| Videos (see all 2 NEW) |
| Dale Midkiff | ... | Louis Creed | |
| Fred Gwynne | ... | Jud Crandall | |
| Denise Crosby | ... | Rachel Creed | |
| Brad Greenquist | ... | Victor Pascow | |
| Michael Lombard | ... | Irwin Goldman | |
| Miko Hughes | ... | Gage Creed | |
| Blaze Berdahl | ... | Ellie Creed | |
| Susan Blommaert | ... | Missy Dandridge | |
| Mara Clark | ... | Marcy Charlton | |
| Kavi Raz | ... | Steve Masterton | |
| Mary Louise Wilson | ... | Dory Goldman | |
| Andrew Hubatsek | ... | Zelda | |
| Liz Davies | ... | Girl at Infirmary | |
| Kara Dalke | ... | Candystriper | |
| Matthew August Ferrell | ... | Jud as a Child | |
| Lisa Stathoplos | ... | Jud's mother | |
| Stephen King | ... | Minister | |
| Elizabeth Ureneck | ... | Rachel as a Child | |
| Chuck Courtney | ... | Bill Baterman | |
| Peter Stader | ... | Timmy Baterman | |
| Richard Collier | ... | Young Jud | |
| Chuck Shaw | ... | Cop | |
| Dorothy McCabe | ... | Seatmate #1 | |
| Mary R. Hughes | ... | Seatmate #2 | |
| Eleanor Grace Courtemanche | ... | Logan Airport Gate Agent | |
| Donnie Greene | ... | Orinco driver | |
| Lila Duffy | ... | Budget Clerk | |
| John David Moore | ... | Hitchhike Driver | |
| Beau Berdahl | ... | Ellie Creed II | |
| rest of cast listed alphabetically: | |||
| Kira Willoughby | ... | Mother at Logan Airport (uncredited) | |
Directed by | |||
| Mary Lambert | |||
Writing credits(WGA) | ||
| Stephen King | (novel) | |
| Stephen King | (screenplay) | |
Produced by | |||
| Mitchell Galin | .... | co-producer | |
| Richard P. Rubinstein | .... | producer | |
| Ralph S. Singleton | .... | associate producer | |
| Tim Zinnemann | .... | executive producer | |
Original Music by | |||
| Elliot Goldenthal | |||
Cinematography by | |||
| Peter Stein | |||
Film Editing by | |||
| Daniel P. Hanley | |||
| Mike Hill | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Production Design by | |||
| Michael Z. Hanan | |||
Art Direction by | |||
| Dins W.W. Danielsen | |||
Set Decoration by | |||
| Kathe Klopp | |||
Costume Design by | |||
| Marlene Stewart | |||
Makeup Department | |||
| David LeRoy Anderson | .... | special makeup effects artist (as Dave Anderson) | |
| Lance Anderson | .... | special makeup designer | |
| John Blake | .... | makeup effects assistant | |
Production Management | |||
| Barbara Rosing Hoke | .... | unit production manager (as Barbara A. Rosing) | |
Second Unit Director or Assistant Director | |||
| Phillip Christon | .... | first assistant director | |
| Joan Cunningham | .... | second second assistant director | |
| Suzanne Haasis | .... | second assistant director | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greensman | |
| Jo Brown | .... | head scenic | |
| Kelly Deco | .... | scenic paint foreman | |
| Richard Bryan Douglas | .... | carpenter | |
| Ellen Freund | .... | property master | |
| Jennifer Law-Stump | .... | scenic artist: Cinnabar | |
| Stephanie Pilk | .... | assistant set decorator | |
| Ron Woods | .... | props | |
| Mark Zuelzke | .... | assistant art director | |
Sound Department | |||
| Blake R. Cornett | .... | first assistant sound editor | |
| Greg Curda | .... | foley mixer | |
| Ken Dufva | .... | foley artist | |
| Michael Herbick | .... | sound re-recording mixer | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Patrushkha Mierzwa | .... | boom operator | |
| Hamilton Sterling | .... | sound editor | |
| Mark Ulano | .... | production sound mixer | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Tom Chesney | .... | special effects foreman | |
| Scott Coulter | .... | animatronic effects | |
| Scott Coulter | .... | laboratory technician | |
| Robin L. D'Arcy | .... | special effects coordinator | |
| Jeffrey S. Farley | .... | laboratory technician | |
| Adam Jones | .... | laboratory technician | |
| Dean W. Miller | .... | special effects supervisor | |
| Tanya Ridenour | .... | special effects crew | |
Visual Effects by | |||
| Bruce A. Block | .... | matte cameraman | |
| David Emerson | .... | optical camera | |
| Bart Mixon | .... | visual effects | |
| Bret Mixon | .... | rotoscoping | |
Stunts | |||
| Laura Dash | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Bob Herron | .... | stunts | |
| John Robotham | .... | stunts | |
| Ben Scott | .... | stunts | |
Camera and Electrical Department | |||
| Dustin Ault | .... | grip | |
| Kurt Grossi | .... | grip | |
| Rick Lamb | .... | assistant camera | |
| Larry McCarron | .... | grip | |
| Michael A. McFadden | .... | grip | |
Casting Department | |||
| Lindsay Chag | .... | casting associate | |
| Kira Willoughby | .... | extras casting assistant | |
Editorial Department | |||
| Barry Dresner | .... | additional editor | |
Music Department | |||
| Phil Bulla | .... | score recordist | |
| Charles Martin Inouye | .... | music editor | |
| Joel Iwataki | .... | music scoring mixer | |
| Marky Ramone | .... | composer: song "Sheena Is A Punk Rocker" | |
Transportation Department | |||
| A. Welch Lambeth | .... | transportation coordinator | |
| William O'Brien | .... | transportation coordinator | |
Other crew | |||
| Jonathan Brandis | .... | adr loop group | |
| David Greenberg | .... | runner: set department | |
| David Blake Hartley | .... | location manager | |
| Jesse Long | .... | script supervisor | |
| Brian McMillan | .... | head animal trainer | |
| Nurit Prag | .... | production assistant | |
| Neal Thompson | .... | title designer | |
| Susan Towner | .... | production accountant | |
| Jeanine Wilson | .... | accountant | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
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| Pet Sematary II | Harry Potter and the Goblet of Fire | Carrie | The Mist | Dreamcatcher |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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In the trivia section for Pet Sematary, it mentions that George Romero (director of two Stephen King stories, Creepshow and The Dark Half) was set to direct and then pulled out. One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay. There are of course some very effective, grotesquely surreal scenes (mainly involving the sister Zelda, likely more of a creep-out for kids if they see the film), and the casting in some of the roles is dead-perfect. But something feels missing at times, some sort of style that could correspond with the unmistakably King-like atmosphere, which is in this case about as morbid as you're going to get without incestuous cannibals rising from the graves being thrown in (who knows if he'll save that for his final novel...)
As mentioned though, some of the casting is terrific, notably Miko Hughes as Gage Creed, the little boy who goes from being one of the cutest little kids this side of an 80's horror movie, to being a little monster (I say that as a compliment, of course, especially in scenes brandishing a certain scalpel). And there is also a juicy supporting role for Fred Gwynne of the Munsters, who plays this old, secretive man with the right notes of under-playing and doom in tone. And applause goes to whomever did the make-up on Andrew Hubatsek. But there are some other flaws though in the other casting; Dale Midkiff is good, not great, as the conflicted, disturbed father figure Creed, and his daughter Ellie is played by an actress that just didn't work for me at all.
In terms of setting up some chilling set-pieces, only a couple really stand-out: a certain plot-thickening moment (not to spoil, it does involve a cool Ramones song), and the first visit to the pet sematary (the bigger one), including the sort of mystical overtones King had in the Shining. For the most part it's a very polished directing job, though it could've been made even darker to correspond with the script. If thought out in logical terms (albeit in King terms) it is really one of his more effective works of the period. But it doesn't add up like it could, or should. Still, it makes for a nifty little midnight movie.