nd thug | |
| Christian Bouillette | ... | 3rd thug | |
| John Arnold | ... | 1st Knight of the Maltese Order | |
| Nils Tavernier | ... | 2nd Knight of the Maltese Order (as Niels Tavernier) | |
| Yvette Petit | ... | Mother superior | |
| Richard De Burnchurch | ... | Volanges Major-domo (as Richard de Burnchurch) | |
| Jose Licenziato | ... | Blind guitar player (as José Licenziato) | |
| Ivan Palec | ... | Servant | |
| rest of cast listed alphabetically: | |||
| Alexis Desseaux | ... | Extra (uncredited) | |
| Eric Moreau | ... | Beggar (uncredited) | |
Directed by | |||
| Milos Forman | |||
Writing credits | ||
| Choderlos de Laclos | (novel "Les liaisons dangereuses") | |
| Jean-Claude Carrière | (writer) | |
| Milos Forman | (writer) | |
Produced by | |||
| Michael Hausman | .... | producer | |
| Paul Rassam | .... | producer | |
Original Music by | |||
| Christopher Palmer | |||
Cinematography by | |||
| Miroslav Ondrícek | (director of photography) | ||
Film Editing by | |||
| Nena Danevic | |||
| Alan Heim | |||
Casting by | |||
| Maggie Cartier | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Pierre Guffroy | |||
Art Direction by | |||
| Loula Morin | |||
| Albert Rajau | |||
| Martina Skala | |||
Costume Design by | |||
| Paule Mangenot | (costumes: women) | ||
| Theodor Pistek | |||
| Carine Sarfati | (costumes: women) | ||
Makeup Department | |||
| Jean-Pierre Berroyer | .... | hair stylist | |
| Fabienne Bressan | .... | wig supervisor | |
| Cécile Collin | .... | makeup assistant | |
| Jean-Pierre Eychenne | .... | makeup artist | |
| Sophie Harvey | .... | makeup assistant | |
| Paul LeBlanc | .... | wigs and makeup designer | |
| Annick Legout | .... | assistant makeup artist | |
| Paul Le Marinel | .... | makeup artist (as Paul Lemarinel) | |
| Jacqueline Stuffel | .... | wig supervisor | |
| Pierre Vadé | .... | hair stylist | |
| Marie-France Vassel | .... | makeup assistant | |
Production Management | |||
| Francis Barrois | .... | assistant unit manager | |
| Patrick Bordier | .... | production manager | |
| Xavier Castano | .... | production manager | |
| Catherine Chouridis | .... | assistant unit manager | |
| Philippe Delest | .... | assistant unit manager | |
| Kevin J. Foxe | .... | post-production supervisor | |
| Jacques Frederix | .... | assistant unit manager | |
| Eric Hubert | .... | assistant unit manager | |
| Janou Shammas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Pascal Baeumler | .... | additional second assistant director | |
| Philippe Bérenger | .... | second assistant director (as Philippe Berenger) | |
| Jean Fellous | .... | trainee assistant director | |
| Isabelle Henri | .... | additional second assistant director (as Isabelle Henry) | |
| Olivier Horlait | .... | first assistant director | |
| Laurent Modiano | .... | trainee assistant director | |
| Jérôme Navarro | .... | second assistant director | |
| Thomas Vincent | .... | assistant director (uncredited) | |
Art Department | |||
| Jean Allou | .... | lead carpenter | |
| Jean Bretonnière | .... | scenic painter | |
| Jean Colin | .... | propman: furniture | |
| Marcel Daudin | .... | assistant leadman location | |
| René Donnenwirth | .... | props | |
| Jean-Michel Ducourty | .... | assistant art director | |
| Jean-Paul Gaillot | .... | chief construction grip | |
| Roland Jacob | .... | buyer | |
| Marcel Laude | .... | props | |
| Jacques Leguillon | .... | set dresser (as Jacques-Albert Leguillon) | |
| René Loubet | .... | construction manager | |
| François Marcepoil | .... | backdrop painter | |
| André Marchandet | .... | model maker | |
| Philippe Margottin | .... | propman: furniture | |
| Robert Pilat | .... | upholsterer | |
| Jean-Yves Rabier | .... | assistant art director | |
| Brigitte Renard | .... | sculptor (as Brigitte James) | |
| Georges Robert | .... | chief painter | |
| Yves Seigneuret | .... | buyer | |
| Claude Suné | .... | set dresser | |
Sound Department | |||
| Jean-Marie Blondel | .... | second cable man | |
| Richard P. Cirincione | .... | sound editor (as Richard Cirincione) | |
| Randall Coleman | .... | assistant adr editor | |
| Lee Dichter | .... | sound re-recording mixer | |
| Chris Fielder | .... | apprentice sound editor | |
| Susan Sklar Friedman | .... | apprentice sound editor | |
| Rudy Gaskins | .... | assistant sound editor (as Rudolph Gaskins) | |
| Kenton Jakub | .... | assistant sound editor | |
| Bruce Kitzmeyer | .... | sound editor | |
| Kevin Lee | .... | sound editor | |
| Christopher Newman | .... | production sound mixer (as Chris Newman) | |
| Harry Peck Bolles | .... | sound editor (as Harry Bolles) | |
| Mark Rathaus | .... | sound editor | |
| Maurice Schell | .... | supervising sound editor | |
| Ahmad Shirazi | .... | sound editor | |
| David Sutton | .... | boom operator | |
| Susan M. Wagner | .... | assistant sound editor (as Susan Wagner) | |
| Deborah Wallach | .... | adr editor | |
| Marko A. Costanzo | .... | foley artist (uncredited) | |
| Maurice Schell | .... | foley artist (uncredited) | |
Special Effects by | |||
| Steve Crawley | .... | special effects crew | |
| Tony Donn | .... | special effects crew | |
| Patrick Hegarty | .... | special effects crew | |
| Garth Inns | .... | special effects: U.K. | |
| Michel Norman | .... | special effects: France | |
Stunts | |||
| Frédéric Vallet | .... | stunts | |
Camera and Electrical Department | |||
| Maurice Baltel | .... | best boy grip | |
| Eric Baraillon | .... | electrician | |
| Brigitte Barbier | .... | second assistant camera | |
| Jean-Marie Benoît | .... | electrician (as Jean-Marie Benoit) | |
| Geoff Brown | .... | camera operator: Louma crane | |
| Philippe Cadeau | .... | best boy electric | |
| Sylvain Cuhial | .... | electrician | |
| Jacques Debaye | .... | generator operator | |
| Roland Dondin | .... | electrician | |
| Jean Harnois | .... | camera operator | |
| Manuel Jover | .... | grip | |
| Jaromír Komárek | .... | still photographer (as Jaromír Komarek) | |
| François Lauliac | .... | first assistant camera | |
| Jean-Claude LeBras | .... | gaffer (as Jean-Claude Lebras) | |
| Pascal Lombardo | .... | electrician | |
| Jozef Ort-Snep | .... | camera operator: second unit (as Joseph Ort-Snep) | |
| Michel Podik | .... | grip | |
| Isabelle Scala | .... | first assistant camera | |
| Michel Strasser | .... | grip | |
| René Strasser | .... | key grip | |
| Christian Thurot | .... | generator operator | |
| Noël Véry | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Gaelle Allen | .... | costume accessories designer | |
| Pascale Baume | .... | wardrobe assistant | |
| Isabelle Benoist | .... | wardrobe assistant | |
| Moidele Bickel | .... | wardrobe supervisor (as Bernadette Villard) | |
| Fabrizio Caracciolo | .... | wardrobe coordinator | |
| Vincent Ganden | .... | wardrobe assistant | |
| Sylvie Gautrelet | .... | wardrobe supervisor | |
| Isabelle Lelievre | .... | wardrobe assistant (as Isabelle Le Lièvre) | |
| Simone Leroy | .... | wardrobe assistant | |
| Eric Perron | .... | wardrobe assistant | |
| Benoit Pistel | .... | wardrobe assistant | |
| Delphine Provent | .... | wardrobe assistant | |
| Henriette Raz | .... | wardrobe assistant (as Henriette Raz-Boffety) | |
Editorial Department | |||
| Megan B. Agosto | .... | apprentice editor (as Megan Agosto) | |
| Carol A. Ellison Fleming | .... | assistant editor (as Carol Fleming) | |
| Pamela Reis | .... | apprentice editor | |
| Marie-Pierre Renaud | .... | first assistant editor | |
| Barbara Tulliver | .... | assistant editor | |
Music Department | |||
| Michelle Cooper | .... | apprentice music editor | |
| James Flatto | .... | assistant music editor | |
| Chuck Irwin | .... | music engineer | |
| Dick Lewzey | .... | music engineer (as Dick Lewsey) | |
| Neville Marriner | .... | conductor (as Sir Neville Marriner) | |
| Paul Mottram | .... | orchestrator | |
| Christopher Palmer | .... | music arranger | |
| Stuart Stanley | .... | music editor | |
| John Strauss | .... | additional scoring | |
| John Strauss | .... | supervising music editor | |
| Jean-Michel Tavernier | .... | music coordinator: France | |
| Jeff Atmajian | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Jean-Claude Souffir | .... | production driver | |
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| Dangerous Liaisons | Un long dimanche de fiançailles | The Hour of the Pig | The Postman Always Rings Twice | Candy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
I notice a bit of a war going on between partisans of this and "Dangerous Liaisons" (the Glenn Close/John Malkovich/Stephen Frears vehicle). I'm not entirely sure why, but I find "Valmont" so much better. I think it's because: A) Milos Forman is unquestionably a better director than Frears, especially when he can call on the photographic talents of a cinematographer like Miroslav Ondricek; B) "Valmont" takes the time to develop some of the relationships between characters on screen, while the other simply injects the viewers into preexisting relationships; C) Colin Firth and Annette Benning are quite simply sexier than Glenn Close and John Malkovich; "Dangerous Liaisons" is too intellectual, while "Valmont" works at the hormonal level too. D) Fairuza Balk is far more believable as a virgin than Uma Thurman (can anyone say differently?!?). I certainly acknowledge "Dangerous Liaisons" as a well-made, well-acted film, but in the end I find it nearly unwatchable compared to "Valmont", which I can (and have) enjoyed over and over.