| Photos (see all 53 | slideshow) | Videos |
Directed by | |||
| Richard Donner | |||
Writing credits(WGA) | ||
| Shane Black | (characters) | |
| Shane Black | (story) & | |
| Warren Murphy | (story) | |
| Jeffrey Boam | (screenplay) | |
Produced by | |||
| Richard Donner | .... | producer | |
| Peter Frankfurt | .... | associate producer | |
| Jennie Lew Tugend | .... | co-producer | |
| Steve Perry | .... | co-producer | |
| Joel Silver | .... | producer | |
Original Music by | |||
| Eric Clapton | |||
| Michael Kamen | |||
| David Sanborn | |||
Cinematography by | |||
| Stephen Goldblatt | |||
Film Editing by | |||
| Stuart Baird | |||
Casting by | |||
| Marion Dougherty | |||
| Gail Levin | |||
Production Design by | |||
| J. Michael Riva | |||
Art Direction by | |||
| Richard Berger | |||
| Virginia L. Randolph | (as Virginia Randolph) | ||
Set Decoration by | |||
| Marvin March | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Scott H. Eddo | .... | makeup artist (as Scott Eddo) | |
Production Management | |||
| Steve Perry | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Albert Cho | .... | second second assistant director | |
| Michael Alan Kahn | .... | second assistant director | |
| Terry Miller | .... | first assistant director (as Terry Miller Jr.) | |
| Steve Perry | .... | second unit director | |
| Charlie Picerni | .... | second unit director (uncredited) | |
| Michael Thau | .... | second unit director (uncredited) | |
Art Department | |||
| Paul J. Campanella | .... | stand-by painter | |
| Jack Eberhart | .... | lead person | |
| Jaymes Hinkle | .... | stand-by painter | |
| Gary F. Kieldrup | .... | assistant property master (as Gary Kieldrup) | |
| Sherman Labby | .... | production illustrator | |
| Erik L. Nelson | .... | property master (as Erik Nelson) | |
| Michael Papac | .... | assistant property master | |
| J. Paul Riva | .... | art department research assistant | |
| John Villarino | .... | construction coordinator | |
| Mike Villarino | .... | construction foreman | |
| Dianne Wager | .... | set designer | |
| David J. Negron Jr. | .... | storyboard artist (uncredited) | |
Special Effects by | |||
| Calvin Joe Acord | .... | special effects (as Calvin Accord) | |
| Jon G. Belyeu | .... | special effects foreman | |
| Chris Burton | .... | special effects | |
| Larry L. Fuentes | .... | special effects (as Larry Fuentes) | |
| Don Hathaway | .... | special effects (as Donald Hathaway) | |
| Richard L. Hill | .... | special effects (as Richard Hill) | |
| Steve Luport | .... | special effects | |
| David Peterson | .... | special effects | |
| Paul Sabourin | .... | special effects | |
| James D. Schwalm | .... | special effects (as Jim Schwalm) | |
| Doyle Smiley | .... | special effects | |
| Bob Stoker | .... | special effects | |
| Lucinda Strub | .... | special effects | |
| Matt Sweeney | .... | special effects | |
| Fred Tessaro | .... | special effects | |
| Greg C. Jensen | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Kirk Bales | .... | second assistant camera | |
| Richmond G. Cogswell | .... | video assist operator | |
| Ray De La Motte | .... | camera operator | |
| Danny Falkengren | .... | dolly grip (as Daniel Axel Falkengren) | |
| Frank M. Holgate | .... | aerial photographer: second unit (as Frank Holgate) | |
| Frank M. Holgate | .... | underwater photographer (as Frank Holgate) | |
| Gary Holt | .... | chief lighting technician | |
| Bob E. Krattiger | .... | assistant chief lighting technician (as Bob Krattiger) | |
| Geary McLeod | .... | first assistant camera | |
| Hal Nelson | .... | best boy grip | |
| Charles Saldana | .... | key grip | |
| John R. Shannon | .... | still photographer | |
| Stephen St. John | .... | panaglide operator | |
| Bess Wiley | .... | second assistant camera | |
| Vincent Contarino | .... | dimmer board operator (uncredited) | |
| Adam Glick | .... | set lighting technician (uncredited) | |
| Ron Kunecke | .... | musco light operator (uncredited) | |
| Damon Marcellino | .... | set lighting technician (uncredited) | |
| Robert D. McBride | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Barry Francis Delaney | .... | costume supervisor (as Barry Delaney) | |
| Barbara Siebert | .... | costumer (as Barbara Seibert Bolticoff) | |
| Vicky Snow | .... | costumer | |
| Michael Voght | .... | costumer | |
Editorial Department | |||
| David Mann | .... | assistant editor | |
| William J. Meshover | .... | assistant editor (as William Meshover) | |
| Kevin Stitt | .... | assistant editor | |
Music Department | |||
| Bruce Babcock | .... | additional orchestrator | |
| Chris Boardman | .... | additional orchestrator (as Christopher Boardman) | |
| Christopher Brooks | .... | music editor | |
| Robert Fernandez | .... | music recordist: orchestral music (as Bobby Fernandez) | |
| Philip Giffin | .... | additional orchestrator | |
| Michael Kamen | .... | orchestrator | |
| Stephen McLaughlin | .... | music producer | |
| Bruce Babcock | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Jack Lietzke | .... | transportation coordinator | |
| John M. Woodward | .... | transportation captain | |
| Craig Lietzke | .... | driver (uncredited) | |
Other crew | |||
| Julie Adams | .... | south african dialog coach | |
| Pamela Alessandrelli | .... | assistant: Joel Silver | |
| Lisa Cogswell | .... | production secretary | |
| Alexander B. Collett | .... | assistant: Richard Donner | |
| Frank DeMichelis | .... | craft service | |
| Terri Depaolo | .... | assistant: Mel Gibson | |
| James W. Gavin | .... | helicopter pilot: second unit (as Jim Gavin) | |
| Nancy Hansen | .... | script supervisor | |
| David Israel | .... | location manager | |
| Amy Jackson | .... | production assistant | |
| Sati Jamal | .... | production aide | |
| Michael Klastorin | .... | unit publicist | |
| Gregory Manson | .... | production accountant (as Greg Manson) | |
| Joel Marx | .... | location manager | |
| Eveleen McCormack | .... | production office assistant | |
| Kari Ann Messina | .... | production office assistant (as Kari Messina) | |
| Cynthia Neber | .... | secretary: Richard Donner | |
| Scott Nimerfro | .... | assistant: Jennie Lew Tugend | |
| Michael Papac | .... | armorer | |
| Michael Papac | .... | weapons specialist | |
| Gilbert O. Parra | .... | technical advisor (as Art Fransen) | |
| Heidi Peterson | .... | production office assistant | |
| Julie Pitkanen | .... | script supervisor | |
| Frank Reinhard | .... | production aide | |
| Alicia Rivera Frankl | .... | production accountant | |
| Antoinette Simmrin | .... | location manager | |
| Michael Thau | .... | producer: Rianne's beach commercial (as Michael Benjamin Thau) | |
| Jennifer Todd | .... | assistant: Joel Silver | |
| Suzanne Todd | .... | assistant: Joel Silver | |
| Ladd Vance | .... | assistant: Joel Silver | |
| Ellen Wolff | .... | assistant production secretary | |
| Laurie Arnow-Epstein | .... | construction accountant (uncredited) | |
| Pat Bentley | .... | location liaison (uncredited) | |
| Joyce Heftel | .... | script supervisor: additional crew (uncredited) | |
| Antoinette Levine | .... | co-location manager (uncredited) | |
| Brian McMillan | .... | animal trainer (uncredited) | |
| Charles A. Tamburro | .... | aerial coordinator (uncredited) | |
| Lynnanne Zager | .... | dispatcher (uncredited) | |
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| Bad Boys II | Lethal Weapon 3 | Lethal Weapon | Live Free or Die Hard | Lethal Weapon 4 |
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"Lethal Weapon 2" is the type of sequel you don't screw with, for fear of getting seriously beat up if you do. Luckily the praise comes as easily as the film is good -- and boy, is it good.
If you haven't seen "Lethal Weapon" (1987), get off your computer, drop that Cheez-It out of your hand, rush to your closest video outlet and buy it. If you have seen it, then drop that Cheez-It out of your hand, rush to your closest video outlet and buy the sequel, "Lethal Weapon 2." It's a real ball-breaker, a bruiser, the type of film where the heroes get beat up mercilessly but when they get mad, boy are they mad, and they tear apart everything in their path that is standing in their way. There's a particular shoot-out scene aboard a docked ship where Riggs (Mel Gibson) goes on a rampage and really kicks butt with a vengeance.
But I think I'm getting ahead of myself.
The film opens with a high-speed car chase on a freeway in Downtown LA. Martin Riggs and Roger Murtaugh (Danny Glover) are in hot pursuit, tearing up Murtaugh's wife's brand-new car as they chase the speeder through an underground tunnel, up a bridge, and so on and so forth.
When they finally catch the speeder they find African gold hidden in the back of his truck. Soon they are being threatened to stay off of the case by African diplomats, one of whom Riggs really enjoys annoying. They can't arrest them because of diplomatic immunity, so Riggs goes in and shoots up the place where they're staying.
Riggs finds himself a new girl (Patsy Kensit), while Murtaugh protects a federal witness named Leo Getz (Joe Pesci), a lovable little blabbermouth who likes being one of the cops. He waddles around throughout the film like a little eager puppy, ready to do anything he's told. Of course Riggs and Murtaugh pick on him throughout the movie, but their friendship is a sort of love-to-hate, explained in "Lethal Weapon 4" (1997).
What a hard action movie/sequel this is. I had heard nothing very positive about this movie until right before I saw it. I sat down, watched it directly after I watched "Lethal Weapon," and realized just how great of a sequel it really is. It's not repetitive -- it continues the character progression and friendship seen at the end of "Lethal Weapon," while at the same time adding a bit more humor than the first film.
One of the things I praise about the first "Lethal Weapon" movie is that the characters didn't just suddenly agree to like each other at the end of the movie like so many films. They gradually learned to trust each other throughout the film, adding a sense of true friendship and realism to the film. In "Lethal Weapon 2," the friendship between Martin Riggs and Roger Murtaugh is definitely expanded more to the point where they're best buddies. Most of the time when there is a sequel to a cop-buddy film, the directors and writers are afraid to continue the friendship. They seem to forget the end of the original film, and in the second film the characters hate each other again and the progress of friendship starts all over again. (As seen in such films as "Another 48 Hrs.")
But "Lethal Weapon 2" is brave -- it isn't afraid to continue the story. I think that might be part of what makes it such a great, well-rounded series. It never really repeats itself, it always seems eager to move forward and ignore the past. The first film was a humorous, hard cop-buddy film about two opposites learning to trust each other. The second movie is a continuation of their friendship. The third film is almost a full-out comedy. And the fourth film is a tribute to the first three. Darn good filmmaking here.
"Lethal Weapon 2" is quite possibly one of the best sequels of all time. It avoids repetitions, it avoids cop-buddy cliches, and when it all comes down to it, Mel Gibson and Danny Glover and Joe Pesci are such an amazing trio, that even if this film did follow the routine procedures I'd still love it. And you can't say that about many movies.
4.5/5 stars -
John Ulmer