| Photos (see all 19 | slideshow) | Videos (see all 3) |
| John Cusack | ... | Lloyd Dobler | |
| Ione Skye | ... | Diane Court | |
| John Mahoney | ... | James Court | |
| Lili Taylor | ... | Corey Flood | |
| Amy Brooks | ... | D.C. | |
| Pamela Adlon | ... | Rebecca (as Pamela Segall) | |
| Jason Gould | ... | Mike Cameron | |
| Loren Dean | ... | Joe | |
| Glenn Walker Harris Jr. | ... | Jason Dobler | |
| Charles Walker | ... | Principal | |
| Russel Lunday | ... | Parent | |
| Polly Platt | ... | Mrs. Flood | |
| Gloria Cromwell | ... | Ruth | |
| Jeremy Piven | ... | Mark | |
| Patrick O'Neill | ... | Denny | |
| Gregory Sporleder | ... | Howard | |
| Johnny Green | ... | Luke (as John Green Jr.) | |
| Bebe Neuwirth | ... | Mrs. Evans | |
| Eric Stoltz | ... | Vahlere | |
| Kim Walker | ... | Sheila | |
| Chynna Phillips | ... | Mimi | |
| Allison Roth | ... | Tammy | |
| Lisanne Falk | ... | Sandra | |
| Jonathan Chapin | ... | Guy #1 | |
| Donald Willis | ... | Guy #2 | |
| Arlan Feiles | ... | Guy #3 | |
| Chris Ziesmer | ... | Guy #4 (as Christopher Ziesmer) | |
| John Bruner | ... | Guy #5 | |
| Bill Stevenson | ... | Partier | |
| Jaime Gomez | ... | Partier (as Jaime P. Gomez) | |
| Judy Prescott | ... | Partier | |
| Brooke Holland | ... | Partier | |
| Lisa Picotte | ... | Girl #1 | |
| Sunshine Lee | ... | Girl #2 | |
| Mindy Feldman | ... | Girl #3 | |
| Jim Ladd | ... | D.J. (voice) | |
| Montrose Hagins | ... | Bess | |
| Kathryn Fuller | ... | Eva | |
| Lenore Woodward | ... | Sabina | |
| Edward A. Wright | ... | Mr. Taylor | |
| Joanna Frank | ... | Mrs. Kerwin | |
| Jay R. Goldenberg | ... | Al Kerwin | |
| Richard Portnow | ... | IRS Agent Stewart | |
| Stephen Shortridge | ... | Ray | |
| Katie Layman | ... | Saleswoman (as Kathleen Layman) | |
| Tom Lawrence | ... | Shop Customer | |
| Annie Waterman | ... | IRS Secretary | |
| Philip Baker Hall | ... | IRS Boss | |
| Jerry Ziesmer | ... | U.S. Attorney | |
| John Hillner | ... | Court's Attorney | |
| Don 'The Dragon' Wilson | ... | Sparring Partner | |
| Nicholas Kallsen | ... | Nose-Setter | |
| Thomas A. Payne | ... | Man in Kickboxing Doorway (as Thomas Payne) | |
| rest of cast listed alphabetically: | |||
| Dan Castellaneta | ... | Diane's Teacher (uncredited) | |
| Lois Chiles | ... | Diane's Mother (uncredited) | |
| Alice Marie Crowe | ... | Teacher at Graduation (uncredited) | |
| Joan Cusack | ... | Constance Dobler (uncredited) | |
Directed by | |||
| Cameron Crowe | |||
Writing credits(WGA) | ||
| Cameron Crowe | (written by) | |
Produced by | |||
| James L. Brooks | .... | executive producer | |
| Paul Germain | .... | associate producer | |
| Richard Marks | .... | co-producer | |
| Polly Platt | .... | producer | |
Original Music by | |||
| Anne Dudley | |||
| Richard Gibbs | |||
Cinematography by | |||
| László Kovács | (as Laszlo Kovacs) | ||
Film Editing by | |||
| Richard Marks | |||
Casting by | |||
| Randy Stone | |||
Production Design by | |||
| Mark W. Mansbridge | (as Mark Mansbridge) | ||
Set Decoration by | |||
| Joe D. Mitchell | (as Joe Mitchell) | ||
Costume Design by | |||
| Jane Ruhm | |||
Makeup Department | |||
| Judith A. Cory | .... | hair stylist (as Judy Alexander Cory) | |
| Carolyn Ferguson | .... | hair stylist | |
| Cheri Minns | .... | makeup artist | |
Production Management | |||
| Herb Adelman | .... | unit production manager: Seattle | |
| Jack Roe | .... | unit production manager | |
| Richard Sakai | .... | executive in charge of production: Gracie Films | |
Art Department | |||
| Scott M. Anderson | .... | assistant property master (as Scott Anderson) | |
| Barry Bedig | .... | property master | |
| Richard Beyer | .... | sculptor | |
| Bruce Crone | .... | assistant art director | |
| Karen Lee Holley | .... | lead person (as Karen Holley) | |
| Steve Kallas | .... | propmaker | |
| Robert Lindsey | .... | construction foreman | |
| Edward Piwowarski | .... | labor foreman (as Ed Piwowarski) | |
| Paul S. Power | .... | illustrator (as Paul Power) | |
| Butch West | .... | construction foreman | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Neil Bestwick | .... | best boy electric: Seattle | |
| Paul Caven | .... | best boy electric | |
| David Christie | .... | best boy grip | |
| Curtis Foster | .... | best boy electric | |
| Michael Gershman | .... | camera operator | |
| Donald L. Hartley | .... | dolly grip (as Donald Hartley) | |
| Al Hisky | .... | best boy grip: Seattle | |
| Gene Kearney | .... | key grip | |
| Gemma La Mana | .... | still photographer (as Gemma Lamana) | |
| Peter McEvoy | .... | second assistant camera | |
| Bob Munoz | .... | best boy grip | |
| Joseph E. Thibo | .... | first assistant camera (as Joe Thibo) | |
| Rick Tucker | .... | company grip | |
Casting Department | |||
| Sharon Bialy | .... | casting consultant | |
| Patti Carns Kalles | .... | casting: Seattle (as Patti Calles) | |
| Barbara Harris | .... | voice casting | |
| Richard Pagano | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Valerie Laven-Cooper | .... | ladies costume supervisor | |
| Michael Lynn | .... | wardrobe: men | |
| Carlane Passman | .... | costumer | |
| Steve Shubin | .... | costumer (as Steven P. Shubin) | |
| Fran Vega-Buck | .... | wardrobe: women (as Frances Vega) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Margaret Guinee | .... | apprentice editor | |
| Phil Hetos | .... | color timer | |
| Stephanie Lowry | .... | additional assistant editor (as Stephanie Ng) | |
| Mark Nakamine | .... | colorist (digital color correction) | |
| Karen I. Stern | .... | associate editor | |
Music Department | |||
| Margaret Adachi | .... | assistant music editor | |
| Danny Bramson | .... | music supervisor | |
| Stewart Dixon | .... | music coordinator (as Stew 'Babe' Dixon) | |
| Philip Giffin | .... | orchestrator | |
| Carlton Kaller | .... | music editor | |
| Peter McCabe | .... | music coordinator (as Peter P.D. McCabe) | |
| Robert Schaper | .... | score mixer (as Bob Schaper) | |
| Lonnie Sill | .... | music supervisor | |
| Gabe Veltri | .... | score mixer | |
| Nancy Wilson | .... | composer: additional music | |
Transportation Department | |||
| Fritz Braden | .... | transportation coordinator | |
| Jon McCarthy | .... | transportation captain: Seattle (as John McCarthy) | |
| James Nordberg | .... | transportation | |
| Mike Paventi | .... | transportation captain | |
| Rick Wiley | .... | shotmaker driver: Seattle | |
Thanks | |||
| David Davis | .... | special thanks | |
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| High Fidelity | La meglio gioventù | The Last Picture Show | Blow | American Graffiti |
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I rented this movie solely based on the excellent reviews that it has gotten everywhere. I missed it during its theatrical release (as so many others did) and had the hardest time finding a copy of it at our local video rental stores. Not because it wasn't popular but b/c, according to the clerks, people kept stealing or "losing" their copies...especially around Valentines Day. When I finally got my hands on a copy I was blown away. I had thought this was going to be just another in a long link of Pretty in Pinkish movies with predictable characters and a bad case of puppy love, but what I got was a surprisingly refreshing, unconventional story with a complicated and well-developed emotional depth flawlessly captured by the actors and Cameron Crowe.
And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.